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War is the father and king of all: some he has made gods and some men; some slaves and others free – Heraclitus of Ephesus. One hundred years have passed since Captain Stanley Savige, an Anzac, signed up for a hell-raising, secret military mission in January 1918; one he was not expected to survive. Sailing up the palm fringed Tigris River with Dunsterforce to the exotic lands of Scheherazade and whirling dervishes, he never imagined that within a few months he and his men would stare death in the face during one of the most extraordinary episodes of Australian military history. Against immense odds in the mountain wilderness of northern Persia, Captain Savige rescued sixty to eighty thousand Assyrian refugees from genocide at the hands of the Ottoman Turks. But why was he there and who are the Assyrians? Untold until now, this remarkable odyssey speaks to the mystery of human suffering, courage and sacrifice. And it reveals our debt of honour to Captain Savige and his marvellous legacy of hope and compassion. This book is a wonderful tribute to an incredible Australian, who displayed kindness and compassion to a community in crisis. One hundred years have passed and finally this significant humanitarian story is receiving the recognition it deserves. Sarah Lindenmayer is to be commended for bringing this important story to life - The Savige Family Officially supported by Legacy Melbourne, authorised by the Savige Family and endorsed by the Australian Assyrian Community.
Explores debt as a central historical component of religion, literature, and societal structure, while examining the idea of humanity's debt to the natural world.
Captain Kirk and the crew of the Enterprise find themselves teamed with Klingons and Romulans against a galactic threat that has been hushed up by their respective governments. --publisher.
I owe you a dinner invitation, you owe ten years on your mortgage, and the government owes billions. We speak confidently about these cases of debt, but is that concept clear in its meaning? This book aims to clarify the concept of debt so we can find better answers to important moral and political questions. This book seeks to accomplish two things. The first is to clarify the concept of debt by examining how the word is used in language. The second is to develop a general, principled account of how debts generate genuine obligations. This allows us to avoid settling each case by a bare appeal to moral intuitions, which is what we seem to currently do. It requires a close examination of many institutions, e.g. money, contract law, profit-driven finance, government fiscal operations, and central banking. To properly understand the moral and political nature of debt, we must understand how these institutions have worked, how they do work, and how they might be made to work. There have been many excellent anthropological and sociological studies of debt and its related institutions. Philosophy can contribute to the emerging discussion and help us to keep our language precise and to identify the implicit principles contained in our intuitions.
As President of the United States, Jack Ryan has faced many challenges, but none have been as personal as this and never has he been this helpless in the face of evil in the latest entry in Tom Clancy's #1 New York Times bestselling series. Father Pat West, S.J. was a buddy of the young Jack Ryan when they were both undergraduates at Boston College. Father West left a comfortable job in the philosophy department at Georgetown to work with the poor in Indonesia. Now he's been arrested and accused of blasphemy against Islam. President Ryan is desperate to rescue his old friend, but he can't move officially against the Indonesians. Instead he relies on the Campus team to find out who is framing the priest. There's one other twist to the story. President Ryan discovers a text on his private cell phone from the priest warning about a coming attack against America...
Based on interviews and field research, the authors explore the sets of ideas Arab tribespeople from Ras Al-Khaimah had about tribe and community; social and economic networks, and jural contracts for livelihoods and profits; their uses of their environments; the moral relations of credit, debt and labour; ruling; economic and political transformations; and ideas of regional history where conflicts were regarded as disputes over sets of ideas, and informal accounts of tribal and local histories. Their lively descriptions and explanations of life before oil portrayed tribal societies whose relationships were moral rather than political and were between jurally equal persons. All lived from their own resources; 'wealth' was material self-sufficiency; 'riches' the richness of social relationships. Political arenas were decentralised and underpinned by common cultural and moral values. Published sources give a wider context to these ideas and events which show the great complexity and differing perspectives of 'life before oil' in the Gulf.
Book One of a high-octane thriller series. Fifteen-year-old Dom is cast out of his comfortable life in the Gold Coast's Halcyon Grove when he inherits an ancient debt. Now, he has six Herculean tasks to perform ... or lose a pound of flesh.
On September 13, 1912, the day of Emperor Meiji’s funeral, General Nogi Maresuke committed ritual suicide by seppuku (disembowelment). It was an act of delayed atonement that paid a debt of honor incurred thirty-five years earlier. The revered military hero’s wife joined in his act of junshi ("following one’s lord into death"). The violence of their double suicide shocked the nation. What had impelled the general and his wife, on the threshold of a new era, to resort so drastically, so dramatically, to this forbidden, anachronistic practice? The nation was divided. There were those who saw the suicides as a heroic affirmation of the samurai code; others found them a cause for embarrassment, a sign that Japan had not yet crossed the cultural line separating tradition from modernity. While acknowledging the nation’s sharply divided reaction to the Nogis’ junshi as a useful indicator of the event’s seismic impact on Japanese culture, Doris G. Bargen in the first half of her book demonstrates that the deeper significance of Nogi’s action must be sought in his personal history, enmeshed as it was in the tumultuous politics of the Meiji period. Suicidal Honor traces Nogi’s military career (and personal travail) through the armed struggles of the collapsing shôgunate and through the two wars of imperial conquest during which Nogi played a significant role: the Sino-Japanese War (1894–1895) and the Russo-Japanese War (1904–1905). It also probes beneath the political to explore the religious origins of ritual self-sacrifice in cultures as different as ancient Rome and today’s Nigeria. Seen in this context, Nogi’s death was homage to the divine emperor. But what was the significance of Nogi’s waiting thirty-five years before he offered himself as a human sacrifice to a dead rather than living deity? To answer this question, Bargen delves deeply and with great insight into the story of Nogi’s conflicted career as a military hero who longed to be a peaceful man of letters. In the second half of Suicidal Honor Bargen turns to the extraordinary influence of the Nogis’ deaths on two of Japan’s greatest writers, Mori Ôgai and Natsume Sôseki. Ôgai’s historical fiction, written in the immediate aftermath of his friend’s junshi, is a profound meditation on the significance of ritual suicide in a time of historical transition. Stories such as "The Sakai Incident" ("Sakai jiken") appear in a new light and with greatly enhanced resonance in Bargen’s interpretation. In Sôseki’s masterpiece, Kokoro, Sensei, the protagonist, refers to the emperor’s death and his general’s junshi before taking his own life. Scholars routinely mention these references, but Bargen demonstrates convincingly the uncanny ways in which Sôseki’s agonized response to Nogi’s suicide structures the entire novel. By exploring the historical and literary legacies of Nogi, Ôgai, and Sôseki from an interdisciplinary perspective, Suicidal Honor illuminates Japan’s prolonged and painful transition from the idealized heroic world of samurai culture to the mundane anxieties of modernity. It is a study that will fascinate specialists in the fields of Japanese literature, history, and religion, and anyone seeking a deeper understanding of Japan’s warrior culture.