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When Hollywood star Dorothy Dacres plummets six floors from her hotel terrace on the night of her greatest triumph, it initially looks like a tragic accident. But her death is so very convenient to her many enemies that press-man Freddy Pilkington-Soames, who was there on the night she died, begins to suspect foul play. And when cocaine is found in her room, it only complicates matters further. Soon Freddy is chasing across London on the trail of drug dealers, in reluctant company with his deadly rival Corky Beckwith, the most unscrupulous reporter in Fleet Street, who will do anything for a story. With the future of a film studio at stake, can Freddy find the culprit—and get one up on Corky—before he becomes the killer's next victim?
When Hollywood star Dorothy Dacres plummets six floors from her hotel terrace on the night of her greatest triumph, it initially looks like a tragic accident. But her death is so very convenient to her many enemies that press-man Freddy Pilkington-Soames, who was there on the night she died, begins to suspect foul play. And when cocaine is found in her room, it only complicates matters further. Soon Freddy is chasing across London on the trail of drug dealers, in reluctant company with his deadly rival Corky Beckwith, the most unscrupulous reporter in Fleet Street, who will do anything for a story. With the future of a film studio at stake, can Freddy find the culprit-and get one up on Corky-before he becomes the killer's next victim?
Midnight treasure hunts, fancy-dress parties, and a blue-blooded murder . . . November, 1923. Olive’s school chum, Gigi, invites Olive to London because Gigi’s dotty grandmother fears for her life—or so she’s said to Gigi. However Olive is surprised to find that the dowager is far from muddled. The sharp and imperious matriarch refuses to admit to her worries and sends Olive on her way. Without a client or case, Olive is swept into the glittering lifestyle of the “fast set,” and their decadent excess. But then among the cocktails and champagne, a murderer strikes during a frivolous party game, and Olive realizes the dowager’s fears were well-founded. Can Olive unmask the upper crust culprit before the party’s over for a Bright Young Person? An Old Money Murder in Mayfair is the fifth installment in the popular High Society Lady Detective series from USA Today bestselling author Sara Rosett. Join Olive and her dapper sleuthing partner, Jasper, as they navigate the extravagant parties of the Bright Young People as well as their own budding relationship . . .
It was the most fashionable place to stay in London, until murder made a reservation. Solve the puzzle in this new cozy historical mystery from USA Today bestselling author of the Glass and Steele series. December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager. With the New Year’s Eve ball approaching fast and the hotel’s reputation hanging by a thread, Cleo must find the killer before the ball, and the hotel itself, are ruined. But catching a murderer proves just as difficult as navigating the hotel’s hierarchy and the peculiarities of her family. Can Cleo find the killer before the new century begins? Or will someone get away with murder?
"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--
A high-profile murder propels a unique crime-fighting team into the dark environs of London’s underworld—and on a terrifying quest to track a ruthless killer. London, 1915. As World War I engulfs Europe, a special task force is formed in the affluent Mayfair district to tackle the city’s thorniest crimes against women. When the bobbies and Scotland Yard come up short, there’s only one telephone number to dial: Mayfair 100. An aristocrat has been murdered, and his wife, a witness and possible suspect, will only talk to a woman. With the blessing of London’s Chief Commissioner, Chief Inspector Beech, a young man invalided out of the war, assembles a crew of sharp, intrepid, and well-educated women to investigate. But to get at the truth, Beech, Victoria, Caroline, Rigsby, and Tollman will venture into the the city’s seedy underbelly, a world where murder is only the first in a litany of evils. Lynn Brittney’s Mayfair 100 series debut, Murder in Belgravia, is the darkly compelling story of a movement far ahead of its time, in an attempt to combat the prejudices against women then and now.
When a young man is chosen to serve as the junior minister in Parliament, doubts surface about his true identity.
Adventurer Atlas Catesby must set aside his feelings for Lady Lilliana as they work together to get justice for someone she holds dear Aristocratic adventurer Atlas Catesby has spent the last year trying to forget Lady Lilliana Warwick, but when she reappears in his life imploring him to help her solve a murder, Atlas feels compelled to say yes. The ner’re-do-well brother of Lilliana’s maid died of arsenic poisoning. Authorities are ruling his death an accident, but his sister suspects he was murdered. As Atlas and Lilliana investigate, they discover that the victim had a mysterious lover—a high-born lady he threatened with scandal after she spurned him. When they finally uncover her shocking true identity, the case blows wide open and it turns out there is a whole string of women who had reason to kill the handsome charmer. Now, as Atlas fights his growing feelings for Lilliana, they must work together to catch the assassin before the killer gets to them first. Perfect for fans of Charles Finch and C. S. Harris, Murder in Bloomsbury is the magnificent second Atlas Catesby mystery.
It's 1929, and Ticky Maltravers is the toast of London high society, adored by everyone—or so it seems, until somebody poisons him over dinner. Now it turns out that numerous people with secrets to hide had every reason to wish him dead. But which of them murdered him? For Freddy Pilkington-Soames, newspaper reporter and man-about-town, the question hits a little too close to home, thanks to an unfortunate drunken encounter with Ticky's corpse which he'd much rather the police didn't find out about—and thanks also to his exasperating mother Cynthia's seeming determination to get herself arrested by tampering with the evidence. But a pretty girl with big blue eyes is demanding his help in solving the mystery, so what can he do but agree? Now all he has to do is hide the wrong clues, find the right ones, and unmask the murderer before the police discover what's really been going on. That ought to be easy enough. If only people didn't keep getting killed...