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Containing over 5000 entries from Aalto to ziggurat, this is the most comprehensive and up-to-date dictionary of architecture. Written in a clear and concise style, it is an invaluable work of reference for both students of architecutre and the general reader, as well as professional architects.
Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. The full bibliography to the first edition (previously only available online) has also been fully updated and expanded, and incorporated into this new edition. This is an essential work of reference for anyone with an interest in architectural and garden history. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.
With more than 20,000 words and terms individually defined, the Dictionary offers huge coverage for anyone studying or working in architecture, construction or any of the built environment fields. The innovative and detailed cross-referencing system allows readers to track down elusive definitions from general subject headings. Starting from only the vaguest idea of the word required, a reader can quickly track down precisely the term they are looking for. The book is illustrated with stunning drawings that provide a visual as well as a textual definition of both key concepts and subtle differences in meaning. Davies and Jokiniemi's work sets a new standard for reference books for all those interested in the buildings that surround us. To browse the book and to see how this title is an invaluable resource for both students and professionals alike, visit www.architectsdictionary.com.
A profusely illustrated reference-guide that describes, catalogs, and explicates the terms, styles, movements, types, materials, methods, specific achievements, and leading practitioners of world architecture throughout history.
Construction for Landscape Architecture covers all aspects of landscape construction, giving a good understanding of building materials and assembly. It is heavily illustrated with specially commissioned, detailed construction drawings and has a strong emphasis on sustainability and good practice. At the end of the book there is an extensive glossary and an appendix of technical information.
This dictionary provides a historical overview of the major architectural developments and styles, building materials and types, major structures and locations, sites and architects. Historical eras like ancient Egyptian architecture and the Renaissance in Europe and movements such as Art Deco are covered. Materials discussed range from concrete, stone, glass and wood, while types of structures include architectural inventions such as the arch and dome to building types from monasteries and mosques to museums and skyscrapers. Major structures highlighted in this volume include not only great achievements such as Hagia Sophia and the Eiffel Tower, but also important sites such as the Great Zimbabwe and Angkor Wat, found on the UNESCO World Heritage Site list. General geographical areas are also covered, such as African and Russian architecture. Noted architects include theorists from the ancient Chinese engineer Yu Hao Roman engineer Vitruvius to many current architects such as Zaha Hadid and Santiago Calatrava, with a focus on architects who have enjoyed lasting fame through history or have won international prizes such as the Pritzker Architecture Prize. This second edition of Historical Dictionary of Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on architects, famous structures, types of materials, and the different architectural styles. This book is an excellent access point for students, researchers, and anyone wanting to know more about architecture.
Basic theoretical texts for landscape architects.
Architectural Topographies is a critical dictionary for architects and landscape architects in which the graphic lexicon can be read from a beginning, the ground, to a conclusion, the specific case studies. Meant as a tool to help you recognise, analyse, choose, and invent solutions, the book's key words refer to the physical and material relationship between construction and ground; to where and how the link is built; to the criteria, methods, and tools used to know and transform the ground; and to the possible approaches to the place and their implications on the way the earth is touched. Fifty case studies by forty-six of the greatest architects of the previous hundred years are represented throughout in sectional drawings which place the buildings along the same ground plane to illustrate how the key words might be combined and to show each architect's position on their built work in relation to all the others. Includes projects by Alvar Aalto; Tadao Ando; Gunnar Asplund; Atelier Bow-Wow; João Batista Vilanova Artigas; Patrick Berger; Mario Botta; Marcel Breuer; Erik Bryggman; Gonçalo Byrne; David Chipperfield; Le Corbusier; Sverre Fehn; Aurelio Galfetti, Flora Ruchat, and Ivo Trumpy; Dick Van Gameren; Herzog and De Meuron; Steven Holl; Arne Jacobsen; Kengo Kuma; Anne Lacaton and Jean Philippe Vassal; Adalberto Libera; Frank Lloyd Wright; Paulo Mendes da Rocha; Ludwig Mies van der Rohe; Enric Miralles and Carme Pinos; Glenn Murcutt; Juan Navarro Baldeweg; Sheila O’Donnell and John Tuomey; Jan Olav Jensen and Børre Skodvin; John Pawson; Giuseppe Perugini, Mario Fiorentino, and Nello Aprile; Renzo Piano; Georges-Henry Pingusson; Rudolph Schindler; Roland Simounet; Alvaro Siza; Luigi Snozzi; Alejandro de la Sota; Eduardo Souto de Moura; Alison Smithson and Peter Smithson; Fernando Tavora; Jørn Utzon; Livio Vacchini; Francesco Venezia, Roberto Collovà, and Marcella Aprile; Amancho Williams; and Peter Zumthor.
The aim of the book is to illustrate the different ways of understanding landscape, creating a dictionary that can convey not just the scope of the designing processes and their related actors, but to provide a first key for interpreting the various approaches to this discipline that has given rise to an entirely new dimension in designing the cityscape, turning the open space of the city into a space for art and sculpture, fpr garden and architecture, and into a new field for cultural activity. It documents the surprising extent of the planning experience and profiles world-renowned architects, engineers, landscape architects, artists and photographers. It aslo provides the reader with a key interpretation of the different approaches to an experience that has introduced a new dimension in the physical transformation of our environment. The dictionary features leading figures from the international scen, including Tadao Ando, Emilio Ambasz, Daniel Buren, Tony Cragg, Walter de Maria, Michael Heizer, Nancy Holt, Toyo Ito, Anish Kapoor, Rem Koolhaas, Maya Lin, Richard Long and James Turrell, to name a few. Over the last decade the concept of ''landscape'' has dramatically changed. References to the discipline of landscape architecture can be found in urban planning, in projects that reconstruct large disused areas, in the design of public spaces, parks and private gardens, in Land Art and in photography. This field has come to greater prominence with the increase in public projects and by keeping pace with new theoretical approaches and design practices. This volume will be an invaluable reference for anyone involved in urban planning, public art, landscape architecture and landscape design.