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The church can be uncertain of itself in our digital age. Some Christians denounce the twenty-first century's media culture while others embrace the latest gadgets and apps as soon as they appear. Many of us are stumbling along amidst the tweets, status updates, podcasts, and blog posts, wondering if we have ventured into a realm beyond the scope of biblical wisdom. Though there is such a thing as 'new media', Andrew Byers reminds us that the actual concept of media is ancient, theological, andeven biblical. In fact, there is such a thing as the media of God. 'TheoMedia' are means by which God communicates and reveals himself - creation, divine speech, inspired writings, the visual symbol of the cross, and more. Christians are actually called to media saturation. But the media that are to most prominently saturate our lives are the media of God. If God creates and uses media, then Scripture provides a theological logic by which we can create and use media in the digital age. This book is not an unqualified endorsement of the latest media products or a tirade against media technology. Instead, Byers calls us to rethink our understanding of media in terms of the media of God in the biblical story of redemption.
This two-volume set investigates the evangelical presence in America as experienced through digital media, examining current evangelical ideologies regarding education, politics, family, and government. Evangelical broadcasting has greatly expanded its footprint in the digital age. This informative text acquaints readers with how the electronic church of today spreads its message through Internet podcasts, social networking, religious radio programs, and televised sermons; how mass media forms the institution's modern identity; and what the future of the industry holds as mobile church apps, Christian-based video games, and online worship become the norm. The work—split into two volumes—reveals the ways that the Christian broadcast community affects evangelical traditions and influences American society in general. Volume 1 explores how electronic media shapes today's Christian subculture, while the second volume describes how the electronic church impacts the wider American culture, analyzing what key figures in evangelical mass media are saying about today's religious, political, economic, and social issues. The set concludes by addressing criticism about religious media and the prospects of American public discourse to accomodate both secular and religious voices.
From Jesus to the Internet examines Christianity as a mediated phenomenon, paying particular attention to how various forms of media have influenced and developed the Christian tradition over the centuries. It is the first systematic survey of this topic and the author provides those studying or interested in the intersection of religion and media with a lively and engaging chronological narrative. With insights into some of Christianitys most hotly debated contemporary issues, this book provides a much-needed historical basis for this interdisciplinary field.
Most works on media developments and Christianity approach the subject from the perspective of the implications of new media technologies for traditional Christian practices or how churches can use new media to further their goals. The common framework of analysis is a 'given reality' of traditional institutional Christianity and how it interacts with, affects and is affected by media. Media are treated as a separate cultural reality. This book presents, in an accessible form, the new directions that approach the interaction of media and religion from a cultural perspective, and illustrates these new directions by a number of international and intercultural case studies and explorations. Looking at how global media are constructing cultural forms, structures and processes, the authors show how these have become the life out of which individual and social meaning is created and practised. Examining how individuals create religious meaning by interacting with media of various kinds, crossing boundaries of traditional religious cultures and contemporary media cultures, this book reveals how Christian institutions are also defined in the process of living culturally within their broader media context.
This introduction to media literacy from a Christian perspective provides the tools to find and assess the beneficial—or harmful—ideologies depicted in notable films, programs, and trends. Television and movies shape popular culture, with audiences often unaware of how media messages influence the way they think, act, and view the world. In this enlightening guide, author Jen Letherer interprets film and television shows from a Christian standpoint, revealing how beliefs and values portrayed on the big and small screens often impact the moral conduct of daily viewers. This book provides the tools for Christians to discern the implicit and explicit messages found within this medium, and shows how motion pictures can improve or erode religious principles and a spiritual way of life. In a conversational tone, the work combines classic film theory, an assessment of story structure, and faith-based film criticism to delve into meaning and interpretations of popular movies and shows. Highlighted television programs include Top Chef, Modern Family, Downton Abbey, and The Walking Dead. The book also features films like Citizen Kane, Thelma and Louise, Star Wars, Inception, and The Hunger Games. This fascinating critique prompts media consumers to analyze the messages that their favorite broadcast programs send, consider if those messages are in line with their own values, and align their viewing choices with their personal beliefs.
How does the future look to us? Well, clearly we realize we now live in a world of screens, from the microcosmic universe of to smartphone . . . to the imposing vigil of the multiplex giants, looming over us in Imax and 3-D--more "real" than real--and to all the screens in between, from computers to iPads, to muted, high definition flat-screens pouring out images in homes, restaurants, banks, businesses, schools, doctors' offices, and hospitals, and on and on everywhere we turn. We cannot change this reality, so what these Christians, and so many like them are doing is trying to find ways to redeem what we put on these screens: what message we are sending out in word and image to the watching world. So, clearly, our task, whether we have been called to create or not, is to join these artists as "screen redeemers," assisting the Holy Spirit in reconciling the world to God (2 Cor 5:18-19) through helping the pervasively influential means of the media adjust its goals to the mission of Jesus Christ.
This is the history of the relationship between mass produced visual media and religion in the United States. It is a journey from the 1780s to the present - from early evangelical tracts to teenage witches and televangelists, and from illustrated books to contemporary cinema. David Morgan explores the cultural marketplace of public representation, showing how American religionists have made special use of visual media to instruct the public, to practice devotion and ritual, and to form children and converts. Examples include: studying Jesus as an American idol Jewish kitchens and Christian Parlors Billy Sunday and Buffy the Vampire Slayer Uncle Tom’s Cabin and the anti-slavery movement. This unique perspective reveals the importance of visual media to the construction and practice of sectarian and national community in a nation of immigrants old and new, and the tensions between the assimilation and the preservation of ethnic and racial identities. As well as the contribution of visual media to the religious life of Christians and Jews, Morgan shows how images have informed the perceptions and practices of other religions in America, including New Age, Buddhist and Hindu spirituality, and Mormonism, Native American Religions and the Occult.
This is the remarkable story of the unlikely origins of modern media culture. In the early 19th century, a few entrepreneurs decided the time was right to launch a true mass media in America. Though they were savvy businessmen, their publishing enterprises were not commercial businesses but nonprofit religious organizations.