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The Civil War through the eyes of a key member of Lincoln's cabinet Gideon Welles, the Connecticut journalist-politician who served as Lincoln's secretary of the navy, was not only an architect of Union victory but also a shrewd observer of people, issues, and events. Fortunately for posterity, he recorded many of his observations in his extensive diary. A Connecticut Yankee in Lincoln's Cabinet brings together 250 of the most important and interesting excerpts from the diary, dealing with topics as varied as the issuance of the Emancipation Proclamation, the Marine Band's concerts in Washington's Lafayette Square, Lincoln's sense of humor, rivalries among cabinet members, Welles's often caustic opinions of prominent politicians and military leaders, demands for creation of a navy yard in his home state, the challenge of blockading 3,500 miles of Confederate coastline, the struggle against rebel commerce raiders, the battles of Antietam and Gettysburg, the Fort Pillow massacre of African American troops, and Lincoln's assassination. Together, the excerpts provide a candid insider's view of the Civil War as it unfolded, and an introduction provides the reader with context. Published by the Acorn Club.
They took the most memorable photographs of the Civil War. Now their long rivalry was about to climax with the spilled blood of an American president--an event that would usher in a new age of modern media. Mathew Brady and Alexander Gardner were the new media moguls of their day. With their photographs they brought the Civil War -- and all of its terrible suffering -- into Northern living rooms. By the end of the war, they were locked in fierce competition. And when the biggest story of the century happened--the assassination of Abraham Lincoln--their paparazzi-like competition intensified. Brady, nearly blind and hoping to rekindle his wartime photographic magic, and Gardner, his former understudy, raced against each other to the theater where Lincoln was shot, to the autopsy table where Booth was identified, and to the gallows where the conspirators were hanged. Whoever could take the most sensational -- or ghastly -- photograph would achieve lasting camera-lens fame. Compelling and riveting, Shooting Lincoln tells the astonishing, behind-the-photographs story of these two media pioneers who raced to "shoot" the late president and the condemned conspirators. The photos they took electrified the country, fed America's growing appetite for tabloid-style sensationalism in the news, and built the media we know today.
In 1938, the first year of its publication, Connecticut Circle magazine covered the opening of the Merritt Parkway in June, a devastating hurricane in September, and a transformative election in November that saw Raymond Baldwin replace Governor Wilbur Cross on the brink of WWII. Covering the news, recreation, literary figures, and politicians, and above all—the achievements and products of the state, Connecticut Circle entertained, promoted, and projected the image of a bustling state with more than its share of creative citizens and renowned institutions of higher learning. Its readership included not only proud Nutmeggers, but potential tourists, and more than a few Mr. and Mrs. Blandings contemplating—the state's board of realtors hoped—a potential move from New York City to an ancient colonial homestead made newly accessible via the Merritt Parkway or the New Haven Railroad. The magazine was saturated with ads and articles that presaged the state's residential (and suburban) future, and people and events of this dramatic time come alive in this large collection of articles from Connecticut Circle magazine, as Connecticut defines itself for the modern era. With an illuminating introduction and context-setting headnotes for its thirteen sections, this volume provides a wealth of fascinating articles for anyone seeking to reminisce, and understand the values that pushed Connecticut into the postwar world.
Co-winner of the 2017 Gilder Lehrman Lincoln Prize Lincoln’s White House is the first book devoted to capturing the look, feel, and smell of the executive mansion from Lincoln’s inauguration in 1861 to his assassination in 1865. James Conroy brings to life the people who knew it, from servants to cabinet secretaries. We see the constant stream of visitors, from ordinary citizens to visiting dignitaries and diplomats. Conroy enables the reader to see how the Lincolns lived and how the administration conducted day-to-day business during four of the most tumultuous years in American history. Relying on fresh research and a character-driven narrative and drawing on untapped primary sources, he takes the reader on a behind-the-scenes tour that provides new insight into how Lincoln lived, led the government, conducted war, and ultimately, unified the country to build a better government of, by, and for the people.
A full-scale life and times biography of an important Civil War figure.
Winner of the 1988 Pulitzer Prize for History and a New York Times Bestseller, Battle Cry of Freedom is universally recognized as the definitive account of the Civil War. It was hailed in The New York Times as "historical writing of the highest order." The Washington Post called it "the finest single volume on the war and its background." And The Los Angeles Times wrote that "of the 50,000 books written on the Civil War, it is the finest compression of that national paroxysm ever fitted between two covers." Now available in a splendid new edition is The Illustrated Battle Cry of Freedom. Boasting some seven hundred pictures, including a hundred and fifty color images and twenty-four full-color maps, here is the ultimate gift book for everyone interested in American history. McPherson has selected all the illustrations, including rare contemporary photographs, period cartoons, etchings, woodcuts, and paintings, carefully choosing those that best illuminate the narrative. More important, he has written extensive captions (some 35,000 words in all, virtually a book in themselves), many of which offer genuinely new information and interpretations that significantly enhance the text. The text itself, streamlined by McPherson, remains a fast-paced narrative that brilliantly captures two decades of contentious American history, from the Mexican War to Lee's surrender at Appomattox. The reader will find a truly masterful chronicle of the war itself--the battles, the strategic maneuvering on both sides, the politics, and the personalities--as well as McPherson's thoughtful commentary on such matters as the slavery expansion issue in the 1850s, the origins of the Republican Party, the causes of secession, internal dissent and anti-war opposition in the North and the South, and the reasons for the Union's victory. A must-have purchase for the legions of Civil War buffs, The Illustrated Battle Cry of Freedom is both a spectacularly beautiful volume and the definitive account of the most important conflict in our nation's history.
David Shaw is the author of America's Victory and a number of other books. He lives in Maine.
Hank Morgan finds himself transported back to England's Dark Ages -- where he is immediately captured and sentenced to death at Camelot. Fortunately, he's quick-witted, and in the process of saving his life he turns himself into a celebrity -- winning himself the position of prime minister as well as the lasting enmity of Merlin.
This provocative study proves the existence of a de facto Confederate policy of giving no quarter to captured black combatants during the Civil War—killing them instead of treating them as prisoners of war. Rather than looking at the massacres as a series of discrete and random events, this work examines each as part of a ruthless but standard practice. Author George S. Burkhardt details a fascinating case that the Confederates followed a consistent pattern of murder against the black soldiers who served in Northern armies after Lincoln’s 1863 Emancipation Proclamation. He shows subsequent retaliation by black soldiers and further escalation by the Confederates, including the execution of some captured white Federal soldiers, those proscribed as cavalry raiders, foragers, or house-burners, and even some captured in traditional battles. Further disproving the notion of Confederates as victims who were merely trying to defend their homes, Burkhardt explores the motivations behind the soldiers’ actions and shows the Confederates’ rage at the sight of former slaves—still considered property, not men—fighting them as equals on the battlefield. Burkhardt’s narrative approach recovers important dimensions of the war that until now have not been fully explored by historians, effectively describing the systemic pattern that pushed the conflict toward a black flag, take-no-prisoners struggle.
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