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Sparkling stories of love, longing and heartbreak in the city by Ravish Kumar, journalist, TV anchor and bestselling author of The Free Voice A boy from Bihar living in Lajpat Nagar likes a momo-seller from the Northeast; she likes him too, but when he gifts her a token from his village, his dreams come crashing down. Samar travels with his beloved in a DTC bus in Delhi, the only space in the city where they can meet, but he's afraid to call out her name for fear it will be recognized. A couple shelters from rain underneath a flyover, hoping for a moment of seclusion, but staring eyes pour water on their dreams. And a girl lets herself into her lover's rented room, finds a bunch of letters from his past flames, and leaves him an unusual farewell note. In these crisp, powerful, micro stories, the celebrated journalist, TV anchor and writer Ravish Kumar brings alive the love, longing and heartbreak which flourish in the city's spaces. And even as lovers find the niches they need, the city itself shapes their relationships. Brilliantly translated from the bestselling Hindi original Ishq Mein Shahar Hona, A City Happens in Love is a tribute to the modern Indian city, its capaciousness, and to the power of love.
'This brave and timely book should be required reading for every Indian.'--Nayantara Sahgal In this revised paperback edition of his best-selling book, Ravish Kumar, one of our bravest and most mature public voices, examines why debate and dialogue have given way to hate and intolerance in India, how elected representatives, the media and other institutions are failing us, and looks at ways to repair the damage to our democracy. A new introduction and two additional essays examine developments since the election results of May 2019.
'A bold and necessary correction to the subcontinent's poetry canon.' - Jeet Thayil This first-of-its-kind anthology brings together the best of contemporary queer poetry from South Asia, both from the subcontinent and its many diasporas.The anthology features well-known voices like Hoshang Merchant, Ruth Vanita, Suniti Namjoshi, Kazim Ali, Rajiv Mohabir as well as a host of new poets. The themes range from desire and loneliness, sexual intimacy and struggles, caste and language, activism both on the streets and in the homes, the role of family both given and chosen, and heartbreaks and heartjoins. Writing from Bangalore, Baroda, Benares, Boston, Chennai, Colombo, Dhaka, Delhi, Dublin, Karachi, Kathmandu, Lahore, London, New York City, and writing in languages including Bengali, Gujarati, Hindi, Kannada, Urdu, Manipuri, Malayalam, Marathi, Punjabi, Tamil, and, of course, English, the result is an urgent, imaginative and beautiful testament to the diversity, politics, aesthetics and ethics of queer life in South Asia today.
This book studies the significance and representation of the ‘city’ in the writings of Indian poets, graphic novelists, and dramatists. It demonstrates how cities give birth to social images, perspectives, and complexities, and explores the ways in which cities and the characters in Indian literature coexist to form a larger literary framework of interpretations. Drawing on the theoretical concepts of Western urban thinkers such as Henri Lefebvre, Georg Simmel, Walter Benjamin, Edward Soja, David Harvey, and Diane Levy, as well as South Asian thinkers such as Ashis Nandy, Arjun Appadurai, Vinay Lal, and Ravi Sundaram, the book projects against a seemingly monolithic and homogenous Western qualification of urban literatures and offers a truly unique and contentious presentation of Indian literature. Unfolding the urban-literary landscape of India, the volume lays the groundwork for an urban studies approach to Indian literature. It will be of great interest to scholars and students of literature, especially Indian writing in English, urban studies, and South Asian studies.
“प्रेम हम सबको बेहतर शहरी बनाता है ! हम शहर के हर अनजान कोने का सम्मान करने लगते हैं ! उन कोनों में जिंदगी भर देते हैं....आप तभी एक शहर को नए सिरे से खोजते हैं जब प्रेम में होते हैं ! और प्रेम में होना सिर्फ हाथ थामने का बहाना ढूंढना नहीं होता ! दो लोगों के उस स्पेस में बहुत कुछ टकराता रहता है ! ‘लप्रेक’ उसी कशिश और टकराहट की पैदाइश है !”
Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China. A New York Review Books Original “[A] giant of modern Chinese literature” –The New York Times "With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can discover why she is so revered by Chinese readers everywhere." –Ang Lee Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang’s achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.
'If you live in the hills of India, it is only a matter of time before you meet a ghost...' Vintage storyteller Ruskin Bond has created some unforgettable characters in his novels and stories, but perhaps the most memorable and unusual among them are the ghosts and spirits he has encountered. These ghosts are not always horrific; they are mysterious and often benevolent, or lonely creatures looking for company among humans. Collected in these pages are new stories written specifically for this volume--including Captain Young's Ghost--and classics such as A Face in the Dark and The Haunted Bicycle. Here you will find the spirit of a captain from the British army who returns to the town he founded and rues the lack of Irish whisky; a little boy, long dead, who continues to guide passers-by on treacherous mountain routes; a heartbroken young girl of long ago who seduces young men with her song, and another who longs for a family and some friends. Set in the hills and foothills of North India--the perfect haunt for ghosts and spirits--this collection by the master storyteller will leave you spellbound.
The scholarly essays in this book open up experimental and novel spaces and genres beyond the traditional and the literary world of Indian Popular Fiction as it existed towards the end of the last millennium. They respond to the possibilities opened up by the technology-driven and internet-savvy reading and writing world of today. Contemporaneous and bold, most of the essays resonate with the racy and fast-paced milieu and social media space inhabited by today's youth. Combative in its drift, this book makes possible an attempt to disband hierarchies and dismantle categories that have engulfed the expansive landscape of Indian Popular Fiction for too long. It facilitates discussion on graphic novels, microfiction, popular-entertainment and political satire on television and celluloid, social media-driven romances existing in the domain of the 'real' rather than that of 'fantasy' and mythological readings against the backdrop of gender and politics. Aimed at facilitating further research by scholars and enthusiasts of Indian Popular Fiction, this book is also an ode to the current trends generated by social and internet media cosmos. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.