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This catalog of works, organized alphabetically by composer, details the compositions of fifty-four modern British composers born between 1893 and 1923. Volume three covers composers from Elizabeth Maconchy to David Wynne. Compositions are listed chronologically and include pertinent information about the performance, year of composition, music history, first recordings, and original manuscript location. Concert music is listed separately from documentary and feature films and from music composed for radio, television or stage. As a tool for further research, this catalog will appeal to soloists, chamber musicians and orchestral players as well as to scholars of classical music. A selective bibliography is included for each composer. Each volume includes a title index organized by composer.
Contains more than 20,000 brief biographical entries on women, including thousands of entries on non-U.S. figures.
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Offering coverage of over 6,000 slang words and expressions from the Cockney 'abaht' to the American term 'zowie', this is the most authoritative dictionary of slang from the 20th and 21st centuries.
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.