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Dirge for an Imaginary World from Matthew Buckley Smith is the winner of the 2011 Able Muse Book Award, selected by Andrew Hudgins. These are poems of breathtaking craftsmanship that find inspiration in the simplicity of the quotidian, or the perplexity of the grand. Smith is equally at ease musing about Neanderthals or God as he is with a ballet exam or highway medians. These poems of personal and universal introspection are filled with grace, and sparkle with abundant intelligence and wit. This masterful debut collection is an event to celebrate. PRAISE FOR DIRGE FOR AN IMAGINARY WORLD: Wildness and precision and passion balanced with wit—there are the hallmarks of Matthew Buckley Smith’s superb Dirge for an Imaginary World. In subjects great (“For the Neanderthals”) and small made great (“For the College Football Mascots”), the comic is rich with serious intent and gravity lightened with discerning wit. But only a poet who lifts heavy and unwieldy subjects—death, lost love, the absence of god—knows the imperatives of graceful balance. – Andrew Hudgins (Judge, 2011 Able Muse Book Award) In this deeply impressive debut volume of poetry, Dirge for an Imaginary World, Matthew Buckley Smith delivers a remarkable range of deft formal schemes, temporal movements, and varied settings. We encounter sonnets, couplets, quatrains, Sapphics, sestets and so forth written with a slick, delightful merging of technical expertise and smooth contemporary rhythms. The range of subjects is equally and as charmingly eclectic, from Neanderthals, Dante, Vermeer, for instance, to College Football Mascots, Highway Mediums, and Spring Ballet Exams. Mental and linguistic agility generously challenge the reader in poem after poem. – Greg Williamson (from the “Foreword”) “If a way to the Better there be, it exacts a full look at the Worst,” wrote Thomas Hardy, whose spirit moves through the fine poems of Matthew Buckley Smith’s debut collection. Like his blast-beruffled predecessor, Smith braves a clear-eyed look at our fallen world, mourning in elegantly precise language the sorrows inherent in “set(ting) out to map a promised land/ Out of reach and always just at hand,” but also wishing great mercy upon us travelers failed and failing. These are poems full of both reckoning and grace, made all the more beautiful for their humane wisdom. Dirge for an Imaginary World is immensely impressive. – Carrie Jerrell
This anthology from the fringe examines our culture's obsession with taboos and the added temptation that forbidden pleasures bring. Warnings of danger and peril only heighten our desire for those things we have been told are bad, wrong and have been warned against doing. Postmodernists and surrealists come together in these pages with renegade horror and sci-fiction authors to re-envision what is "acceptable." By turns humorous and horrific then shocking and alluring, the authors dissect those very impulses we deny in our everyday lives. While navigating the minefield of gender relations and plotting explorations into the landscape of the other, this volume is all-inclusive in scope. It allows for every lifestyle and viewpoint, no matter how unlikely or bizarre. This literary experiment on human desire opens up many possibilities including the chance that the ultimate disaster might very well prove to be the most compelling temptation.
In literary modernism, time and space are sometimes transformed from organizational categories into aesthetic objects, a transformation that can open dramatic metaphorical and creative possibilities. In An Inch or Two of Time, Jordan Finkin shows how Jewish modernists of the early twentieth century had a distinct perspective on this innovative metaphorical vocabulary. As members of a national-ethnic-religious community long denied the rights and privileges of self-determination, with a dramatically internalized sense of exile and landlessness, the Jewish writers at the core of this investigation reimagined their spatial and temporal orientation and embeddedness. They set as the fulcrum of their imagery the metaphorical power of time and space. Where non-Jewish writers might tend to view space as a given—an element of their own sense of belonging to a nation at home in a given territory—the Jewish writers discussed here spatialized time: they created an as-if space out of time, out of history. They understood their writing to function as a kind of organ of perception on its own. Jewish literature thus presents a particularly dynamic system for working out the implications of that understanding, and as such, this book argues, it is an indispensable part of the modern library.
A beautifully surreal masquerade. World Fantasy Award Winning editor Forrest Aguirre brings you fantastical fiction from the most imaginative minds of our time. Contributors to this hallucinogenic spectacle include Brian Evenson, recipient of an O. Henry Prize and an NEA fellowship along with Lance Olsen, a Philip K. Dick Award finalist and Associate Editor at American Book Review. This anthology also features Rikki Ducornet who has had an L.A. Times Book of the Year has been a finalist for the National Book Critics' Circle Award and Terese Svoboda whose first novel was one of SPIN's ten best novels of 1994 and recently received an O. Henry Prize.
A NEW SAGA BEGINS. BABYLON, 2171. As the fabric of time begins to unravel, the man responsible must wrestle his darkest demons in order to thread the world back together again.
A longstanding, successful and frequently controversial career spanning more than four decades establishes David Bowie as charged with contemporary cultural relevance. That David Bowie has influenced many lives is undeniable to his fans. He requisitions and challenges his audiences, through frequently indirect lyrics and images, to critically question sanity, identity and essentially what it means to be 'us' and why we are here. Enchanting David Bowie explores David Bowie as an anti-temporal figure and argues that we need to understand him across the many media platforms and art spaces he intersects with including theatre, film, television, the web, exhibition, installation, music, lyrics, video, and fashion. This exciting collection is organized according to the key themes of space, time, body, and memory - themes that literally and metaphorically address the key questions and intensities of his output.
Cybercultures: Mediations of Community, Culture, Politics, is a collection of essays that critically examine the role that digital media and online cultures play in the rearticulation of contemporary societies, cultures and polities. This volume interrogates the nature and effects of the existence of cybercultures in the world of Web 2.0, new media and media convergence, and mobile digital networks. It does so by examining the effect of cybercultures upon the contemporary articulation of phenomena as diverse as bodily experience, memory, the imagination, history, political participation, the nature of community, artistic creativity, and the instability of rhetoric, language and meaning.
Fox takes as his starting point the issues that Quoheleth's interpreters have faced in their efforts to render the book faithfully, and in so doing, provides a new analysis of Quoheleth's reasoning, logic, and means of expression. Fox reaches three key conclusions about the work: Quoheleth is primarily concerned with the rationality of existence; Quoheleth is not against wisdom or the wise, and finally: Quoheleth supports the grasping of inner experience as the one domain of human freedom. These conclusions are supported by a thorough look at other analyses of Quoheleth.
Shakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender.