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“A fascinating ride through a period of history in which United States foreign policies and relationships matured greatly.” —Ralph C. Bledsoe, Special Assistant to the President, 1982–88 The Cold War—that long ideological conflict between the world’s two superpowers—had a profound effect not only on nations but on individuals, especially all those involved in setting and implementing the policies that shaped the struggle. Donald Nuechterlein was one such individual and this is his story. Although based in fact, the narrative reads like fiction, and it takes the reader behind the scenes as no purely factual telling of that complex story can. Presented as the story of David and Helen Bruening and their family, A Cold War Odyssey carries us across three continents. Against a backdrop of national and international events, we follow the Bruenings through five decades as David’s governmental and academic assignments take them to all corners of the world. In the tradition of Herman Wouk’s Winds of War, the Bruenings’ personal and professional odyssey offers us a microcosm of world history in the second half of the twentieth century. Through the acute eyes of these participant observers, we see the partitioning of Europe after World War II, Korea and Vietnam, Watergate and Iran, the fall of the Berlin Wall and the reunification of Germany, the collapse of the Soviet Union and, with it, the end of the Cold War. With each succeeding episode, our understanding of the causes and consequences of international struggle is deepened through the Bruenings’ experience.
There is much discussion these days about public diplomacy—communicating directly with the people of other countries rather than through their diplomats—but little information about what it actually entails. This book does exactly that by detailing the doings of a US Foreign Service cultural officer in five hot spots of the Cold War - Germany, Laos, Poland, Austria, and the Soviet Union - as well as service in Washington DC with the State Department, the Helsinki Commission of the US Congress, and the National Endowment for Democracy. Part history, part memoir, it takes readers into the trenches of the Cold War and demonstrates what public diplomacy can do. It also provides examples of what could be done today in countries where anti-Americanism runs high.
Looks at the role of the United States in the Spanish Civil War
For more than half of the twentieth century, the Korean peninsula has been divided between two hostile and competitive nation-states, each claiming to be the sole legitimate expression of the Korean nation. The division remains an unsolved problem dating to the beginnings of the Cold War and now projects the politics of that period into the twenty-first century. Korea’s Twentieth-Century Odyssey is designed to provide readers with the historical essentials upon which to unravel the complex politics and contemporary crises that currently exist in the East Asian region. Beginning with a description of late-nineteenth-century imperialism, Michael Robinson shows how traditional Korean political culture shaped the response of Koreans to multiple threats to their sovereignty after being opened to the world economy by Japan in the 1870s. He locates the origins of both modern nationalism and the economic and cultural modernization of Korea in the twenty years preceding the fall of the traditional state to Japanese colonialism in 1910. Robinson breaks new ground with his analysis of the colonial period, tracing the ideological division of contemporary Korea to the struggle of different actors to mobilize a national independence movement at the time. More importantly, he locates the reason for successful Japanese hegemony in policies that included—and thus implicated—Koreans within the colonial system. He concludes with a discussion of the political and economic evolution of South and North Korea after 1948 that accounts for the valid legitimacy claims of both nation-states on the peninsula.
“Any attempt at peace must be attended by a knowledge of self,” discovers writer and photographer Mikkel Aaland, who grew up with a bomb shelter for a bedroom, in terror of nuclear war. At the height of the Cold War, Aaland finds himself drawn into a mysterious Shinto priest’s plan to save the world. Traveling from Norway to the Philippines, Iceland to South Africa, he places pieces of a sacred Shinto sword in key power spots around the world. Along the way, he comes face to face with his deepest childhood fears of war and destruction, encounters the compelling and mysterious Shinto religion, struggles with the uncertainties of love, and learns to face life with an open heart. The Sword of Heaven tells the extraordinary true story of a journey in which all boundaries are pushed—geographical, cultural, and personal—and in which the healing of the world and the healing of one man appear to be inextricably linked.
The Closed World offers a radically new alternative to the canonical histories of computers and cognitive science. Arguing that we can make sense of computers as tools only when we simultaneously grasp their roles as metaphors and political icons, Paul Edwards shows how Cold War social and cultural contexts shaped emerging computer technology--and were transformed, in turn, by information machines. The Closed World explores three apparently disparate histories--the history of American global power, the history of computing machines, and the history of subjectivity in science and culture--through the lens of the American political imagination. In the process, it reveals intimate links between the military projects of the Cold War, the evolution of digital computers, and the origins of cybernetics, cognitive psychology, and artificial intelligence. Edwards begins by describing the emergence of a "closed-world discourse" of global surveillance and control through high-technology military power. The Cold War political goal of "containment" led to the SAGE continental air defense system, Rand Corporation studies of nuclear strategy, and the advanced technologies of the Vietnam War. These and other centralized, computerized military command and control projects--for containing world-scale conflicts--helped closed-world discourse dominate Cold War political decisions. Their apotheosis was the Reagan-era plan for a " Star Wars" space-based ballistic missile defense. Edwards then shows how these military projects helped computers become axial metaphors in psychological theory. Analyzing the Macy Conferences on cybernetics, the Harvard Psycho-Acoustic Laboratory, and the early history of artificial intelligence, he describes the formation of a "cyborg discourse." By constructing both human minds and artificial intelligences as information machines, cyborg discourse assisted in integrating people into the hyper-complex technological systems of the closed world. Finally, Edwards explores the cyborg as political identity in science fiction--from the disembodied, panoptic AI of 2001: A Space Odyssey, to the mechanical robots of Star Wars and the engineered biological androids of Blade Runner--where Information Age culture and subjectivity were both reflected and constructed. Inside Technology series
Ranging from Geneva to Pyongyang, this remarkable book takes readers on an odyssey through one of the most extraordinary forgotten tragedies of the Cold War: the "return" of over 90,000 people, most of them ethnic Koreans, from Japan to North Korea from 1959 onward. Presented to the world as a humanitarian venture and conducted under the supervision of the International Red Cross, the scheme was actually the result of political intrigues involving the governments of Japan, North Korea, the Soviet Union, and the United States. The great majority of the Koreans who journeyed to North Korea in fact originated from the southern part of the Korean peninsula, and many had lived all their lives in Japan. Though most left willingly, persuaded by propaganda that a bright new life awaited them in North Korea, the author draws on recently declassified documents to reveal the covert pressures used to hasten the departure of this unwelcome ethnic minority. For most, their new home proved a place of poverty and hardship; for thousands, it was a place of persecution and death. In rediscovering their extraordinary personal stories, this book also casts new light on the politics of the Cold War and on present-day tensions between North Korea and the rest of the world.
Tells the story of two correspondents for the New York Tribune who escaped the Confederacy's most notorious prison after being captured at the Battle of Vicksburg and relied on secret signals and covert sympathizers to travel back to Union territory.
It seems every day we hear about Russia. But how much do we really know about that far off place? Travel back in time with the author and get a bird's eye view of life in the old Soviet Union - the society that spawned today's Russia and made indelible imprints on her history and culture. For over thirty years during the Cold War, the former United States Information Agency (USIA) sent cultural exchange exhibits to the Soviet Union and other Iron Curtain countries. This book describes in detail what it was like to serve as a Russian-speaking "guide" at the various cities in which the exhibit Research and Development in the USA was shown in 1972 and contains examples depicting the lives of average Soviet citizens of the time. This is what it's like to live in a society run by a large, omnipotent government. There can be no better time than now to look back at this history. Had the Soviet Union survived as a country, 2017 would have marked the 100-th anniversary of its founding. As we strive to understand Russia's current policies and actions, we need to look at her Soviet roots to fully understand them.
Author wrote bestselling bfi Publishing title David Lynch 'a joy to the reader of film criticism' Choice; 2001: A Space Odyssey to be re-released in cinemas in The Spring and highly likely to be the focus of much media attention in the new year; Stanley Kubrick's 2001: A Space Odyssey (1968), based on Arthur C Clarke's novel, is one of the most ambitious films ever made, an epic of space exploration that takes in the whole history of humanity (as well as speculation about its future). A technical triumph that stands up today 2001 is topical also because of its meditation on the relationship between man, animal and machine. Haunting and enigmatic, it's a film that contains myriad images that seem to defy any explanation. In this multilayered study, acclaimed critic and theorist of film sound Michel Chion offers some keys to understanding 2001. Setting the film first in its historical and cultural contexts (the Space Race, the Cold War, 1960s psychedelia), Chion goes on to locate it within Kubrick's career. He then conducts a meticulous and subtle analysis of its structure and style, arguing that 2001 is an 'absolute film', a unique assemblage of cinema's elements, through which pulses a vision of human existence. 'Animals who know they will die, beings lost on earth, forever caught between two species, not animal enough, not cerebral enough.' In a supplementary chapter Chion argues that Kubrick's last film, Eyes Wide Shut (1999), is a return to 2001, a final statement of its concerns. And in a series of appendices Chion provides production details, an analytic synopsis, credits and a consideration of the legacy of 2001.