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A comprehensive look at the work of Jheronimus Bosch, published to coincide with the 5th centenary of the artist's death and in conjunction with an exhibition at the Museo del Prado
The Director of the Museo del Prado offers a small-scale walking tour highlighting the best of the Prado's magnificent collections of European paintings, sculptures, and objects d'art. 250 full-color illus.
This two-part book on collections of paintings in Madrid is part of the series Documents for the History of Collecting, Spanish Inventories 1, which presents volumes of art historical information based on archival records. One hundred forty inventories of noble and middle-class collections of art in Madrid are accompanied by two essays describing the taste and cultural atmosphere of Madrid in the seventeenth and eighteenth centuries.
Love, desire, and beauty are intimately connected in Greek and Roman mythology, dominating the lives of gods and mortals. The texts that focus on these themes ? Homer?s Iliad and Odyssey, Ovid?s Metamorphoses, and Virgil?s Aeneid, among many others ? were revered by Renaissance and Baroque artists, who aimed to represent them in a powerfully expressive manner.00This fully illustrated catalogue offers a detailed study of mythological paintings by Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, and Velázquez. Inspired in some cases by a desire to emulate and in others by a sense of rivalry, these artists were responsible for the creation of a fascinating interpretative sequence that reflects the adaptability of the mythological tradition and its potential for constant renewal.00Exhibition: Museo del Prado, Madrid, Spain (02.03.-04.07.2021).
The six glorious scenes that make up the Triumph of the Eucharist series by Peter Paul Rubens (1577–1640) are highlights of the Museo Nacional del Prado’s superb collection of Flemish paintings. Completed in 1626, these brilliantly detailed sketches were painted at the behest of the Infanta Isabel Clara Eugenia in preparation for a series of monumental tapestries that are now considered among the finest made in Europe in the seventeenth century. Unfortunately, additions to the wooden supports, introduced after the paintings were created, made the panels considerably larger than Rubens intended and over time caused serious damage to the original sections. With the aid of the Getty Foundation’s Panel Paintings Initiative, the panels have been restored and returned to their original dimensions by the Prado, and the magnificent oil sketches can once again be placed on public view. This lushly illustrated and illuminating volume provides new insight into the history of the Eucharist series of paintings and tapestries and attests to Rubens’s exhilarating art. Spectacular Rubens is published on the occasion of an exhibition of the paintings, on view at the Museo Nacional del Prado from March 25 through June 29, 2014, and at the J. Paul Getty Museum from October 14, 2014, through January 4, 2015.
Visual refences to paintings from Ancient Egyptian wallpaintings to contemporary Western canvases
In 1609 Rubens painted a large Adoration of the Magi for the Antwerp Town Hall. The painting made its way to the King of Spain and Rubens, arriving at the Spanish court in 1628, repainted, extended and refashioned the picture to his own satisfaction (incorporating a self-portrait). The painting, now in the collection of the Prado, incorporates a dialogue by the painter himself. The picture has been newly conserved, and following the dialogue has been made easier by the existence of a copy in a private collection of the 1609 version of the much altered work. It has been the fascinating task of Prado curator Alejandro Vergara and the Prado conservation department to investigate the changes Rubens made and their motivation, while Joost vander Auwara provides a new analysis, employing new documents and rereading known ones, of the intentions and iconography of the original Antwerp commission.