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In this moving and provocative anthology, the bestselling author of The Book of Qualities presents poems, myths, and prayers celebrating the fundamental cycle of life--night into day, sun and moon, and dark into light. Embellished with Gendler's own evocative and brilliantly vivid art.
Mystical poems explore the author's experiences communicating with a spirit named Ephraim through an Ouija board
In a new mystery from Agatha Award-winning author Edith Maxwell, midwife Rose Carroll confronts a killer on the cusp of a new age . . . As the nineteenth century nears an end, midwife Rose Carroll can see signs of progress and change everywhere in her Amesbury community. Adding to the excitement is the annual Spring Opening, when the town’s world-famous carriage manufacturers throw open their doors to visitors from all over the globe. This year’s festivities are tainted, however, when a representative from a prominent Canadian carriage company is murdered. Driven by her strong sense of justice, Rose is determined to track down the killer. She has only just begun her investigation when she learns that the plans for a radical new horseless carriage have gone missing. Faced with the question of whether the two crimes are connected—and a list of suspects that includes some of Amesbury’s own residents and any number of foreign visitors—Rose has to delve into a case with implications for the future, even if the motive for murder is one of mankind’s oldest . . . Praise for the Quaker Midwife Mysteries: “Through Quaker Rose Carroll’s resourceful sleuthing—and her midwifery—we are immediately immersed in the fascinating peculiarities, tensions and secrets of small-town life in late-19th-century Amesbury.” —Susanna Calkins, author of the award-winning Lucy Campion Mysteries and the Speakeasy Mysteries “Edith Maxwell’s latest Quaker midwife mystery teems with authentic period detail that fascinates as it transports the reader back to a not-so-simple time. A complex, subtle, and finely told tale, Judge Thee Not’s sensitive portraits and vivid descriptions, along with Rose Carroll’s humanity, intelligence, and—yes—snooping, make this a sparkling addition to a wonderful series. A sublimely delightful read.” —James W. Ziskin, author of the award-winning Ellie Stone Mysteries “The historical setting is redolent and delicious, the townspeople engaging, and the plot a proper puzzle, but it’s Rose Carroll—midwife, Quaker, sleuth—who captivates in this irresistible series . . .” —Catriona McPherson, Agatha-, Anthony- and Macavity-winning author of the Dandy Gilver series “Not only is it a well-plotted, intelligent mystery, it also shines light on how women were treated—and, in many cases, mistreated—by people they trusted for help in desperate situations. Highly recommended.” —Suspense Magazine “Clever and stimulating novel . . . masterfully weaves a complex mystery.” —Open Book Society “Riveting historical mystery . . . [a] fascinating look at nineteenth-century American faith, culture, and small-town life.” —William Martin, New York Times bestselling author of Cape Cod and The Lincoln Letter
A tribute to Edith Warner who befriended both the Indians of San Ildefonso and the atomic scientists at Los Alamos.
Tells the story of cosmology, including its history, the theories and the evidence, the new discoveries, the outstanding questions and controversies.
Raised to the status of an international luminary by her contemporaries and now revered as one of the defining talents of the seventeenth century, Artemisia Gentileschi poses urgent questions for today's scholars. The recent outpouring of new attributions and archival discoveries has profoundly enriched our knowledge of the artist, but it has also complicated, and sometimes contradicted, the former storyline. If she was illiterate and unschooled, how did she befriend Galileo and court playwright Jacopo Cicognini? If she could not pay her bills, why did she continue to spend lavishly? How can we define her authorship if we admit workshop productions to her oeuvre? In these essays, an international cast of scholars and experts grapples with these problems, opening new paths of inquiry and laying bare their methodologies in fields as diverse as laboratory analysis, archival research, cultural history, literary analysis, and feminist art history. Among these approaches, connoisseurship takes center stage. By reconstructing the chronology and rationale of Artemisia's artistic iter, connoisseurship reveals the richness of her visual dialogues, including those with prominent contemporaries such as Caravaggio, Annibale Carracci, Vouet, Cristofano Allori, and Stanzione; with past artistic giants like Donatello and Michelangelo; and with the various hands who passed through her workshop as collaborators and assistants. These essays infuse our understanding of Artemisia with complexity and nuance, yet they also trace her characteristic mix of intelligence and verve in her art, her correspondence, and her deft social maneuvering, running like a thread through all stages of her life.
Originally published: New York: William Morrow and Co., 1995.
Weavers of Light is the first book of its kind to tackle the age old question of? why are we here?, with insightful honesty and hope for our collective future. A? How to? for conscious co-creation
A beautiful and bestelling meditation on trees Because a tree bloomed seasonally we felt its body like our own. A tree stood still and yet suffered change. A tree growing old grew down into itself. Trees could not heal wounds, only cover them up. Trees were magnificent survivors. Trees got used. Trees behaved erratically under stress. Trees strove to fulfill an ideal shape but were twisted out of it by pressures of existence. In The Tree In Changing Light, Roger McDonald meditates on our unique landscape and its rich tapestry of native and introduced trees, which 'give language to our existence'. His most intimate and personal book to date, it also celebrates country men like his grandfather Chester Bucknall, a forester and pine-planter, of whom he writes, 'I believe him to have been a dreamer about trees'; Wilf Crane, Roger McDonald's mentor with trees who flew planes across country on solo planting raids and whose death while flying inspired this book; and Tom Wyatt, a bush gardener whose dedicated hands made trees bloom in Queensland towns. Here too are historical vignettes of a landscape husbanded for many centuries by Australian Aboriginals, yet swiftly and irrevocably changed by European settlement; encounters with poets and painters inspired by trees; tales of ordinary people for whom trees are talismanic; and interwoven throughout are autobiographical sketches, slices of family history and episodes from Roger McDonald's own life as a writer and sometime planter of trees. An unusual and beautiful book, The Tree In Changing Light,is the moving and personal statement of a writer about his relationship with the land, with language, with memory and with Australia's cultural and literary heritage.
Almost every schoolchild learns that Thomas Edison invented the light bulb. But did he? And if he hadn’t invented it, would we be still living in the dark? Acclaimed author Matt Ridley (The Rational Optimist, The Evolution of Everything) explains that at least 20 other people can lay claim to this breakthrough moment. Ridley argues that the light bulb emerged from the combined technologies and accumulated knowledge of the day – it was bound to emerge sooner or later. Based on his 2018 Hayek Memorial Lecture, Ridley contends that innovation – from invention through to development and commercialisation – is the most important unsolved problem in all of human society. We rely on it – but we do not fully understand it, we cannot predict it and we cannot direct it. In How Many Light Bulbs Does It Take to Change the World? Ridley examines the nature of innovation – and how people often fear its consequences. He dispels the myth that automation destroys jobs – and demonstrates how innovation leads to economic growth. And he argues that intellectual property rights, originally intended to encourage innovation, are now being used by big business to defend their monopolies. Ridley concludes that innovation is a mysterious and under-appreciated process that we discuss too rarely, hamper too much and value too little.