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“Agatha Christie meets Downton Abbey…exemplary.” —PUBLISHERS WEEKLY To make ends meet, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it—even to the point of committing murder . . . The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe’s proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a “vulgar enterprise.” Phoebe’s grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity. Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It’s a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her—only to find her in the library, strangled with a silken drapery cord. The schoolchildren are promptly sent home, but the members of the Historical Society—many of whom also wandered off at times—remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow’s murder—before someone else becomes history . . .
In 1918 England, when the Marquis of Allerton goes missing from his fianc?e's family estate, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, take an interest in discovering the truth.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at their summer home, reporter Emma Cross learns that sometimes the cream of the crop can curdle one’s blood . . . Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . . “Sorry to see the conclusion of Downton Abbey? Well, here is a morsel to get you through a long afternoon. Brew some Earl Grey and settle down with a scone with this one.” —Washington Independent Review of Books
A trip to Staffordshire for Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, leads to murder in a famed pottery works . . . Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary. The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead—his body crushed in a grinding pan and his design pattern book missing—his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist. At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth . . .
At the dawn of the twentieth century, observers heralded a new era of social progress, seemingly limitless technological advances, and world peace. But within only a few years, the world was perched on the brink of war, revolution, and human misery on an unprecedented scale. Is it possible that today, in the early twenty-first century, we are on the verge of similar, tumultuous times? Blending a detailed knowledge of international security affairs with history, philosophy, psychology, and literature, Thérèse Delpech vividly reminds us of the signs and warnings that were missed as the "civilized" world failed to prevent both world wars, the Holocaust, Soviet death camps, and Cambodian killing fields that made the twentieth century so deadly. Drawing a parallel between 1905 and 2005, Delpech warns that it could happen again in this current era of increasing international violence and global lawlessness. She looks ahead to imagine various scenarios and regions that could become flashpoints in the future. Winner of the 2005 Prix Femina de l'essai. Praise for the original French edition, L'Ensauvagement "One doesn't know what to admire most in this book: the precision of information, the scope of reference, the originality of the approach?" —Le Nouvel Observateur "From Iranian nuclear ambitions to the Taiwan question, Delpech reviews all the situations which might lead mankind to succumb to the perennial temptation of savagery—a passionate and lucid book." —L'argus de la presse "L'ensauvagement transcends its surface content, articulating great hope that our reason and will might take hold and overcome unreason." —Politique étrangère "Combining introspection and prediction, geopolitics and philosophy, Thérèse Delpech has issued a warning cry." —Politique Internationale
When the headmistress, Miss Finch, of the Haverleigh School for Young Ladies is poisoned it's up to Lady Phoebe and Eva to stop the killer before they strike again.
In this brilliant and gripping medical detective story. Richard Rhodes follows virus hunters on three continents as they track the emergence of a deadly new brain disease that first kills cannibals in New Guinea, then cattle and young people in Britain and France -- and that has already been traced to food animals in the United States. In a new Afterword for the paperback, Rhodes reports the latest U.S. and worldwide developments of a burgeoning global threat.
An authoritative study of the dangers nations face today from weapons of mass destruction and the successes and failures of international nonproliferation efforts. This proliferation atlas documents with maps, charts, and graphs the spread of nuclear, chemical, and biological weapons and missile delivery systems. The book describes the weapons and the regimes that try to control them; it also details the countries that have, want, or have given up weapons of mass destruction. Deadly Arsenals provides the most up-to-date and comprehensive assessment available on the subject and is a valuable resource for policymakers, scholars, students, and the media.
Short story collection from BASS author, Roy Kesey. With incredible language and plots, Kesey leaves his readers wanting more stories.
Set in the Downton Abbey era of post-WW1 England, this evocative historical series features Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, solving crimes among the gentry, in a well-crafted mystery that will appeal to fans of Deanna Raybourn and Victoria Thompson. A house party attended by fashion royalty becomes the backdrop for a murder that only Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, can untangle ... Amid the aftermath of the Great War and its hardships, it’s no wonder that many wish to rediscover life’s pleasures—parties, fashion, dancing. Still, Lady Phoebe and Eva are disconcerted when a small gathering at the home of Phoebe’s sister, Julia, becomes a far larger and more glamorous affair . . . Julia has invited her favorite French fashion designer, Gabrielle “Coco” Chanel, and Coco’s current beau, the Earl of Chesterhaven. Coco has brought an entourage of her own, including two models, and intends to use the gardens as a photographic setting for her latest creations. Madame Chanel is as outspoken as she is talented, offering a scathing critique of Phoebe’s fashion sense. There is tense competition between the models as well. When one of the guests is found dead of smoke inhalation, it appears to be a tragic accident. But was a footman really to blame for mistakenly closing the fireplace flue, or is there a more sinister explanation? Phoebe is determined to find out, despite the protestations of her sweetheart, Owen Seabright. Both above and below stairs, Phoebe and Eva uncover myriad motives—career ambition, romantic rivalries, and even deeper betrayals. For despite the surface beauty, there are ugly secrets in the world of Maison Chanel, ones that a killer will risk anything to protect.