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THE STORY: John Cheever, master chronicler of America's post-war angst and alienation, and how it affected a burgeoning suburban class, left a storehouse of dramatic possibilities in his fiction, largely unexplored purely by dint of his chosen arti
PULITZER PRIZE WINNER • NATIONAL BESTSELLER • A seminal collection from one of the true masters of the short story. Spanning the duration of Cheever’s long and distinguished career, these sixty-one stories chronicle and encapsulate the lives of what has been called “the greatest generation.” From the early wonder and disillusionment of city life in “The Enormous Radio” to the surprising discoveries and common mysteries of suburbia in “The Housebreaker of Shady Hill” and “The Swimmer,” these are tales that have helped define the form. Featuring a preface by the Pulizter Prize-winning author, The Stories of John Cheever brings together some of the finest short stories ever written. "Cheever’s crowning achievement is the ability to be simultaneously generous and cynical, to see that the absurd and the profound can reside in the same moment, and to acknowledge both at the detriment of neither." —The Guardian
(Applause Acting Series). While contemporary culture may be fixated on youthful sex appeal, the most complex and interesting characters in dramatic literature have been (and still are) those over 40 years old. Whether it's Willy Loman in Death of a Salesman , Gorgeous Teitelbaum in Wendy Wasserstein's Sisters Rosenzweig , or Troy the former big leaguer in August Wilson's Fences , these characters have a texture and a gravitas that can't be found in younger roles. This volume selects from classical sources like Euripides' Medea and Shakespeare's King Lear , as well as contemporary ones like Yasmina Reza's God of Carnage , Christopher Durang's Vonya and Sonia and Masha and Spike , and David Lindsay-Abaire's Good People , to provide a challenging and enriching experience for both the dedicated professional and the inquisitive amateur.
Winter's Tales tackles the question of whether narrative and drama are as different from each other as some scholars have assumed. By examining everything from voice and tense to "scene and summary," George, a theater professor and novelist, analyzes the many choices a writer has when framing a story. She addresses narrative theoretical ground before focusing on contemporary plays that are "novelistic." She finishes the study by examining the problems of adaptation from novel to stage. Her account is-by way of its essayistic style-personal, at times a writer's journal of reading and writing discoveries. In Winter's Tales, George demonstrates, among other things, the ways the diegetic is evident in the very content of frame plays and divided plays: she distinguishes between kinds of memory plays by cataloguing the possible stances of the narrator: she also covers subjects like multiple narration, and she gives accounts of the epic, dramatic, and lyric solutions to adapting novels. Kathleen George is a Professor in the Theatre Arts Department at the University of Pittsburgh.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.
John Cheever spent much of his career impersonating a perfect suburban gentleman, the better to become one of the foremost chroniclers of postwar America. Written with unprecedented access to essential sources—including Cheever’s massive journal, only a fraction of which has ever been published—Bailey’s Cheever is a stunning example of the biographer’s art and a brilliant tribute to an essential author.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.