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This book reassesses the lives of the exiled Stuart Court in Italy which provided an important British presence in Rome.
Based on original research in a wide range of contemporary sources, this collection of original essays illuminates the early development of Jacobitism, placing the movement in a coherent historical context. The volume includes a substantial introduction by Edward Corp on the Stuart court and a major essay by Eveline Cruickshanks on the importance of Jacobitism in Britain and its links with the exiled court.
This stylish volume illuminates as never before the pivotal Russian influence on 20th-century European & American culture & fashion.
Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.
Facing persecution in early modern England, some Catholics chose exile over conformity. Some even cast their lot with foreign monarchs rather than wait for their own rulers to have a change of heart. This book studies the relationship forged by English exiles and Philip II of Spain. It shows how these expatriates, known as the “Spanish Elizabethans,” used the most powerful tools at their disposal—paper, pens, and presses—to incite war against England during the “messianic” phase of Philip’s reign, from the years leading up to the Grand Armada until the king’s death in 1598. Freddy Cristóbal Domínguez looks at English Catholic propaganda within its international and transnational contexts. He examines a range of long-neglected polemical texts, demonstrating their prominence during an important moment of early modern politico-religious strife and exploring the transnational dynamic of early modern polemics and the flexible rhetorical approaches required by exile. He concludes that while these exiles may have lived on the margins, their books were central to early modern Spanish politics and are key to understanding the broader narrative of the Counter-Reformation. Deeply researched and highly original, Radicals in Exile makes an important contribution to the study of religious exile in early modern Europe. It will be welcomed by historians of early modern Iberian and English politics and religion as well as scholars of book history.
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
An extraordinary talent bursts on the fantasy scene with a remarkably engaging novel. Lady Angarred Hashan was raised in exile far from Pergodi, the capital city. Angarred never knew what had caused her father's exile; she only knew that at the age of four, she was brought to Hashan House, an isolated and crumbling manor, and raised by servants. Her mother, she was told, had died. Angarred spent hours in her mother's rooms, handling the fine dresses of Emindal cloth---when she wasn't running wild through the forests and fields. Her father was distant and obsessed with regaining his place at court. The only visitors they ever saw were secretive men and women who brought news of the events at court---news of wars and alliances, of the queen's failure to conceive an heir, of the Princess Roharren's madness and Prince Norue's growing power, and of the disappearance of the magicians. The visitors came and went, plotting revenge for mysterious slights, eating and drinking their way through the storerooms while Hashan House fell down around them. But one day, while hunting in the forest, Lord Hashan was murdered. And Angarred, in her outrage, determined to go to the capital and seek justice from the king---for, surely, the murderer of a lord, even an exiled lord, should be punished! But the naïve young woman finds a swirling world of palace intrigue, a dying queen, and an ensorcelled king. With the help of Mathewar, a handsome but very troubled, magician, she journeys from the crowded streets of Pergodi to the Enchanted Forest, from the deadly land of the Others to the arches of the Giant's Bridge, as she begins to unravel the secrets of the kingdom and her own history.
"Where else but chez Madame Girardin could you find such exquisite company as George Sand, Victor Hugo and Honoré de Balzac? In Edwardian London, Lady Desborough's 'Souls' group was frequented by Lord Curzon, Oscar Wilde and H.G. Wells. Max Eastman has said that at Mabel Dodge's Greenwich Village salon 'Everybody in the ferment of ideas could be found'--actress Eleanora Duse, recent Ivy League graduate Walter Lippmann, then unknown Gertrude Stein, poets Amy Lowell and E.A. Robinson, early feminist Margaret Sanger, radicals Emma Goldman and Alexander Berkman and the dashing activist John Reed, with whom Mabel fell in love. In these thirteen essays such eminent writers and biographers as Victoria Glendinning, Harold Acton, Bruce Cook and Robert A. Rosenstone recreate the drama and 'ferment of ideas' of the salon--certainly one of the most unique institutions Westem culture has known. The rarely mentioned hostesses in whose drawing rooms the avant-garde in politics, literature and art gathered are revealed as subtle and sophisticated manipulators of the stormy personalities and often passionate intellectual exchanges. Salons have all but vanished, but vivid memories of them have not. Their stories, and the stories they inspired, form an interesting part of the history of high society in the past two centuries. Here, in brief evocations accompanied by photographs and illustrations, some of the glitter, the wit and the controversy surrounding the greatest salons--in London, Paris, Berlin, Prague and on both American coasts--is brought back to life."--Jacket.