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"A Call: The Tale of Two Passions" by Ford Madox Ford is a compelling narrative that explores the complexities of human relationships and emotional depth through the lens of two intertwined passions. Ford Madox Ford, known for his intricate character studies and vivid storytelling, presents a story that delves into the turbulent and often conflicting desires that shape the lives of its characters. The novel centers on two central figures whose lives are dramatically affected by their fervent passions. As their stories unfold, Ford skillfully examines the impact of love, desire, and ambition on their personal and social interactions. Through a rich tapestry of emotions and experiences, "A Call" offers a profound reflection on the nature of human connections and the choices that define our lives. With its elegant prose and keen psychological insights, "A Call: The Tale of Two Passions" is a testament to Ford’s mastery of narrative and character development. The book is a captivating read for those interested in literary fiction that explores the depths of human experience and the consequences of our deepest desires.
Provides an overview of the big issues in the business world today, with firsthand accounts from young leaders tasked with tackling these issues head on.
Ford Madox Ford's Modernity explores the relation between modern writing and modern experience. It examines how his prose registers the impact on society and the arts of new technologies, such as railways and telephones. It demonstrates how Ford’s writing reflects, and elaborates, new conceptions of subjectivity, gender, nation and empire. And it establishes his contribution to the growing sense of crisis in the fields of history, epistemology, and representation. It includes essays by twenty leading Ford scholars on a wide range of his fiction and criticism, giving particular attention to The Good Soldier and to his responses to modern war.
This text shows how Ford Madox Ford responded to the changes in European politics and culture before, during, and after the First World War.
Ford Madox Ford's Novels was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The name of Ford Madox Ford appears again and again in twentieth-century literature, in many different connections. He was especially renowned as a literary personality, as a brilliant editor, and as an encourager of talented and emerging writers—"the Only Uncle of the Gifted Young," as H G. Wells called him. But he was also a major novelist in his own right, a fact which has been increasingly recognized in recent years. In this book, Mr. Meixner, a former assistant professor of English at the University of Kansas, presents an illuminating study of Ford's novels: descriptive, analytic, and evaluative. In particular he has been concerned—since the novelist was a highly conscious craftsman—with elucidating the techniques by which Ford gave (or failed to give) an intality. The reputations of The Good Soldier and of Ford's Tietjens novels have steadily risen in the last decade. Mr. Meixner's appraisals of these works are the fullest and probably the most perceptive yet published. A shortened version of his Good Soldier essay evoked much critical interest when it appeared in The Kenyon Review under the title "The Saddest Story." Mr. Meixner also examines such interesting novels as the Fifth Queen trilogy, Ladies Whose Bright Eyes, Mr. Fleight, Mr. Apollo, A Call, and The Marsden Case. During his lifetime, from 1873 to 1939, Ford published 76 books, including not only novels but poetry, memoirs, history, travels, biography, and literary criticism. He collaborated on three novels with Joseph Conrad, was an early, constant champion of Henry James, introduced D. H. Lawrence to the literary world, and published the first sections of James Joyce's Finnegans Wake.He was editor of both The English Review and the transatlantic review (on which he appointed Ernest Hemingway as his assistant editor).
For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford's work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford's theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade's End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford's writing and illustrates the importance of engaging with secondary sources.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. He is best-known for his fiction, especially the modernist masterpiece The Good Soldier, and the four books making up Parade’s End, described by Anthony Burgess as ‘the finest novel about the First World War’; and by Samuel Hynes as ‘the greatest war novel ever written by an Englishman’. This series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time. He published nearly eighty books, experimenting with a variety of genres. This first volume explores Ford’s diversity, focusing on the best of his less familiar work: his poetry, writings on art, and the novels A Call, The Simple Life Limited, The Marsden Case, and The Rash Act.