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The Aeneid, generally considered the greatest poem of Roman literature, is a story of migration, and Book 3 is at the heart of this story--the arrestingly dramatic account that Aeneas gives to the Carthaginian Queen Dido of his people's journey from the sacked city of Troy. This journey sees them encounter a series of brilliantly characterized individuals and visit some of the most extraordinary places in the central Mediterranean, both real and imaginary: shrines and volcanoes, floating islands and monsters. Yet though it is on one level a thrilling traveller's tale, it is also a profound story of a voyage from a dead past to an uncertain, but ultimately glorious, future in Augustan Rome. This new edition contains an introduction, the Latin text, and a detailed commentary, as well as an extensive Appendix illustrating the rich variety of texts that Vergil used as his models through an ample collection of relevant passages: from the heroic voyages described in the Odyssey and the Argonautica, to tragic explorations of the aftermath of Troy's fall (especially Euripides' Hecuba, Troades, and Andromache) and texts on Delos and Etna. The introduction grounds the book in its historical and literary contexts, while the commentary itself aims to bring out the poet's artistry and learning, keeping the dramatic situation of Aeneas' storytelling in view throughout. Translations of all cited Latin and Greek and regular references to Roman history will provide readers new and old with a clear understanding not only of the original text, but also of the poet's vision of Rome, history, and humanity.
This is the first detailed commentary on Aeneid 3, being some three times the size of that by R.D.Williams(1962), and aimed at the scholarly public. It treats fully the thorny problem of book 3's place in the growth of the poem, matters of linguistic and textual interpretation, metre, prosody, grammar, lexicon and idiom, as well as Virgil's sources and the literary tradition in which he writes. Full attention is given to matters geographical and nautical. New critical approaches and recent developments in Virgilian studies have been taken into account, with more attention to their spirit than to their language. A text, with translation, and three indices are included.
This edition of Vergil's Aeneid, Book 3, comprises a lucid introduction setting the poem in its literary and historical context, a detailed commentary offering generous help on linguistic details as well as translations of all cited Latin and Greek, and an extensive appendix illustrating the poet's rich variety of literary models.
These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
This book is part of a series of individual volumes covering Books 1-6 of Vergil's Aeneid. Each book will include an introduction, notes, bibliography, commentary and glossary, and be edited by an expert in the field. These individual volumes will form a combined Vol 1-6 book as well.
Love and tragedy dominate book four of Virgil's most powerful work, building on the violent emotions invoked by the storms, battles, warring gods, and monster-plagued wanderings of the epic's opening. Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Virgil's poetry and discussion of the most recent scholarly thought.
These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.
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Working “in the shadow of Eduard Norden” in the author’s own words, Nicholas Horsfall has written his own monumental commentary on Aeneid 6. This is Horsfall’s fifth large-scale commentary on the Aeneid, and as his earlier commentaries on books 7, 11, 3, and 2, this is not a commentary aimed at undergraduates. Horsfall is a commentators’ commentator writing with encyclopedic command of Virgilian scholarship for the most demanding reader. Volume One includes the introduction, text and translation, and bibliography, Volume Two includes the commentary, appendices, and indices.