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Wealthy Bohemian artist Rowland Sinclair and his lively companions are sailing homewards to Australia on the RMS Aquitania. The ship embodies luxury and civilised respite from the tensions of the Depression-era; until the murders start... A passenger manifest containing suffragettes, men of God and mystics ought to provide stimulation and safety; instead, a cocktail of flawed people results in danger, death and a cloud of suspicion which envelops Rowland and his entourage - a poet, a fellow painter and a brazen sculptress. Finding himself unwittingly at the centre of a murder investigation, can Rowland put a stop to the heinous crimes before he and his friends become victims themselves? Sulari Gentill expertly weaves real events and personalities into her tension-fuelled murder mysteries which are sure to enthral lovers of deep intrigue and history.
Murder and Intrigue When High Society Meets the High Seas – A Gripping Historical Mystery The Second Book of the Acclaimed Rowland Sinclair Mysteries, the Historical Crime Series The luxury liner, RMS Aquitania, embodies all that is gracious and refined, in a world gripped crisis and doubt. But elegant atmosphere on board is charged with tension. Civility remains... but how long will the peace hold when people start to die? After months abroad, Rowland Sinclair and his companions begin their journey home on the ship. The heroes dine with a suffragette, a Bishop and a retired World Prophet. The Church encounters less orthodox religion in the Aquitania's chandeliered ballroom, where men of God rub shoulders with mystics in dinner suits. Gentill's razor-sharp voice draws these wonderfully diverse characters, and as the pressure rises, so too does a foreboding sense of intrigue. As the bodies pile up, and Rowland unwittingly finds himself at the centre of it all again, can he unravel the mystery and stop these heinous crimes before he and his friends become victims themselves? Gentill captures the readers interest and imagination from the first page in this superbly narrated and observed novel. A highly amusing adventure amidst the horrors of death and the bizarre nature of 1930s society.
Oswald Spengler (1880--1936) is best known for The Decline of the West, in which he propounded his pathbreaking philosophy of world history and penetrating diagnosis of the crisis of modernity. This monumental work launched a seminal attack on the idea of progress and supplanted the outmoded Eurocentric understanding of history. His provocative pessimism seems to be confirmed in retrospect by the twentieth-century horrors of economic depression, totalitarianism, genocide, the dawn of the nuclear age, and the emerging global environmental crisis. In Prophet of Decline, John Farrenkopf takes advantage of the historical perspective the end of the millennium provides to reassess this visionary thinker and his challenging ideas on world history and politics and modern civilization. Farrenkopf's assessment ranges widely, placing Spengler's philosophy in its intellectual historical context and covering Spengler's ideas on democracy, capitalism, science and technology, cities, Western art, social change, and human exploitation of the environment. He also illuminates the implications of Spengler's thought for contemplating from a fresh perspective the future of the United States, the leading power of the West. Prophet of Decline is highly relevant today as many take the opportunity at the turn of the century to ponder again the direction in which humankind and our global community are moving and approach with concern the uncertain future amid globalization, hypercomplexity, and accelerating change. An interdisciplinary book about an interdisciplinary thinker, it is a substantial contribution to the literature of historical philosophy, political science, international relations, and German studies.
A Dashing Artist Playing Detective to Solve His Uncle's Brutal Murder – the 1930s Were to Die For! A Rowland Sinclair Mystery Short-listed for Commonwealth Writers' Prize for Best First Book Sulari Gentill – Winner of Davitt Award for Best Adult Crime Fiction 2012 In 1930s Australia, the Sinclair name is respectable and influential, yet the youngest son Rowland – an artist – has a talent for scandal. Even with the unemployed lining the streets, Rowland lives in a sheltered world... of wealth, culture and impeccable tailoring with the family fortune indulging his artistic passions and friends... a poet, a painter and a brazen sculptress. Mounting political tensions fuelled by the Great Depression take Australia to the brink of revolution. While Rowland is an uncommon man, his name is not. He shares it with an uncle, an aging playboy. When the elder man is murdered, Rowland is stricken with grief and plagued by question. Foremost: why would anyone want to kill the old man? The stakes are high, as Rowland and his friends go undercover in the New Guard, a dangerous political group intent on wrestling control of the country from its current leadership. As danger looms and Rowland and his friends become targets of the fascist legion, will they be able to solve the mystery of his uncle's murder? Will they be able to protect the country from political upheaval? Gentill skilfully weaves her narratives around real historical events and figures with razor-sharp humour and incredible imagination. Her debut novel delights the reader and excites them with richly drawn characters and impeccable timing. A Dashing Artist Playing Detective to Solve His Uncle's Brutal Murder – the 1930s Were to Die For!
A MURDER SWEPT UNDER THE VERY EXPENSIVE CARPET The Sixth Book of the Acclaimed Rowland Sinclair Mysteries The black sheep of a wealthy 1930s grazier dynasty, gentleman artist Rowland Sinclair often takes matters into his own hands. When the matter is murder, there are consequences. For nearly fourteen years, Rowland has tried to forget, but now the past has returned. A newly-discovered gun casts light on a family secret long kept... a murder the Sinclairs would prefer stayed unsolved. As old wounds tear open, the dogged loyalty of Rowland's inappropriate companions is all that stands between him and the consequences of a brutal murder... one he simply failed to mention. SOCIAL UNREST, POWERFUL BETRAYAL AND AN OLD FAMILY SECRET
In 1932, the RMS Aquitania embodies all that is gracious and refined, in a world gripped by crisis and doubt. Returning home on the luxury liner after months abroad, Rowland Sinclair and his companions dine with a suffragette, a Bishop and a retired World Prophet. The Church encounters less orthodox religion in the Aquitania's chandeliered ballroom, where men of God rub shoulders with mystics in dinner suits. The elegant atmosphere on board is charged with tension, but civility prevails... until people start to die. Then things get a bit awkward. And Rowland finds himself unwittingly in the centre of it all.
Olivia Stewart Lester examines true and false prophecy at the intersections of interpretation, gender, and economics in Revelation, Sibylline Oracles 4-5, and contemporary ancient Mediterranean texts. With respect to gender, these texts construct a discourse of divine violence against prophets, in which masculine divine domination of both male and female prophets reinforces the authenticity of the prophetic message. Regarding economics, John and the Jewish sibyllists resist the economic actions of political groups around them, especially Rome, by imagining an alternate universe with a new prophetic economy. In this economy, God requires restitution from human beings, whose evil behavior incurs debt. The ongoing appeal of prophecy as a rhetorical strategy in Revelation and Sibylline Oracles 4-5, and the ongoing rivalries in which these texts engage, argue for prophecy's continuing significance in a larger ancient Mediterranean religious context.
This book investigates the ‘decline and fall’ of Rome as perceived and imagined in aspects of British and American culture and thought from the late nineteenth through the early twenty-first centuries. It explores the ways in which writers, filmmakers and the media have conceptualized this process and the parallels they have drawn, deliberately or unconsciously, to their contemporary world. Jonathan Theodore argues that the decline and fall of Rome is no straightforward historical fact, but a ‘myth’ in terms coined by Claude Lévi-Strauss, meaning not a ‘falsehood’ but a complex social and ideological construct. Instead, it represents the fears of European and American thinkers as they confront the perceived instability and pitfalls of the civilization to which they belonged. The material gathered in this book illustrates the value of this idea as a spatiotemporal concept, rather than a historical event – a narrative with its own unique moral purpose.
Aernie examines the prophetic material in the Old Testament and its relationship with the prophetic material in Second Temple Judaism, Hellenism, and the early Christian movement. The subsequent analysis of 1 Corinthians constitutes an investigation of the effect of the Old Testament prophetic tradition on Paul's self-presentation in 1 Cor 9.15-18 and rhetorical framework in 1 Cor 14.20-25 as a methodological foundation for the exegetical analysis of 2 Corinthians. Aernie explores the influence of the Old Testament prophetic tradition on Paul's apostolic self-presentation and rhetoric in 2 Corinthians. The analysis of Paul's self-presentation examines the apostle's relationship with Moses, the Isaianic servant, and Jeremiah in order to define Paul's position with regard to the preceding prophetic tradition. Aernie analyses Paul's argument in 2 Cor 2.14-16; 4.1-6; 6.14-7.1; 12.1-10 then seeks to examine the influence of the Old Testament prophetic tradition on the formation of Paul's rhetorical framework. Aernie's intention is to provide support for the notion that the particularly prophetic nature of Paul's apostolic persona affects both his self-presentation and rhetorical agenda in 2 Corinthians.
The Israelite prophets as historical persons, as literary characters and as anonymous artists. Whereas modern methods of literary analysis have brought the artistic qualities of the books of the Prophets increasingly into focus during the past century, various modes of deconstruction have made the historical prophets themselves an ever more elusive phenomenon. Passages in the Old Testament describing their work and experiences are not read as biography anymore, but as literary fiction intended to picture the prophets as heroes of faith. The real ‘prophets’ were the anonymous artists who were responsible for the final editing of the legacy of the historical prophets and who often used the authority of their predecessors to promulgate their own theological views. This volume brings together studies about this theme by members of the British and Dutch societies for Old Testament study. Attempts to recover some of the biographical data and authentic experiences of the prophets alternate with penetrating analyses of the theological depth and stylistic virtuosity of the prophetic books.The volume will be particularly useful to all those interested in the interpretation of the prophetic books of the Old Testament.