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The start of the Irish Civil War was signalled by the artillery bombardment of the Four Courts in Dublin on 28 June 1922. A week later, the Four Courts was gutted and O’Connell Street a smouldering ruin, but the anti-Treaty IRA was driven from the city. Most accounts of the fighting in Dublin end there. The Civil War in Dublin reveals the complete, shocking story of Ireland’s capital during the ten-month guerrilla war that followed – a ruthless and bitter cycle of execution, outrage and revenge. The strategy of the anti-Treaty forces, often ignored or dismissed in previous histories, is brought to the fore. Dorney’s exacting research provides total insight into how the city of Dublin operated under conditions of disorder and bloodshed: how civilians and guerrilla fighters controlled the streets, the patterns of IRA violence and National Army counter-insurgency alternated, and – for the first time – how the pro-Treaty ‘Murder Gang’ emerged from Michael Collins’ IRA Intelligence Department, ‘the Squad’, with devastating effect. The Civil War in Dublin brings the chaos of these years to life through meticulous detail, revealing unsettling truths about the extreme actions taken by a burgeoning Irish Free State and its anti-Treaty opponents.
The long-awaited conclusion to Padraig Yeates's Dublin Trilogy, A City in Civil War tells the story of Dublin's troubled passage to independence amidst the acrimony and upheaval of the Civil War.
Dublin was the cockpit of the Irish Revolution. It was in the capital that Dáil Éireann convened and built an alternative government to challenge the authority of Dublin Castle; it was where the munitions strike that crippled the British war effort in 1920 began and it was where rival intelligence organisations played out their deadly game of cat and mouse. But it was also a city where ambushes became a daily occurrence and ordinary civilians were caught in the deadly crossfire. Restrictions on travel, military curfews and the threat of internment would ultimately make normal life impossible. As in his previous work, A City in Wartime, Pádraig Yeates uncovers unknown and neglected aspects of the Irish Revolution, including the role that the Bank of Ireland played in keeping the city solvent, the rise of the Municipal Reform Association to challenge the hegemony of Sinn Féin and Labour, how one of Ireland's leading businessmen started out as a bagman for Michael Collins and how, ultimately, many Dubliners found it easier to sympathise with the fight for the Republic than participate in or pay for it.
The story of the Dubliners who served in the British military and in republican forces during the First World War and the Irish Revolution.
This book challenges the widespread scholarly and popular belief that the Irish Civil War (1922–1923) was followed by a ‘traumatic silence’. It achieves this by opening an alternative archive of published testimonies which were largely produced in the 1920s and 1930s; testimonies were written by pro- and anti-treaty men and women, in both English and Irish. Nearly all have eluded sustained scholarly attention to date. However, the act of smuggling private, painful experience into the public realm, especially when it challenged official memory making (or even forgetting), demanded the cautious deployment of self-protective narrative strategies. As a result, many testimonies from the Irish Civil War emerge in non-conventional, hybridised and fictionalised forms of life writing. This book re-introduces a number of these testimonies into public debate. It considers contemporary understandings of mental illness and how a number of veterans – both men and women – self-consciously engaged in projects of therapeutic writing as a means to ‘heal’ the ‘spiritual wounds’ of civil war. It also outlines the prevalence of literary representations of revolutionary sexual violence, challenging the assumptions that sexual violence during the Irish revolution was either ‘rare’ or ‘hidden’.
Putting Ireland on trial, Jim Larkin’s verdict was damning and resolute. His words resound, shuddering towards the present day where class division and workers’ rights disputes make headlines with swelling frequency. In this pioneering collection, an exemplary list of contributors registers the radical momentum within Dublin in 1913, its effects internationally, and its paramount example in shaping political activism within Ireland to this day. The narrative of the beleaguered yet dignified workers who stood up to the greed of their Irish masters is examined, revealing the truths that were too fraught with trauma, shame and political tension to remain within popular memory. Beyond the animosity and immediate impact of the industrial dispute are its enduring lessons through the First World War, the Easter Rising, and the birth of the Irish Free State; its legacy, real and adopted, instructs the surge of activism currently witnessed, but to what effect? The Dublin Lockout, 1913 illuminates this pivotal class war in Irish history: inspiring, shocking, and the nearest thing Ireland had to a debate on the type of society that was wanted by its citizens.
The narrative of the Irish revolution as a chronology of great men and male militarism, with women presumed to have either played a subsidiary role or no role at all, requires reconsideration. Women and feminists were extremely active in Irish revolutionary causes from 1912 onwards, but ultimately it was the men as revolutionary ‘leaders’ who took all the power, and indeed all the credit, after independence. Women from different backgrounds were activists in significant numbers and women across Ireland were profoundly impacted by the overall violence and tumult of the era, but they were then relegated to the private sphere, with the memory of their vital political and military role in the revolution forgotten and erased. Women and the Irish Revolution examines diverse aspects of women’s experiences in the revolution after the Easter Rising. The complex role of women as activists, the detrimental impact of violence and social and political divisions on women, the role of women in the foundation of the new State, and dynamics of remembrance and forgetting are explored in detail by leading scholars in sociology, history, politics, and literary studies. Important and timely, and featuring previously unpublished material, this book will prompt essential new public conversations on the experiences of women in the Irish revolution.
In July 1927, at just thirty-five years old, Kevin O’Higgins was assassinated on his way to Mass in Booterstown, Co. Dublin. A reviled figure for anti-Treaty republicans, O’Higgins became the target of particular venom for his vocal support of the Free State government’s execution policy during the Civil War, which saw seventy-seven IRA men die before firing squads, including the best man at his wedding, Rory O’Connor.In Walled in By Hate, Arthur Mathews examines not just the life and death of O’Higgins, focusing on that most acrimonious time in his life, but also those of his contemporaries, such as O’Connor and Erskine Childers, who shaped the course of events around him. He also delves deep into O’Higgins’s relationships with the women around him and chronicles the reactions of the men who killed him, subjects that, until now, have remained largely unexplored.One of the most compelling characters to have emerged from the conflict, and still the target of vitriol today, the tragic story of Kevin O’Higgins encapsulates the bitter divisions of a time in Irish history that continue to echo in today’s Ireland.
On 26 August 1913 the trams stopped running in Dublin. Striking conductors and drivers, members of the Irish Transport Workers' Union, abandoned their vehicles. They had refused a demand from their employer, William Martin Murphy of the Dublin United Transport Company, to forswear union membership or face dismissal. The company then locked them out. Within a month, the charismatic union leader, James Larkin, had called out over 20,000 workers across the city in sympathetic action. By January 1914 the union had lost the battle, lacking the resources for a long campaign. But it won the war: 1913 meant that there was no going back to the horrors of pre-Larkin Dublin. This outstanding survey shows why: it has already established itself as the definitive work on the Lockout.
A pioneering new 'history from below' of Irish poverty told through the letters of the Catholic poor in Independent Ireland.