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Kate Mannering, a lady’s companion, is mistaken for the lady herself and kidnapped by a dashing masked highwayman. When she hears his story, however, before being released, she decides to help him recover his stolen birthright and soon gets herself embroiled in danger from smugglers and a would-be seducer. Meanwhile, an annoying, indolent guest at the home of her employer insults her at every opportunity but rescues her from every danger, even when she does not need or appreciate his help. She is alarmed to find herself falling quite inappropriately for both the highwayman and the guest.
Sparkling Regency Romance from a Captivating New Voice Lady Miranda Hawthorne acts every inch the lady, but inside she longs to be bold and carefree. Entering her fourth Season and approaching spinsterhood in the eyes of society, she pours her innermost feelings out not in a diary but in letters to her brother's old school friend, a duke--with no intention of ever sending these private thoughts to a man she's heard stories about but never met. Meanwhile, she also finds herself intrigued by Marlow, her brother's new valet, and although she may wish to break free of the strictures that bind her, falling in love with a servant is more of a rebellion than she planned. When Marlow accidentally discovers and mails one of the letters to her unwitting confidant, Miranda is beyond mortified. And even more shocked when the duke returns her note with one of his own that initiates a courtship-by-mail. Insecurity about her lack of suitors shifts into confusion at her growing feelings for two men--one she's never met but whose words deeply resonate with her heart, and one she has come to depend on but whose behavior is more and more suspicious. When it becomes apparent state secrets are at risk and Marlow is right in the thick of the conflict, one thing is certain: Miranda's heart is far from all that's at risk for the Hawthornes and those they love.
In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and fought as a soldier for seventeen months toward the end of the American Revolution. Deborah Sampson was not the only woman to pose as a male and fight in the war, but she was certainly one of the most successful and celebrated. She managed to fight in combat and earn the respect of her officers and peers, and in later years she toured the country lecturing about her experiences and was partially successful in obtaining veterans’ benefits. Her full story, however, was buried underneath exaggeration and myth (some of which she may have created herself), becoming another sort of masquerade. Young takes the reader with him through his painstaking efforts to reveal the real Deborah Sampson in a work of history that is as spellbinding as the best detective fiction.
It's the Carnevale of 1750 and Venice's ballrooms, theatres, palazzos and squares are filled with delicious gossip, devilish fun and dangerous games. In this glittering masked world, everyone has a secret... Set in an age of decadence made famous by Casanova, Masquerade uncovers the secrets of seven teens, from the highest aristocrat to the lowest servant - their dreams, desires, loves, loyalties ... and betrayals. All the world's a stage. Let the show begin.
Freddie Sullivan, having failed to persuade his cousin Julia to marry him, goes to Bath in desperate search of a rich wife so that he can pay off his debts. Clara Danforth, plain and wheelchair-bound, seems the ideal choice, and Freddie sets about wooing her with his good looks, flattery, and considerable charm. Clara is not deceived for a moment, but she encourages him anyway as for once she wants to possess something beautiful in her life. The path to love between these two after they marry is a rocky one. Freddie struggles to overcome his gambling addiction and his shame over the deception he perpetrated against Clara, and she struggles to overcome her physical handicaps and low self-esteem. Can Freddie ever be forgiven? Can he ever forgive himself? Can Clara ever trust his fragile love?
New York Times bestselling author Sarah MacLean returns with the much-anticipated final book in her Bareknuckle Bastards series, featuring a scoundrel duke and the powerful woman who brings him to his knees. Grace Condry has spent a lifetime running from her past. Betrayed as a child by her only love and raised on the streets, she now hides in plain sight as queen of London’s darkest corners. Grace has a sharp mind and a powerful right hook and has never met an enemy she could not best...until the man she once loved returns. Single-minded and ruthless, Ewan, Duke of Marwick, has spent a decade searching for the woman he never stopped loving. A long-ago gamble may have lost her forever, but Ewan will go to any lengths to win Grace back…and make her his duchess. Reconciliation is the last thing Grace desires. Unable to forgive the past, she vows to take her revenge. But revenge requires keeping Ewan close, and soon her enemy seems to be something else altogether—something she can’t resist, even as he threatens the world she's built, the life she's claimed…and the heart she swore he'd never steal again.
A Masked Deception is the digital reissue of a previously published and long out-of-print novel by New York Times Bestselling author Mary Balogh. Margaret Wells has been deeply, hopelessly in love with the handsome, dashing Richard Adair, Earl of Brampton, since she met him at a masquerade ball six years ago. Passion had flared between them then, but she had fled before the time for unmasking. Now Richard merely needs a wife to give him an heir, and the quiet, demure Miss Wells seems as suitable as anyone else. Margaret, longing to ignite some sort of passion in her dull marriage, wonders what would happen if she were to become that masked enchantress once more and met her husband by chance in some secluded, romantic setting. Little does Margaret suspect that Richard has never forgotten the nameless charmer for whom he had searched in vain for weeks and months after the masquerade ball. And little does she suspect that he is falling in love with his wife.
The Double Wager is the digital reissue of a previously published and long out-of-print novel by New York Times Bestselling author Mary Balogh. Henrietta Tallant has always preferred the company of her brother and his rough-and-tumble friends to that of other ladies. She rebels at the prospect of making her debut into London society and the great marriage mart. However, when her brother’s friends challenge her to entice the toplofty, unattainable Duke of Eversleigh into offering her marriage within six weeks, she recklessly accepts and wagers her beloved horse. The Duke of Eversleigh, who has always adamantly proclaimed his determination never to marry, is beginning to feel the pull of duty and the need to produce an heir. His friends do not believe he will give in so easily, however, and wager with him that he will not make a marriage offer within a month. When Henrietta deliberately collides with the duke in a London ballroom, then, each is intent upon winning a wager--without any thought to what will happen after it is won.
A romantic ruse unravels among the Alabama elite in the New York Times–bestselling author’s Americana novel of deception and desire. What was shy Los Angeles secretary Laurie Evans doing in Mobile, Alabama, for the weekend? Making good on a promise to meet the future in-laws. Not hers, but her cousin LaRaine’s. Like a fool, Laurie has agreed to masquerade as her cousin after the spoiled aspiring actress lands a movie role. LaRaine’s fiancé, millionaire hotel magnate Rian Montgomery, isn’t going to be there, and the rest of the Montgomery clan will never be the wiser. What could possibly go wrong? After spending her life in her cousin’s shadow, it’s Laurie’s turn to take a starring role—until Rian unexpectedly arrives at his family’s estate. To Laurie’s surprise, he agrees to the ruse. He has his reasons. Soon, a bride-to-be could be cut from the picture, a love affair will be turned upside down, and for Laurie, the dream of a dazzling romance will be no charade.
“How to Read Now explores the politics and ethics of reading, and insists that we are capable of something better: a more engaged relationship not just with our fiction and our art, but with our buried and entangled histories.” “A book that doesn’t seek to shut down the current literary discourse so much as shake it up.” (The New York Times Book Review) Offering “its audience the opportunity to look past the simplicity we’re all too often spoon-fed into order to restore ourselves to chaos and complexity — a way of seeing and reading that demands so much more of us but offers even more in return." (Los Angeles Times) "I gasped, shouted, and holler-laughed while reading these essays from the phenomenal Elaine Castillo. What powerful writing, what a rigorous mind. For as long as I live, I want to read anything Castillo writes, and you probably do, too." —R.O. Kwon, author of The Incendiaries How many times have we heard that reading builds empathy? That we can travel through books? How often have we were heard about the importance of diversifying our bookshelves? Or claimed that books saved our lives? These familiar words—beautiful, aspirational—are sometimes even true. But award-winning novelist Elaine Castillo has more ambitious hopes for our reading culture, and in this collection of linked essays, “she moves to wrest reading away from the cotton-candy aspirations of uniting people in empathetic harmony and reposition it as thornier, ultimately more rewarding work.” (Vulture) How to Read Now explores the politics and ethics of reading, and insists that we are capable of something better: a more engaged relationship not just with our fiction and our art, but with our buried and entangled histories. Smart, funny, galvanizing, and sometimes profane, Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like The Watchmen to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico. At once a deeply personal and searching history of one woman’s reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy—within ourselves, and with each other.