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“A graphic account of the horrors, the brutality and sometimes wanton destruction of warfare, particularly of civil war.” —Charleston (SC) Post and Courier In the first reissue of these documents since 1865, A City Laid Waste captures in riveting detail the destruction of South Carolina’s capital city. William Gilmore Simms (1806-1870), a native South Carolinian and one of the nation’s foremost men of letters, was in Columbia and witnessed firsthand the city’s capture and destruction. A renowned novelist and poet, who was also an experienced journalist and historian, Simms deftly recorded the events of February 1865 in a series of eyewitness accounts published in the first ten issues of the Columbia Phoenix and reprinted here. His record of burned buildings constitutes the most authoritative information available on the extent of the damage. Simms historian David Aiken provides a historical and literary context for Simms’s reportage. In his introduction Aiken clarifies the significance of Simms’s articles and draws attention to factors most important for understanding the occupation’s impact on the city of Columbia. “A shrewd viewer of the war scene in Columbia, famed Southern writer William Gilmore Simms published stinging, courageous exposés of the doings of the Northern forces, even when threatened with arrest. The restoration of his candid firsthand accounts of the destruction wrought by Sherman’s forces against the South Carolina capitol and its inhabitants is a great service to all who study and appreciate Southern history and literature.” —James Everett Kibler, author of Our Fathers’ Fields
In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.
This new edition of the standard work "The Englishman's Hebrew Concordance of the Old Testament" is an improved and corrected edition that features a new, larger format. Now coded to "Strong's, " it is invaluable in Bible study for those who do not know Hebrew. A new index of out-of-sequence "Strong's" numbers allows the reader to quickly and easily locate any word by its "Strong's "number. The Hebrew and English indexes have been retained.
Jordanes, an active writer in the 6th century, penned 'The Origin and Deeds of the Goths' as a crucial piece of early Gothic history. Written in a straightforward and informative style, this book provides a detailed account of the origins, culture, and conquests of the Goths. Jordanes draws upon various sources, including the works of Cassiodorus, to narrate the history of this influential Germanic tribe in the context of the declining Roman Empire. His work serves as a valuable resource for scholars of both Gothic history and late antiquity literature. Jordanes' meticulous attention to detail and unbiased presentation make this book a must-read for anyone interested in understanding the complex interactions between barbarian and Roman societies in the 6th century. Overall, 'The Origin and Deeds of the Goths' is a compelling read that sheds light on a lesser-known aspect of ancient history and provides valuable insights into the world of the Goths.
In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold “spatial” film historiography, Jaikumar outlines factors that shape India's filmed space, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir’s The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of “what is cinema?” must account for an aesthetics and politics of space.
Many books have been written about the British struggle against Napoleon in the Peninsula. A few recent studies have given a broader view of the ebb and flow of a long war that had a shattering impact on Spain and Portugal and marked the history of all the nations involved. But none of these books has concentrated on how these momentous events were perceived and understood by the people who experienced them. Charles Esdaile has brought together a vivid selection of contemporary accounts of every aspect of the war to create a panoramic yet minutely detailed picture of those years of turmoil. The story is told through memoirs, letters and eyewitness testimony from all sides. Instead of generals and statesmen, we mostly hear from less-well-known figures - junior officers and ordinary soldiers and civilians who recorded their immediate experience of the conflict.