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This memoir describes the discoveries, many unexpected, when a Chinese American psychology professor retires and reinvents himself as a public historian of Chinese in America. Author of four books on the social history of Chinese family-run businesses, he has given dozens of lectures around the country. A Chinese American Odyssey provides a fascinating and insightful behind-the-scenes look at the processes involved in researching, writing, publishing, and promoting books. Writers of books on any topic will find useful information.
Winner of the 1991 PEN/Jerard Fund Award, Talking to High Monks in the Snow captures the passion and intensity of an Asian-American woman's search for cultural identity.
“This quietly profound book belongs on the shelf next to Jon Krakauer’s Into the Wild.” —The New York Times The riveting true story of Dick Conant, an American folk hero who, over the course of more than twenty years, canoed solo thousands of miles of American rivers—and then disappeared near the Outer Banks of North Carolina. This book “contains everything: adventure, mystery, travelogue, and unforgettable characters” (David Grann, best-selling author of Killers of the Flower Moon). For decades, Dick Conant paddled the rivers of America, covering the Mississippi, Yellowstone, Ohio, Hudson, as well as innumerable smaller tributaries. These solo excursions were epic feats of planning, perseverance, and physical courage. At the same time, Conant collected people wherever he went, creating a vast network of friends and acquaintances who would forever remember this brilliant and charming man even after a single meeting. Ben McGrath, a staff writer at The New Yorker, was one of those people. In 2014 he met Conant by chance just north of New York City as Conant paddled down the Hudson, headed for Florida. McGrath wrote a widely read article about their encounter, and when Conant's canoe washed up a few months later, without any sign of his body, McGrath set out to find the people whose lives Conant had touched--to capture a remarkable life lived far outside the staid confines of modern existence. Riverman is a moving portrait of a complex and fascinating man who was as troubled as he was charismatic, who struggled with mental illness and self-doubt, and was ultimately unable to fashion a stable life for himself; who traveled alone and yet thrived on connection and brought countless people together in his wake. It is also a portrait of an America we rarely see: a nation of unconventional characters, small river towns, and long-forgotten waterways.
In Afghanistan is the story of a young man, searching for adventure and self-discovery in war-torn Afghanistan during the time of the Soviet invasion. It is also a portrait of an exotic land and people desperately struggling for survival during that war, as they are today. In 1981, with a letter and some financial backing from The New York Times, Van Dyk, bearded and dressed as an Afghan, sneaked into Afghanistan , then off-limits to foreigners, and lived in the ruggedly-beautiful mountains and desert of this country with the Mujahideen, the men then fighting the Soviet Union. “My spine tingled like a boy’s. I felt the sensation of adventure…The Turbans of ten laughing young men, armed to the teeth, flapped in the wind…I would not have traded this moment for all the money in the world. It was suicidal, magnificent, and I knew we’d be all right.” But it was close. He lived through Soviet ground and helicopter attacks, saw death and suffering, but also laughter. He had much to learn about Islam, tribal traditions and the holy war the guerrillas were waging. He was accused of being a Soviet spy, but ultimately won the trust of his Afghan guides. He saw a strong, courageous, often frightened people fighting to protect the only thing they knew--their homes, their families, their way of life. The author, a former runner, a fledgling politician and writer, who grew up in a fundamentalist Christian family in a small town in the Northwest, also went looking for something deep among these men who shouted “God is Great” and went into battle against the Red Army. His story is about the people he met and his journey.
Mary Paik Lee left her native country in 1905, traveling with her parents as a political refugee after Japan imposed control over Korea. Her father worked in the sugar plantations of Hawaii briefly before taking his family to California. They shared the poverty-stricken existence endured by thousands of Asian immigrants in the early twentieth century, working as farm laborers, cooks, janitors, and miners. Lee recounts racism on the playground and the ravages of mercury mining on her father’s health, but also entrepreneurial successes and hardships surmounted with grace. With a new foreword by David K. Yoo, this edition reintroduces Quiet Odyssey to readers interested in Asian American history and immigration studies. The volume includes thirty illustrations and a comprehensive introduction and bibliographic essay by respected scholar Sucheng Chan, who collaborated closely with Lee to edit the biography and ensure the work was true to the author’s intended vision. This award-winning book provides a compelling firsthand account of early Korean American history and continues to be an essential work in Asian American studies.
When she was a girl, Lisa See spent summers in the cool, dark recesses of her family`s antiques store in Los Angeles' Chinatown. There, her grandmother and great-aunt told her intriguing, colourful stories about their family`s past - stories of missionaries, concubines, tong wars, glamorous nightclubs, and the determined struggle to triumph over racist laws and discrimination. They spoke of how Lisa`s great-great-grandfather emigrated from his Chinese village to the United States, and how his son followed him. As an adult, See spent fives years collecting the details of her family`s remarkable history. She interviewd nearly one hundred relatives and pored over documents at the National Archives, the immigration office, and in countless attics, basements, and closets for the initmate nuances of her ancestors` lives. The result is a vivid, sweeping family portriat that is att once particular and universal, telling the story not only of one family, but of the Chinese people in America - and of America itself, a country that both welcomes and reviles its immigrants like no other culture in the world.
In 1867, Lisa See's great-great-grandfather arrived in America, where he prescribed herbal remedies to immigrant laborers who were treated little better than slaves. His son Fong See later built a mercantile empire and married a Caucasian woman, in spite of laws prohibiting interracial marriage. Lisa herself grew up playing in her family's antiques store in Los Angeles's Chinatown, listening to stories of missionaries and prostitutes, movie stars and Chinese baseball teams. With these stories and her own years of research, Lisa See chronicles the one-hundred-year-odyssey of her Chinese-American family, a history that encompasses racism, romance, secret marriages, entrepreneurial genius, and much more, as two distinctly different cultures meet in a new world.
Bill Bryson meets Bruce Lee in this raucously funny story of one scrawny American’s quest to become a kung fu master at China’s legendary Shaolin Temple. Growing up a ninety-pound weakling tormented by bullies in the schoolyards of Kansas, young Matthew Polly dreamed of one day journeying to the Shaolin Temple in China to become the toughest fighter in the world, like Caine in his favorite 1970s TV series, Kung Fu. While in college, Matthew decided the time had come to pursue this quixotic dream before it was too late. Much to the dismay of his parents, he dropped out of Princeton to spend two years training with the legendary sect of monks who invented kung fu and Zen Buddhism. Expecting to find an isolated citadel populated by supernatural ascetics that he’d seen in countless badly dubbed chop-socky flicks, Matthew instead discovered a tacky tourist trap run by Communist party hacks. But the dedicated monks still trained in the rigorous age-old fighting forms—some even practicing the “iron kung fu” discipline, in which intensive training can make various body parts virtually indestructible (even the crotch). As Matthew grew in his knowledge of China and kung fu skill, he would come to represent the Temple in challenge matches and international competitions, and ultimately the monks would accept their new American initiate as close to one of their own as any Westerner had ever become. Laced with humor and illuminated by cultural insight, American Shaolin is an unforgettable coming-of-age tale of one young man’s journey into the ancient art of kung fu—and a funny and poignant portrait of a rapidly changing China.
During the last two decades, many U.S. universities have restructured themselves to operate more like corporations. Nowhere has this process been more dramatic than at New York University, which has often been touted as an exemplar of the "corporate university." Over the same period, an academic labor movement has arisen in response to this corporatization. Using the unprecedented 2005 strike by the graduate student union at NYU as a springboard, The University Against Itself provides a brief history of labor organizing on American campuses, analyzes the state of academic labor today, and speculates about how the university workplace may evolve for employees. All of the contributors were either participants in the NYU strike -- graduate students, faculty, and organizers -- or are nationally recognized as writers on academic labor. They are deeply troubled by the ramifications of corporatizing universities. Here they spell out their concerns, offering lessons from one historic strike as well as cautions about the future of all universities. Contributors include: Stanley Aronowitz, Barbara Bowen, Andrew Cornell, Ashley Dawson, Stephen Duncombe, Steve Fletcher, Greg Grandin, Adam Green, Kitty Krupat, Gordon Lafer, Micki McGee, Sarah Nash, Cary Nelson, Matthew Osypowski, Ed Ott, Ellen Schrecker, Susan Valentine, and the editors.
In the early and mid-twentieth century, Chinese migrants evaded draconian anti-immigrant laws by entering the US under false papers that identified them as the sons of people who had returned to China to marry. Wayne Hung Wong tells the story of his life after emigrating to Wichita, Kansas, as a thirteen-year-old paper son. After working in his father’s restaurant as a teen, Wong served in an all-Chinese Air Force unit stationed in China during World War II. His account traces the impact of race and segregation on his service experience and follows his postwar life from finding a wife in Taishan through his involvement in the government’s amnesty program for Chinese immigrants and career in real estate. Throughout, Wong describes the realities of life as part of a small Chinese American community in a midwestern town. Vivid and rich with poignant insights, American Paper Son explores twentieth-century Asian American history through one person’s experiences.