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The tracer's goals are to identify the source of a quotation, to find or to produce detailed citation based on a reliable edition of the work, to find an authoritative text of the passage being traced, and to do all this in the shortest time possible and with the least possible amount of effort.
This book is devoted to the description of typical trends in development, formation and the present state of English Author Lexicography, the roots of which go back to concordances to the Bible and glossaries of the complete works of Chaucer (xvi c.). Part I, “Linguistic Dictionaries to English Writers,” presents lexicographic analysis of old and new concordances, indices, glossaries and lexicons of famous English writers with special reference to Chaucer, Milton, Shakespeare, and Dickens. It presents a modern scene of author glossaries for unfamiliar words, terms and other groups of writers’ vocabulary (e.g. Shakespeare’s insults and his erotic language). The reader is offered a detailed review of author concordances, glossaries and lexicons on the Internet, along with criticism of printed dictionaries. Part II, “Encyclopedic Reference Works to English Writers,” deals with English author encyclopedic reference books, i.e. encyclopedias, guides and companions; dictionaries of characters and place names; quotations and proverbs, and Internet encyclopedic resources. The book also provides a comprehensive list of references on author lexicography and an Index of Dictionaries to the English Writers (xvi–xxi cc.), including 300 titles of linguistic and encyclopedic dictionaries, which is a reliable user guide in the world of English author lexicography.
1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.
Profiles more than fifty British nondramatic writers of the sixteenth century, presenting primary and secondary bibliographies and illustrated biographical essays that chronicle each writer's career in detail.
In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.