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'Do you sometimes think that you might wish that you were a national treasure, like Alan Bennett?' 'I'm rather glad I'm not. I'm quite pleased to be what I think I am, which is a sort of national liability.' Over the course of seven decades, Jonathan Miller has been at the forefront of developments in theatre, opera, comedy, philosophy and scientific debate. This new collection brings together the very best of his acerbic writing. In keeping with Miller's grasshopper mind, One Thing and Another leaps from discussions of human behaviour, atheism, satire, cinema and television, to analysis of the work of M. R. James, Lewis Carroll, Charles Dickens and Truman Capote, by way of reflections on directing Shakespeare, Chekhov, Olivier and opera. A celebrated conversationalist, the book also features a selection of key interviews focusing on his working method. Jonathan Miller is internationally celebrated as one of the last great public intellectuals. Read One Thing and Another to find out why.
Bibliographie / Library of the Medical and Chirurgical Society of London.
In this book, a distinguished historian of medicine surveys the basic elements that have constituted psychological healing over the centuries. Dr. Stanley W. Jackson shows that healing practices, whether they come from the worlds of medicine, religion, or philosophy, share certain elements that transcend space and time.Drawing on medical writings from classical Greece and Rome to the present, as well as on philosophical and religious writings, Dr. Jackson shows that the basic ingredients of psychological healing-which have survived changes of name, the fall of their theoretical contexts, and the waning of social support in different historical eras-are essential factors in our modern psychotherapies and in healing contexts in general.
Jane Austen has been thought of as a novelist of manners whose work discreetly avoids discussing the physical. John Wiltshire shows, on the contrary, how important are bodies and faces, illness and health, in the novels, from complainers and invalids such as Mrs. Bennet and Mr. Woodhouse, to the frail, debilitated Fanny Price, the vulnerable Jane Fairfax and the "picture of health," Emma. The book draws on modern theories of the body, and on eighteenth-century medical sources, to give a fresh and controversial reading of familiar texts.