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Reconstruction has been called one of the most tumultuous and controversial periods of Arkansas's history, an era in which African Americans sought to secure the benefits of their hard-won freedom, the former leaders of the state pursued restoration of their pre-war economic and political status, and the U.S. Army and the Freedmen's Bureau sought to maintain a balance between these competing interests. By the time Reconstruction ended in 1874, Arkansas had been wracked by brutal political violence, black legislators had experienced their first opportunities for service, and the Republican Party was embroiled in the tragicomedy of the Brooks-Baxter War, setting the stage for the rise of the Democratic "Redeemers." While thousands of books have been written about the American Civil War, the tense period that followed the war has received relatively little attention. In light of this, the Old State House Museum in Little Rock brought a distinguished group of experts together for a day-long seminar in 2017 to discuss Reconstruction in Arkansas and its aftermath. Speakers discussed the greater issue of Reconstruction across the South, the political situation in Arkansas during the period, the activities of African American legislators in the state, political and military violence during Reconstruction, the long-lasting effects of the 1874 state constitution, and the bizarre affair in which two men with claims to the governor's office fought over control of the state capitol. In this collection of essays written by the event's speakers, Carl H. Moneyhon provides an overview of Reconstruction in the United States, Jay Barth explores post-Civil War politics, Blake Wintory discusses the African Americans who served in the Arkansas General Assembly, Damon Cluck delves into the Arkansas militias that provided the firepower for Reconstruction violence, Kenneth Barnes gives insights into the political violence that convulsed the state, Thomas DeBlack unravels the Brooks-Baxter War, and Rodney Harris visits the 1874 Constitution and its effects on Arkansas's future. The writings collected in this volume offer valuable insights into Reconstruction in Arkansas and how its effects still resonate today.
**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
Garth Nix, bestselling author of the Keys to the Kingdom series and Shade’s Children, combines space opera with a coming-of-age story in his YA novel A Confusion of Princes. Superhuman. Immortal. Prince in a Galactic Empire. There has to be a catch…. Khemri learns the minute he becomes a Prince that princes need to be hard to kill—for they are always in danger. Their greatest threat? Other Princes. Every Prince wants to become Emperor and the surest way to do so is to kill, dishonor, or sideline any potential competitor. There are rules, but as Khemri discovers, rules can be bent and even broken. There are also mysteries. Khemri is drawn into the hidden workings of the Empire and is dispatched on a secret mission. In the ruins of space battle, he meets a young woman, called Raine, who challenges his view of the Empire, of Princes, and of himself. But Khemri is a Prince, and even if he wanted to leave the Empire behind, there are forces there that have very definite plans for his future.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
One of the world’s leading experts on infidelity provides a step-by-step guide through the process of infidelity—from suspicion and revelation to healing, and provides profound, practical guidance to prevent infidelity and, if it happens, recover and heal from it. You’re right to be cautious when you hear these words: “I’m telling you, we’re just friends.” Good people in good marriages are having affairs. The workplace and the Internet have become fertile breeding grounds for “friendships” that can slowly and insidiously turn into love affairs. Yet you can protect your relationship from emotional or sexual betrayal by recognizing the red flags that mark the stages of slipping into an improper, dangerous intimacy that can threaten your marriage.
I've loved him as long as I can remember. The gangly boy with big brown eyes and unruly hair who grew up into an intoxicating man. He wears scruff like he invented it and ambles with a swagger that makes panties drop. Killian Shepard. Shep. We grew up together. We played Ghost in the Graveyard. Had our own rock band. It didn't matter that he was five years older than me. It didn't matter that he looked at me as a kid sister even as I grew into woman. It didn't even matter when he left me behind to go to college and start his adult life. He'd be back. He was always meant to be mine. He came back, all right. But instead of smelling of promises, he stunk of betrayal. And he destroyed me-us-the day he married my sister instead of me. So I did the only thing a girl like me in my position could do. I got my revenge. I married his brother, Kael. Now we're one big happy f**king family.
As controversial and explosive as it is elegant and learned, this examination of Thomas Jefferson, as man and icon, through the critical lens of the French Revolution, offers a provocative analysis of the supreme symbol of American history and political culture and challenges the traditional perceptions of both Jeffersonian history and the Jeffersonian legacy. 15 illustrations.
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A major rereading of Marx’s critique of political economy Now a classic of Marxian economics, The Limits to Capital provides one of the best theoretical guides to the history and geography of capitalist development. In this edition, Harvey updates his seminal text with a substantial discussion of the turmoil in world markets today. Delving into concepts such as “fictitious capital” and “uneven geographical development,” Harvey takes the reader step by step through layers of crisis formation, beginning with Marx’s controversial argument concerning the falling rate of profit and closing with a timely foray into the geopolitical and geographical implications of Marx’s work.
Traces the history of the hoax as a distinct American phenomenon, exploring the roles of stereotype, suspicion, and racism as factors that have shaped fraudulent activities from the heyday of P.T. Barnum through the "fake news" activities of Donald Trump.