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A riveting novel from the author of the critically acclaimed Learning to Swim and an Anthony Award nominee for Best Novel While she's watching the crew build the Winter Carnival ice palace, Troy Chance sees a body encased in the frozen lake—a man she recognizes as the boyfriend of one of her roommates. When she is assigned to write a feature on his life and mysterious death, Troy discovers he was the missing son of a wealthy Connecticut family. Trying to unravel what brought him to this Adirondack village, she joins forces with his girlfriend and his sister, who comes to town to find answers. But as Troy digs deeper, it’s clear someone doesn’t want the investigation to continue. And when she uncovers long-buried secrets that could shatter the serenity of the small town and many people’s lives, she’ll be forced to decide how far her own loyalties reach. “Sara J. Henry brilliantly draws us into a terrifying but ultimately affirmative novel in which love, friendship, and the shining truth about who we really are redeem an otherwise hopeless universe.” —Howard Frank Mosher, award-winning author of God’s Kingdom
Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.
A riveting novel from the author of the critically acclaimed Learning to Swim and an Anthony Award nominee for Best Novel While she's watching the crew build the Winter Carnival ice palace, Troy Chance sees a body encased in the frozen lake—a man she recognizes as the boyfriend of one of her roommates. When she is assigned to write a feature on his life and mysterious death, Troy discovers he was the missing son of a wealthy Connecticut family. Trying to unravel what brought him to this Adirondack village, she joins forces with his girlfriend and his sister, who comes to town to find answers. But as Troy digs deeper, it’s clear someone doesn’t want the investigation to continue. And when she uncovers long-buried secrets that could shatter the serenity of the small town and many people’s lives, she’ll be forced to decide how far her own loyalties reach. “Sara J. Henry brilliantly draws us into a terrifying but ultimately affirmative novel in which love, friendship, and the shining truth about who we really are redeem an otherwise hopeless universe.” —Howard Frank Mosher, award-winning author of God’s Kingdom
A fictionalized history of the infamous, if little-known outside Florida, Prohibition-era gangster John Ashley and his moll, Laura Upthegrove.
A lonely scarecrow with a scary face has trouble making friends with the animals who surround him, until a heavy snowfall transforms him into a jolly snowman. Color illustrations throughout.
The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director's place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray's most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray's lesser-known and underappreciated films, and devotes attention to the highly experimental We Can't Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.
Access English is a lively, stimulating course that develops the skills of all your students. It's ideal for those who are struggling with English and the Framework to meet National Curriculum requirements and the objectives in the Framework for Teaching English Years 7-9. There is also an Interactive Student CD-ROM.