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A Century of Orange and Blue is just that--an in-depth look at the history of one of the Big Ten's premiere basketball programs. The University of Illinois' basketball roots date back to 1901, when the idea of men's basketball was introduced to UI director of athletics George Huff during a scrimmage at the Men's Old Gym. By 1906 a varsity basketball team was in place under the direction of Leo Hana and coach Elwood Brown. That team defeated Champaign High School, 71-4, on Jan. 6, 1906, before losing to more formidable college teams in Purdue and Indiana. Some 100 years later, the Fighting Illini have hoisted 15 Big Ten championship banners and sent four teams to the Final Four in search of a NCAA championship. From the Whiz Kids of '42 to the Flyin' Illini of '89 to the Big Ten champs of '04, A Century of Orange and Blue is full of fond memories of fantastic teams, recounted by authors Loren Tate and Jared Gelfond and the amazing players and coaches that put Illini basketball on the national map.
Intriguing collage illustrations frame this timeless story of a young child who questions the significance of color. Speaking in verse, the child wonders if the natural world believes any particular color to be more important than another. Does the rain think I'm a color when it falls on my head? I wonder if the clouds think I'm a color... maybe they think I'm green or blue or red. The child comes to see the importance of a world filled with and accepting of all colors. Do I have to choose one color? I want to be them all - black, blue, purple, brown, pink, orange, yellow, red, white, and green. The whole world is full of colors - just like me. Brynne Barnes earned a B.S. from the University of Michigan and a M.A. from Eastern Michigan University, and she teaches writing at Adrian College. This is her first picture book. She lives in Ann Arbor, Michigan, where she writes books, poetry, and music.Annika M. Nelson's work crosses cultural borders, portraying images of everyday life. She has illustrated several books including Folk Wisdom of Mexico, in addition to illustrations for many national publications. She lives near San Diego, California.
For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.
The Archaeology of Martin's Hundred explores the history and artifacts of a 20,000-acre tract of land in Tidewater, Virginia, one of the most extensive English enterprises in the New World. Settled in 1618, all signs of its early occupation soon disappeared, leaving no trace above ground. More than three centuries later, archaeological explorations uncovered tantalizing evidence of the people who had lived, worked, and died there in the seventeenth century. Part I: Interpretive Studies addresses four critical questions, each with complex and sometimes unsatisfactory answers: Who was Martin? What was a hundred? When did it begin and end? Where was it located? We then see how scientific detective work resulted in a reconstruction of what daily life must have been like in the strange and dangerous new land of colonial Virginia. The authors use first-person accounts, documents of all sorts, and the treasure trove of artifacts carefully unearthed from the soil of Martin's Hundred. Part II: Artifact Catalog illustrates and describes the principal artifacts in 110 figures. The objects, divided by category and by site, range from ceramics, which were the most readily and reliably datable, to glass, of which there was little, to metalwork, in all its varied aspects from arms and armor to rail splitters' wedges, and, finally, to tobacco pipes. The Archaeology of Martin's Hundred is a fascinating account of the ways archaeological fieldwork, laboratory examination, and analysis based on lifelong study of documentary and artifact research came together to increase our knowledge of early colonial history. Copublished with the Colonial Williamsburg Foundation.
Combines van Gogh's paintings with his own words, describing each work of art and introducing young readers to the concept of color.