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Excerpt from A Descriptive Catalogue of the Etched Work of Rembrandt Van Rhyn T is mainly for the guidance Of the student that this descriptive catalogue of the etched works of Rembrandt is designed. I have no desire to dis parage the labours of those who have preceded. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1878 edition. Excerpt: ... 1st. As described. The impressions of this, the perfect state of the plate when in good condition, are very beautiful Some are on India paper and have all the richness of tone which the tint of the paper imparts. Coll: BM. C. O. P. A. H. 2nd. A window is introduced in the right background; on the sill is placed a water bottle; in the upper left of this window is Rembrandt, and below it/ 1656; on the wall above the table is engraved in a different hand Joannes Lutma Auri/ex, and below natus Groningae. Coll: BM. C. P. AH. yd. The plate is reduced in height, it now measures 7, 6 (193), and has a clear space-f3 ('007) below; this impression appeared in the Van Leyden Collection. Coll: A. Copy. Same d. of 1st State, BibL IX. Copy. By M. Charles Blanc. Copy. An almost exact imitation of the 2nd State of this print has recently been produced by the Photogravure process of Messrs. Goupil; a slight difference in the size excepted, it is hardly possible to point out any variation which distinguishes it from the original, for which it might easily be mistaken. Before issuing the impressions the publishers stamp each at the back to guard against deception. If the student will carefully examine the shading of the background to the left of the plate, which is undoubtedly by Rembrandt, and compare it with the shading on the wall to the right, and the shading round the window, which appear only in the 2nd State, he will I think agree with me that in all this new work the hand of the master is conspicuous by its absence.' I am rather surprised that no one has made this observation before, or asked how it could possibly be that Rembrandt, having completed so superb a print, should deliberately mar the harmony of the piece and weaken its effect by the...
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Rembrandt van Rijn, the greatest master of the Dutch Golden Age, created a prolific and innovative body of paintings and etchings, having an immense influence on the course of Western art and inspiring new genres in painting. The Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents Rembrandt’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings and etchings of Rembrandt van Rijn — fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section of plates, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Rembrandt’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings and etchings * Easily locate the works you want to view * Features two bonus biographies, including Bell’s seminal study on the artist - immerse yourself in Rembrandt's turbulent life * Scholarly ordering of plates into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights ANNA ACCUSED BY TOBIT OF STEALING THE KID SELF-PORTRAIT, 1630-31 THE ANATOMY LESSON OF DOCTOR TULP PORTRAIT OF THE ARTIST JACQUES DE GHEYN FLORA DESCENT FROM THE CROSS BELSHAZZAR’S FEAST THE PRODIGAL SON IN THE TAVERN SELF-PORTRAIT, 1640 PORTRAIT OF AGATHA BAS THE NIGHT WATCH THE HOLY FAMILY WITH ANGELS SUSANNA SURPRISED BY THE ELDERS PORTRAIT OF HENDRICKJE STOFFELS A WOMAN BATHING SLAUGHTERED OX THE STAALMEESTERS SELF-PORTRAIT WITH PALETTE AND BRUSHES, 1665 THE JEWISH BRIDE The Paintings CHRONOLOGICAL LIST OF PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Etchings CHRONOLOGICAL LIST OF ETCHINGS ALPHABETICAL LIST OF ETCHINGS The Biographies REMBRANDT by Mortimer Menpes REMBRANDT VAN RIJN by Malcolm Bell Please visit www.delphiclassics.com to browse through our range of exciting titles
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.