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Arthur Peters was born and raised in North Sydney, Nova Scotia, attended University of King's College in Halifax and ministered six parishes before being elected Bishop of the Diocese of Nova Scotia and Prince Edward Island, and then Archbishop and Metropolitan. He retired in 2002, after 40 years in the clergy, 20 years as bishop and archbishop. A Deeper Imprint recounts Peters' life from his humble beginnings through the experiences of parish life in Nova Scotia, of raising a family on the move and of Peters' acumen dealing with diocesan matters during exciting, sometimes controversial, times for the Anglican Church: ordination of women, accusations of abuse, Residential Schools. Growing up in a humble and hardworking environment in wartime Cape Breton left an undoubtedly deep imprint on Peters, who, in turn, left his own imprint in numerous parishes, the diocese and the Anglican communion as a whole.
This book will enable the reader to understand how others feel when with us and what impressions we leave behind.
Imprint is a profound and courageous exploration of trauma, family, and the importance of breaking silence and telling stories. This book is a fresh and startling combination of history and personal revelation. When her son almost died at birth and her grandmother passed away, something inside of Claire Sicherman snapped. Her body, which had always felt weighed down by unknown hurt, suddenly suffered from chronic health conditions, and her heart felt cleaved in two. Her grief was so large it seemed to encompass more than her own lifetime, and she became determined to find out why. Sicherman grew up reading Anne Frank and watching Schindler's List with almost no knowledge of the Holocaust's impact on her specific family. Though most of her ancestors were murdered in the Holocaust, Sicherman's grandparents didn't talk about their trauma and her mother grew up in Communist Czechoslovakia completely unaware she was even Jewish. Now a mother herself, Sicherman uses vignettes, epistolary style, and other unconventional forms to explore the intergenerational transmission of trauma, about the fact that genes can be altered and carry memories, which are then passed down--a genetic imprinting. With astounding grace and strength, Sicherman weaves together a story that not only honours her ancestors but offers the truth to the next generation and her now nine-year-old son. A testimony of the connections between mind and body, the past and the present, Imprint is devastatingly beautiful--ultimately a story of love and survival.
Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventional practitioner, "Daniel Eatock Imprint" is as unconventional as the artist himself. While utilizing and embracing the expectations of a traditional monograph, the London-based designer also challenges and subverts them, presenting works based on connections and associations through color, composition, titles, material, and format rather than in chronological or hierarchical order. Constantly oscillating between art and graphic design, this book is full of Eatock’s astute observations and eccentric obsessions.
Best friends Kayla and Mishalla know they will be separated when the time comes for their Assignments. They are GENs, Genetically Engineered Non-humans, and in their strict caste system, GENs are at the bottom rung of society. High-status trueborns and working-class lowborns, born naturally of a mother, are free to choose their own lives. But GENs are gestated in a tank, sequestered in slums, and sent to work as slaves as soon as they reach age fifteen. When Kayla is Assigned to care for Zul Manel, the patriarch of a trueborn family, she finds a host of secrets and surprises--not least of which is her unexpected friendship with Zul's great-grandson. Meanwhile, the children that Mishalla is Assigned to care for are being stolen in the middle of the night. With the help of an intriguing lowborn boy, Mishalla begins to suspect that something horrible is happening to them. After weeks of toiling in their Assignments, mystifying circumstances enable Kayla and Mishalla to reunite. Together they hatch a plan with their new friends to save the children who are disappearing. Yet can GENs really trust humans? Both girls must put their lives and hearts at risk to crack open a sinister conspiracy, one that may reveal secrets no one is ready to face.
An Australian crime thriller peppered with a light seasoning of science fiction. Murders. Assassinations. Chaos in the City of Canberra. The true terror lies behind the answer to one question. How do you stop the only man who can answer the ultimate question: What would happen
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