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Intrepid young curator-turned-private eye Jenna Murphy—whom readers first met in A Head in Cambodia—goes to the tourist town of Ubud to study early twentieth-century Balinese painting. But her first discovery when she arrives in Indonesia is the speared body of expat artist Flip Hendricks. She soon is working with an old friend, a detective for the Ubud police force, to seek the killer. Jenna suspects the motive for the killing has to do with Flip’s paintings. Detective Wayan Tyo is not so sure. Is Jenna right, or are there other forces at work in this paradise overrun with tourists? The threats to Jenna’s safety pile up, until she can no longer deny that her life is in danger. Her entanglement with various men only clouds her judgment and complicates the situation. As she did in the first Jenna Murphy book, in A Death in Bali, Nancy Tingley draws on her extensive experience as a scholar of Asian art to bring the armchair traveler an immersive, inside view of the art world.
Set in the first decade of the 20th century, this moving book shares the tragic reality of the Dutch invasion of Bali and the mass suicides that ensued. In Love and Death in Bali, renowned author Vicki Baum skillfully intermeshes several different narratives that all culminate in the infamous puputan (the "ending"), the slaughter and mass suicides that brought the old Bali to an end in 1906. Written within living memory of these bloody events, the book tells the story of the passionate and deeply spiritual people who defy Dutch imperial forces through an act that brings them certain death--and certain rebirth. The looting of a Chinese trading ship gives the Dutch colonial forces the perfect excuse to intervene in island affairs, but they encounter astonishing resistance. In the battle of Badung, wave upon wave of Balinese clothed in white ceremonial garb charge into the blazing Dutch guns, kris daggers in hand, prepared to die. Who among them will survive, and how will their lives be forever changed? Love and Death in Bali, first published in German in 1937, is considered by many to be the finest novel ever written about this island paradise where everyone, regardless of caste or position, is woven into the fabric of an ancient culture, connected by customs and, above all, by strong religious beliefs. In this edition, anthropologist and award-winning author Nigel Barkley's introduction provides excellent context for the complex, dramatic tale that follows.
This provocative and indispensable book provides a natural and cultural history of our most mysterious and complex human function: our ability to shed tears. All humans, and only humans, weep. Tears are sometimes considered pleasurable, sometimes dangerous, mysterious, deceptive, or profound. Tears of happiness, tears of joy, the proud tears of a parent, tears of mourning, tears of laughter, tears of defeat --what do they have in common? Why is it that at times of victory, success, love, reunion, and celebration the outward signs of our emotions are identical to those of our most profound experiences of loss? Why We Cry looks at the many different ways people have understood weeping, from the earliest known representation of tears in the fourteenth century B.C. through the latest neurophysiological research. Despite our most common romantic assumptions, what this brilliant book tells us is that tears are never pure, they are never simple.
The accompanying CD contains music excerpts which are listed in the book on pgs. xiii-xvii.
In the early 1930s, Geoffrey Gorer, who had already made his mark with Africa Dances (now reissued in the Penguin Travel Library) went on a three months' trip to Sumatra, Java, Bali, Thailand, and Cambodia. The resulting travelogue, an exciting record, can be read today with great enjoyment and interest. Though recent travel writing about South-East Asia may contain more practical information, what Bali and Angkor lacks in this respect is more than made up for by Gorer's considerable powers of observation and his interest in interpreting the role that art and religion play in the life of the Balinese and the Khmers.
This autobiographical journey of grief follows the suffering of a father after his son is killed in the Bali nightclub bombings. Through the maze of Australian bureaucracy and a healing pilgrimage to Bali, Deegan attempts to come to terms with the death of his son and looks for answers from a government whose veracity he doubts.
The Island of Bali--a true paradise is explored in this classic travelogue. From the artists and writers of the 1930s to the Eat, Pray, Love tours so popular today, Bali has drawn hoards of foreign visitors and transplants to its shores. What makes Bali so special, and how has it managed to preserve its identity despite a century of intense pressure from the outside world? Bali: A Paradise Created bridges the gap between scholarly works and more popular travel accounts. It offers an accessible history of this fascinating island and an anthropological study not only of the Balinese, but of the paradise-seekers from all parts of the world who have traveled to Bali in ever-increasing numbers over the decades. This Bali travelogue shows how Balinese culture has pervaded western film, art, literature and music so that even those who've never been there have enjoyed a glimpse of paradise. This authoritative, much-cited work is now updated with new photos and illustrations, a new introduction, and new text covering the past twenty years.
From the bestselling author of 'Hotel Kerobokan' and co-author of Schapelle Corby's 'My Story' comes an incredible account of Bali's hidden drug world. With unprecedented access to some of Bali's biggest international smugglers and local dealers, Kathryn Bonella has written a book even more explosive and revelatory than 'Hotel Kerobokan'.
An ethnographic exploration of identity politics in three of Balis musical subcultures&—reggae, punk, and death metal&—during the 1990s.