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In an evocative sequel to the acclaimed "New Orleans: Elegance and Decadence, " Sexton returns with an in-depth visual journey through the hidden mansions--some inhabited, many now long abandoned--of Louisiana's River Road. 200+ color photos.
In Delusions of Grandeur Joey Franklin examines the dreams and delusions of America's most persistent mythologies--including the beliefs in white supremacy and rugged individualism and the problems of toxic masculinity and religious extremism--as they reveal themselves in the life of a husband and father fast approaching forty. With prose steeped in research and a playful, lyric attention to language, Franklin asks candid questions about what it takes to see clearly as a citizen, a parent, a child, a neighbor, and a human being. How should a white father from the suburbs talk with his sons about the death of Trayvon Martin? What do video games like Fortnite and Minecraft reveal about our appetites for destruction? Is it possible for Americans to celebrate bootstrap pioneer history while also lamenting the slavery that made it possible? How does the American tradition of exploiting cheap labor create a link between coal mining and plasma donation in southeast Ohio? Part cultural critique, part parental confessional, Delusions of Grandeur embraces the notion that the personal is always political, and reveals important, if sometimes uncomfortable, truths about our American obsessions with race, class, religion, and family.
Catalogue of the exhibition presented by WONDERS of The Romanov Dynasty.
Reproduction of the original: The Grandeur That Was Rome by J.C. Stobart
Winner of the American Sociological Association PEWS Award (1995) for Distinguished Scholarship The Long Twentieth Century traces the epochal shifts in the relationship between capital accumulation and state formation over a 700-year period. Giovanni Arrighi masterfully synthesizes social theory, comparative history and historical narrative in this account of the structures and agencies which have shaped the course of world history over the millennium. Borrowing from Braudel, Arrighi argues that the history of capitalism has unfolded as a succession of "long centuries"—ages during which a hegemonic power deploying a novel combination of economic and political networks secured control over an expanding world-economic space. The modest beginnings, rise and violent unravel-ing of the links forged between capital, state power, and geopolitics by hegemonic classes and states are explored with dramatic intensity. From this perspective, Arrighi explains the changing fortunes of Florentine, Venetian, Genoese, Dutch, English, and finally American capitalism. The book concludes with an examination of the forces which have shaped and are now poised to undermine America's world power.
The one hundred most influential people of the twentieth century, as selected by the editors of Time magazine and featured in a series of documentaries produced by CBS.
The Mexican colonial period has traditionally been considered a dark period in the arts, a long gap between the arrival of the Spaniards and the early twentieth century. Through new and focused scholarship, the exhibition catalogue The Grandeur of Viceregal Mexico demonstrates that just the opposite is true. This landmark publication features extraordinary decorative and fine arts from the Mexican viceregal period (1521-1821). The lavishly illustrated catalogue is written in Spanish and English and, for the first time, presents to American audiences the rich artistic heritage of colonial Mexico. Five insightful essays by Mexican and American specialists explore the confluence of cultures that gives the arts of colonial Mexico a distinctive quality. This distinction, which differentiates the works from the arts of both Spain and other Latin American countries, is not widely understood in either the United States or Mexico. Expert commentaries enable readers to learn in greater depth about the outstanding collection of paintings, sculptures, furniture, ceramics, metals, textiles, featherwork, lacquer, and books housed in the Museo Franz Mayer in Mexico City. The contributors are: D. Hector Rivero Borrell Miranda, Director of the Museo Franz Mayer, Mexico City Gustavo Curiel, cultural historian Antonio Rubial García, historian Juana Gutierrez Haces, art historian Peter C. Marzio, Director of the Museum of Fine Arts, Houston David B. Warren, Director of Bayou Bend Collection, Museum of Fine Arts, Houston.
Both a magnificent celebration and a call for compassion, Himalaya is a panorama of the unique history and uncertain future of the world's highest region and its colorful inhabitants. The awesome beauty of these lofty peaks, including Everest, Kanchenjunga, and Annapurna, is brought to life by gifted photographers like Steve McCurry, Art Wolfe, and many more, while such notable contributors as Jimmy Carter, the Dalai Lama, Sir Edmund Hillary, Tenzing Norgay, and over two dozen others share vivid personal tales of Himalayan life, recount their efforts to encourage hope and opportunity, and emphasize the urgent need to preserve the vibrant variety of these ancient landscapes and cultures as they face the mixed blessings of the modern world. The book begins by introducing the region: its astonishing biodiversity, its mountaineering history, its rich ethnic heritage, and the interplay between two major religions, Hinduism and Buddhism. Himalaya addresses challenges to these mountainous domains: political turmoil, population growth, touristic demands, and ecological stresses. Finally, a compelling conclusion comes in the stories of doctors, conservationists, environmentalists, and volunteers of every kind, whose efforts provide a global model for practical results and lasting relief, still respecting, honoring, and protecting the magic of a place unlike any other on Earth.
“Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There’s no reason to own another.” —Library Journal The Great Gatsby, The Beautiful and Damned, Tender Is the Night, “The Curious Case of Benjamin Button.” These works and more elevated F. Scott Fitzgerald to his place as one of the most important American authors of the twentieth century. After struggling to become a screenwriter in Hollywood, Fitzgerald was working on The Last Tycoon when he died of a heart attack in 1940. He was only forty-four years old. Fitzgerald left behind his own mythology. He was a prince charming, a drunken author, a spoiled genius, the personification of the Jazz Age, and a sacrificial victim of the Depression. Here, Matthew J. Bruccoli strips away the façade of this flawed literary hero. He focuses on Fitzgerald as a writer by tracing the development of his major works and his professional career. Beginning with his Midwest upbringing and first published works as a teenager, this biography follows Fitzgerald’s life through the successful debut of This Side of Paradise, his turbulent marriage to Zelda Sayre, his time in Europe among The Lost Generation, the disappointing release of The Great Gatsby, and his ignominious fall. As former US poet laureate James Dickey said, “the spirit of the man is in the facts, and these, as gathered and marshalled by Bruccoli over thirty years, are all we will ever need. But more important, they are what we need.”