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When two bodies are discovered in the grounds of York Minster shortly before the enthronement of the new archbishop, Owen Archer is summoned to investigate. December, 1374. With the great and the good about to descend on York for the enthronement of Alexander Neville as the new archbishop, the city authorities are in a state of high alert. When two bodies are discovered in the grounds of York Minster, and a flaxen-haired youth with the voice of an angel is found locked in the chapter house, Owen Archer, captain of the city bailiffs, is summoned to investigate. Tension deepens when an enigmatic figure from Owen's past arrives in the city. Why has he returned from France after all these years - and what is his connection with the bodies in the minster yard and the fair singer? Before Owen can make headway in the investigation, a third body is fished out of the river - and the captain finds himself with three mysterious deaths to solve before the all-powerful Neville family arrives in York.
The most violent thunderstorm in living memory occurs above a sleepy village on the West Coast of Scotland. A young couple take shelter in the woods, never to be seen again... _______________________ DCI Jack Russell is brought in to investigate. Nearing retirement, he agrees to undertake one last case, which he believes can be solved as a matter of routine. But what Jack discovers in the forest leads him to the conclusion that he is following in the footsteps of a psychopath who is just getting started. Jack is flung headlong into a race against time to prevent the evolution of a serial killer...
LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2021 'Clever, elegantly constructed, utterly convincing' Daily Mail 'As gripping as Hilary Mantel and as convincing as Sarah Perry ... debut novels shouldn't be this perfectly formed' Ben Myers 'Clever, page-turning, original ... beautifully written' Jane Harris 'Exactly observed, densely textured and richly flavoured ... Crow Court is throbbing with life' Rick Gekoski Spring, 1840. In the Dorset market town of Wimborne Minster, a young choirboy drowns himself. Soon after, the choirmaster—a belligerent man with a vicious reputation—is found murdered, in a discovery tainted as much by relief as it is by suspicion. The gaze of the magistrates falls on four local men, whose decisions will reverberate through the community for years to come. So begins the chronicle of Crow Court, unravelling over fourteen delicately interwoven episodes, the town of Wimborne their backdrop: a young gentleman and his groom run off to join the army; a sleepwalking cordwainer wakes on his wife’s grave; desperate farmhands emigrate. We meet the composer with writer’s block; the smuggler; a troupe of actors down from London; and old Art Pugh, whose impoverished life has made him hard to amuse. Meanwhile, justice waits...
When the wise woman Magda Digby is suspected of murder, Owen Archer sets out to prove her innocence in this intricately plotted medieval mystery. May, 1375. Owen Archer returns from London to find York in chaos. While the citizens are living in terror of the pestilence which is spreading throughout the land, a new physician has arrived, whipping up fear and suspicion against traditional healers and midwives. With the backing of the new archbishop, he is especially hostile towards Magda Digby, the wise woman who has helped and healed the people of York for many years. At the same time, Magda is uneasy about the arrival of two long-lost kinsfolk. Though they say they are seeking her help, she senses a hidden agenda. Magda’s troubles deepen when she discovers a body in the river near her home – and finds herself under suspicion of murder. Days later, fire rips through a warehouse in the city. Amongst the charred debris lies the body of a man – not burned, but stabbed in the back. Could there be a connection to the corpse in the river? Determined to prove Magda’s innocence, Owen sets out to find answers – but the more he uncovers, the deeper the mystery becomes . . .
When a prominent citizen is murdered, former Captain of the Guard Owen Archer is persuaded out of retirement to investigate in this gripping medieval mystery. 1374. When a member of one of York’s most prominent families is found dead in the woods, his throat torn out, rumours spread like wildfire that wolves are running loose throughout the city. Persuaded to investigate by the victim’s father, Owen Archer is convinced that a human killer is responsible. But before he can gather sufficient evidence to prove his case, a second body is discovered, stabbed to death. Is there a connection? What secrets are contained within the victim’s household? And what does apprentice healer Alisoun know that she’s not telling? Teaming up with Geoffrey Chaucer, who is in York on a secret mission on behalf of Prince Edward, Owen’s enquiries will draw him headlong into a deadly conspiracy.
Political unrest permeates York at the cusp of the fifteenth century, as warring factions take sides on who should be the rightful king--Richard II or his estranged, powerful cousin in exile, Henry Bolingbroke. Independent minded twenty-year-old Kate Clifford is struggling to dig out from beneath the debt left by her late husband. Determined to find a way to be secure in her own wealth and establish her independence in a male dominated society, Kate turns one of her properties near the minster into a guest house and sets up a business. In a dance of power, she also quietly rents the discreet bedchambers to the wealthy, powerful merchants of York for nights with their mistresses.But the brutal murder of a mysterious guest and the disappearance of his companion for the evening threatens all that Kate has built. Before others in town hear word of a looming scandal, she must call upon all of her hard-won survival skills to save herself from ruin.
A collection of original haiku from a preeminent Native American poet and novelist. Favor of Crows is a collection of new and previously published original haiku poems over the past forty years. Gerald Vizenor has earned a wide and devoted audience for his poetry. In the introductory essay the author compares the imagistic poise of haiku with the early dream songs of the Anishinaabe, or Chippewa. Vizenor concentrates on these two artistic traditions, and by intuition he creates a union of vision, perception, and natural motion in concise poems; he creates a sense of presence and at the same time a naturalistic trace of impermanence. The haiku scenes in Favor of Crows are presented in chapters of the four seasons, the natural metaphors of human experience in the tradition of haiku in Japan. Vizenor honors the traditional practice and clever tease of haiku, and conveys his appreciation of Matsuo Basho and Yosa Buson in these two haiku scenes, "calm in the storm / master basho soaks his feet /water striders," and "cold rain / field mice rattle the dishes / buson's koto." Vizenor is inspired by the sway of concise poetic images, natural motion, and by the transient nature of the seasons in native dream songs and haiku. "The heart of haiku is a tease of nature, a concise, intuitive, and an original moment of perception," he declares in the introduction to Favor of Crows. "Haiku is visionary, a timely meditation and an ironic manner of creation. That sense of natural motion in a haiku scene is a wonder, the catch of impermanence in the seasons." Check for the online reader's companion at favorofcrows.site.wesleyan.edu.
“Engrossing . . . Imbued with the flavor of English medieval life, Robb’s story melds true events with fiction to create a gripping historical mystery” (Publishers Weekly). When young nun Joanna Calverley dies of a fever in the town of Beverley in the summer of 1365, she is buried quickly for fear of the plague. But a year later, Archbishop Thoresby learns of a woman who has arrived in York claiming to be the resurrected nun, talking of relic-trading and miracles. And death seems to ride in her wake. The archbishop sends Owen Archer to retrace the woman’s journey, an investigation that leads him across the north from Leeds to Beverley to Scarborough. Along the way he encounters Geoffrey Chaucer, a spy for the king of England, who believes there is a connection between the nun’s troubles, renegade mercenaries, and the powerful Percy family. Back in York, however, Owen’s wife, Lucie, pregnant with their first child, has won the confidence of the mysterious nun and realizes that there are secrets hidden in the woman’s seemingly mad ramblings . . . Based on an enigmatic entry in the records of Clementhorpe Nunnery, this authentic, gripping mystery conjures a fourteenth century ripe with forbidden passions and political intrigue. “[Robb] lives up to the standard set by master medievalist Ellis Peters.” —Booklist
A healing remedy or a deadly poison? Owen Archer confronts a lethal mix of dangerous attraction and troubling secrets when two knights die unexpectedly. York, 1363. Master apothecary Nicholas Wilton provides a healing potion for a wounded soldier at St. Mary's Abbey. A KILLER CURE? When Brother Wulfstan administers the special physick to the pilgrim and a fellow knight, tragedy strikes. Is the poisonous potion an accident, or a deliberate act of murder? Owen is sent to investigate by the Archbishop of York, disguised as an apothecary apprentice assisting Wilton's wife, Lucie. THE SINS OF A KNIGHT He soon learns that the first victim, Sir Geoffrey Montaigne, travelled to York to atone a past sin, and had crossed paths with Nicholas before. What was the knight's past misdeed, and what is his connection to the apothecary? IS FORBIDDEN LOVE A DEADLY DRUG? Owen uncovers troubling links between the knight and others close to Nicholas - including Lucie, who has captured his heart. But is he falling in love with a killer? THE OWEN ARCHER MYSTERIES 1. The Apothecary Rose 2. The Lady Chapel 3. The Nun's Tale 4. The King's Bishop 5. The Riddle of St. Leonard's 6. The Gift of Sanctuary 7. A Spy for the Redeemer 8. The Cross-Legged Knight 9. The Guilt of Innocents 10. A Vigil of Spies 11. A Conspiracy of Wolves 12. A Choir of Crows 13. The Riverwoman's Dragon 14. A Fox in the Fold
Little Crow loves to sing, and Papa Crow loves his song. But when Little Crow shares his crow songs with the other birds at the big old tree, they laugh and scatter. Maybe Mockingbird can teach him to sing songs with the finches, flycatchers, and cardinals and help him make some friends. But Little Crow should be careful what he wishes for... Using Mockingbird's tip, Little Crow quickly becomes the most popular bird on the block. But, in a moment of danger, he learns that singing someone else's song can have terrible consequences and that his own voice and his father's love is of the greatest value. Paired with colorful collage illustrations, this inspirational story is complemented by fun facts about North American birds and their sounds. Grades Pre-K to 2.