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This is the first exploration of modern Australian social anthropology which examines the forces that helped shaped its formation. In his new work, Geoffrey Gray reveals the struggle to establish and consolidate anthropology in Australia as an academic discipline. He argues that to do so, anthropologists had to demonstrate that their discipline was the predominant interpreter of Indigenous life. Thus they were able, and called on, to assist government in the control, development and advancement of Indigenous peoples. Gray aims to help us understand the present organisational structures, and assist in the formulation of anthropology's future role in Australia; to provide a wider political and social context for Australian social anthropology, and to consider the importance of anthropology as a past definer of Indigenous people. Gray's work complements and adds to earlier publications: Wolfe's Settler Colonialism and the Transformation of Anthropology, McGregor's Imagined Destinies and Anderson's Cultivating Whiteness.
'Better mad with the crowd than sane all alone' In these witty, Machiavellian aphorisms, unlikely Spanish priest Baltasar Gracián shows us how to exploit friends and enemies alike to thrive in a world of deception and illusion. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Baltasar Gracián (1601-1658). Gracián's work is available in Penguin Classics in The Pocket Oracle and Art of Prudence.
From the #1 New York Times bestselling author of Salt to the Sea and Between Shades of Gray comes a gripping, extraordinary portrait of love, silence, and secrets under a Spanish dictatorship. Madrid, 1957. Under the fascist dictatorship of General Francisco Franco, Spain is hiding a dark secret. Meanwhile, tourists and foreign businessmen flood into Spain under the welcoming promise of sunshine and wine. Among them is eighteen-year-old Daniel Matheson, the son of an oil tycoon, who arrives in Madrid with his parents hoping to connect with the country of his mother's birth through the lens of his camera. Photography--and fate--introduce him to Ana, whose family's interweaving obstacles reveal the lingering grasp of the Spanish Civil War--as well as chilling definitions of fortune and fear. Daniel's photographs leave him with uncomfortable questions amidst shadows of danger. He is backed into a corner of difficult decisions to protect those he loves. Lives and hearts collide, revealing an incredibly dark side to the sunny Spanish city. Master storyteller Ruta Sepetys once again shines light into one of history's darkest corners in this epic, heart-wrenching novel about identity, unforgettable love, repercussions of war, and the hidden violence of silence--inspired by the true postwar struggles of Spain. Includes vintage media reports, oral history commentary, photos, and more. Praise for The Fountains of Silence "Spain under Francisco Franco is as dystopian a setting as Margaret Atwood’s Gilead in Ruta Sepetys’s suspenseful, romantic and timely new work of historical fiction . . . Like [Shakespeare's family romances], 'The Fountains of Silence' speaks truth to power, persuading future rulers to avoid repeating the crimes of the past." --The New York Times Book Review “Full of twists and revelations…an excellent story, and timely, too.” --The Wall Street Journal "A staggering tale of love, loss, and national shame." --Entertainment Weekly * "[Sepetys] tells a moving story made even more powerful by its placement in a lesser-known historical moment. Captivating, deft, and illuminating historical fiction." --Booklist, *STARRED REVIEW* * "This gripping, often haunting historical novel offers a memorable portrait of fascist Spain." --Publishers Weekly, *STARRED REVIEW* * "This richly woven historical fiction . . . will keep young adults as well as adults interested from the first page to the last." --SLC, *STARRED REVIEW* * "Riveting . . . An exemplary work of historical fiction." --The Horn Book, *STARRED REVIEW*
"An exploration of the failures of reason in human life and the enduring role of myth in science, politics, and morality"--
In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.
Within the pages of 'The Spirit of the Vikings' lies a comprehensive compilation of Norse literary works, providing a profound insight into the formidable and enigmatic world of Viking culture. This anthology brings together an array of epic narratives, including the sagas of kings and heroes, tales of voyages, familial conflicts, migrations, and the feats that define the ancient Nordic tapestry. Interwoven into these narratives are the Elder and Younger Eddas, presenting an invaluable perspective on the Norse mythological canon and elevating the reader's understanding of texts that are integral to the historical and literary context of the Viking Age. The inclusion of Norse ballads and mythology further illuminates the cultural ethos and spiritual beliefs that powered the Vikings' lives and afterlives, capturing the raw essence of a people steadfast in their convictions and honor. In an enigmatic decision befitting the lore it contains, the author of 'The Spirit of the Vikings' has chosen anonymity, yet the work speaks volumes of a keen editor with a profound understanding of Norse antiquity. The amalgamation of the sagas and Eddas suggests a dedication to preserving collective memory and a deep respect for the storytelling tradition that has kept these tales alive through the ages. The author may have deliberately faded into obscurity to highlight the collective voice of the Norse people, ensuring that the focus remains squarely on the content rather than the compiler, an act that mirrors the Norse veneration for their shared heritage and lore over individual celebrity. 'The Spirit of the Vikings' is an indispensable literary odyssey for enthusiasts of epic literature, historians of medieval Scandinavia, or anyone fascinated by the fabled Viking era. It is not merely an anthology but a bridge across time, connecting modern-day readers with the ancient sagas and myths that shaped a civilization steeped in bravery, exploration, and spiritual depth. This tome is a treasure for those seeking to imbue their intellect with the profound narratives that are as much a part of the Northern landscape as the fjords and the midnight sun. Join the odyssey, embrace the ethos, and allow the spirit of the Vikings to resonate through the corridors of time.
Volume II of Sam Houston's personal correspondence continues the four-volume series of previously unpublished personal letters to and from Sam Houston, covering the time 1846 to 1848. "Writing to people he knew and assuming confidentiality, Houston was unrestrained in his candor in discussing affairs of state and other aspects of his life and career. . . . "--AUSTIN AMERICAN-STATESMAN.
ÊIn a large village there lived a noted belle, or Ma-mon-d‡-go-Kwa, who was the admiration of all the young hunters and warriors. She was particularly admired by a young man who, from his good figure and the care he took in his dress, was called the Beau-Man, or Ma-mon-d‡-gin-in-e. This young man had a friend and companion whom he made his confidant. ÒCome,Ó said he one day, in a sportive mood, Òlet us go a-courting to her who is so handsome, perhaps she may fancy one of us.Ó She would, however, listen to neither of them; and when the handsome young man rallied her on the coldness of her air, and made an effort to overcome her indifference, she repulsed him with the greatest contempt, and the young man retired confused and abashed. His sense of pride was deeply wounded, and he was the more piqued because he had been thus treated in the presence of others, and this affair had been noised about in the village, and became the talk of every lodge circle. He was, besides, a very sensitive man, and the incident so preyed upon him that he became moody and at last took to his bed. For days he would lie without uttering a word, with his eyes fixed on vacancy, and taking little or no food. From this state no efforts could rouse him. He felt abashed and dishonoured even in the presence of his own relatives, and no persuasions could induce him to rise, so that when the family prepared to take down the lodge to remove he still kept his bed, and they were compelled to lift it from above his head and leave him upon his skin couch. It was a time of general removal and breaking up of the camp, for it was only a winter hunting-camp, and as the season of the hunt was now over, and spring began to appear, his friends all moved off as by one impulse to the place of their summer village, and in a short time all were gone, and he was left alone. The last person to leave him was his boon companion and cousin, who had been, like him, an admirer of the forest belle. The hunter disregarded even his voice, and as soon as his steps died away on the creaking snow the stillness and solitude of the wilderness reigned around. As soon as all were gone, and he could no longer, by listening, hear the remotest sound of the departing camp, the Beau-Man arose.