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2012 CHOICE Outstanding Academic Title Most early fairy tale authors had a lot to say about what they wrote. Charles Perrault explained his sources and recounted friends' reactions. His niece Marie-Jeanne Lhéritier and her friend Marie-Catherine d'Aulnoy used dedications and commentaries to situate their tales socially and culturally, while the raffish Henriette Julie de Murat accused them all of taking their plots from the Italian writer Giovan Francesco Straparola and admitted to borrowing from the Italians herself. These reflections shed a bright light on both the tales and on their composition, but in every case, they were removed soon after their first publication. Remaining largely unknown, their absence created empty space that later readers filled with their own views about the conditions of production and reception of the tales. What their authors had to say about "Puss in Boots," "Cinderella," "Sleeping Beauty," and "Rapunzel," among many other fairy tales, is collected here for the first time, newly translated and accompanied by rich annotations. Also included are revealing commentaries from the authors' literary contemporaries. As a whole, these forewords, afterwords, and critical words directly address issues that inform the contemporary study of European fairy tales, including traditional folkloristic concerns about fairy tale origins and performance, as well as questions of literary aesthetics and historical context.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Four timeless anthologies of cherished fables, fairy tales, and bedtime stories from Aesop, Hans Christian Andersen, the Brothers Grimm, and Andrew Lang. The most enchanting stories of childhood are included in this sweeping collection. These are the classic tales—of princes and princesses, monsters and magic, enchanted forests and fantastic creatures—that have thrilled readers around the world for generations. Aesop’s Fables: In ancient Greece, a storyteller named Aesop captivated his listeners with tales both beautiful and instructive. From “The Boy Who Cried Wolf” to “The Tortoise and the Hare,” his fables retain the power to guide and entertain. Hans Christian Andersen’s Fairy Tales: Inspired by ancient Danish legends as well as Arabian Nights, Andersen’s classic stories—including “The Emperor’s New Clothes” and “The Snow Queen” (the basis for Frozen)—are composed with a directness that children and adults still find refreshing. The Brothers Grimm: From “Rapunzel” to “Hansel and Gretel” to “Little Red Riding Hood,” the German folktales the Brothers Grimm brought to the world’s attention have become part of the very fabric of our culture. The Blue Fairy Book: Originally published in 1889, this first volume of Andrew Lang’s renowned Fairy Books includes such favorites as “Beauty and the Beast,” “Puss in Boots,” “Aladdin,” and “Jack the Giant-Killer.” To read these stories is to be transported to a realm of imagination. Here, the most important life lessons are imparted through the irresistible magic of storytelling.