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Hot flings at a seedy truck stop. Homemade glory holes in the stall walls of a dorm shower. Fun and fornication at an infamous park. Steamy bathhouse trysts and other tales of public eroticism is what Cruising is all about. As Shane Allison says, "This is the anthology I have dreamed of doing for years. There’s nothing that gets the adrenaline flowing and the muscle throbbing like public sex." Filled with hot plots and even hotter characters, Cruising doesn't shy away from new erotic territory and includes several true confessions including those of the editor himself. As with all of Allison's sexy compilations, creativity and diversity of story lines are key along with the fun factor that is the hallmark if Allison's anthologies. "One Hot Baby" by Daniel Curzonperson is a wryly sweet short about an aging straight guy who stops to pee in a park and gets an unexpected blow job, which lifts his spirits. A fierce black queen enjoys some of "New York’s Phynest" in an "arresting" erotic encounter with a hot Domincan cop in Donald Peebles Jr.'s surprise-filled story while the narrator of Rob Rosen's "Small Town Blues" gets horny in the sticks, hits on a young Indian immigrant clerk in the jiffy mart and discovers that the hicks are up for group action anytime and anywhere. Cruising moves at the highest speed and is filled with kink, sex toys, exotic locations, wild scenarios and plenty of sexual intensity.
In his third anthology, Mickey Erlach leaves the cosy confines of the bedroom to seek our riskier locales. A man in a suit at a truck stop, a preppy frat boy in a public park after midnight, or a nerdy man walking down a street in the wrong part of town. These people aren't lost, they are on the lookout - and when they find what they are searching for, the fun begins. With contributions from the hottest authors in the world of erotica, Cruising for Bad Boys is one of those anthologies that is guaranteed to leave readers aching for more.
A collection of Latina plays, performance pieces, and "testimonios" focus on race, gender, class, sexual identity, and the empowerment of an educated class of women.
A luxury cruise to Nova Scotia is the perfect sabbatical for overworked professor Sheri Stephens…especially when she's spending her nights in the arms of a sensual stranger. Sheri surrenders completely to this magical interlude on the high seas, never dreaming that her lover isn't who he seems. Or that he has an agenda of his own. Sheri may be beautiful, but Dalton's never forgotten how she stood in the way of his academic success or forgiven her for it. Now he's ready to take sweet revenge. He'll seduce the gorgeous professor on the moonlit waters and at every port of call. But his plans go awry when he starts falling for Sheri. Can she forgive his deception? Can he let go of the past? And more importantly, is their bond strong enough to take them to their final destination…a love worth fighting for?
Cruising the Library offers a highly innovative analysis of the history of sexuality and categories of sexual perversion through a critical examination of the Library of Congress and its cataloging practices. Taking the publication of Eve Kosofsky Sedgwick’s Epistemologies of the Closet as emblematic of the Library’s inability to account for sexual difference, Melissa Adler embarks upon a detailed critique of how cataloging systems have delimited and proscribed expressions of gender, sexuality, ethnicity, and race in a manner that mirrors psychiatric and sociological attempts to pathologize non-normative sexual practices and civil subjects. Taking up a parallel analysis, Adler utilizes Roderick A. Ferguson’s Aberrations in Black as another example of how the Library of Congress fails to account for, and thereby “buries,” difference. She examines the physical space of the Library as one that encourages forms of governmentality as theorized by Michel Foucault while also allowing for its utopian possibilities. Finally, she offers a brief but highly illuminating history of the Delta Collection. Likely established before the turn of the twentieth century and active until its gradual dissolution in the 1960s, the Delta Collection was a secret archive within the Library of Congress that housed materials confiscated by the United States Post Office and other federal agencies. These were materials deemed too obscene for public dissemination or general access. Adler reveals how the Delta Collection was used to regulate difference and squelch dissent in the McCarthy era while also linking it to evolving understandings of so-called perversion in the scientific study of sexual difference. Sophisticated, engrossing, and highly readable, Cruising the Library provides us with a critical understanding of library science, an alternative view of discourses around the history of sexuality, and an analysis of the relationship between governmentality and the cataloging of research and information—as well as categories of difference—in American culture.
His first major book of fiction: lyrical, personal, mythical, hilarious and mesmeric stories that shed new light on both the US and the writer through whose eyes we access this compelling and resonant land.
Editor Ken Textor is a writer and sailing enthusiast.
Samuel Johnson's Dictionary, published in 1755, marked a milestone in a language in desperate need of standards. No English dictionary before it had devoted so much space to everyday words, been so thorough in its definitions, or illustrated usage by quoting from Shakespeare and other great writers. Johnson's was the dictionary used by Jane Austen and Charles Dickens, Wordsworth and Coleridge, the Brontës and the Brownings, Thomas Hardy and Oscar Wilde. This new edition, edited by David Crystal, will contain a selection from the original, offering memorable passages on subjects ranging from books and critics to dreams and ethics.