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Meet Sam Thornton, Collector of Souls. Sam’s job is to collect the souls of the damned, and ensure their souls are dispatched to the appropriate destination. But when he’s dispatched to collect the soul of a young woman he believes to be innocent of the horrific crime that’s doomed her to Hell, he says something no Collector has ever said before. “No.” File Under: Urban Fantasy [ Souled Out | Damned If You Don’t | Collector Mania | On The Run ] e-book ISBN: 978-0-85766-219-4 From the Paperback edition.
Winner of the 2015 International IMPAC Dublin Literary Award Winner of the 2014 James Tait Black Prize Shortlisted for the 2013 Man Booker Prize Shortlisted for the 2013 Goldsmiths Prize Shortlisted for the 2014 Walter Scott Prize for Historical Fiction As late summer steals in and the final pearls of barley are gleaned, a village comes under threat. A trio of outsiders - two men and a dangerously magnetic woman - arrives on the woodland borders triggering a series of events that will see Walter Thirsk's village unmade in just seven days: the harvest blackened by smoke and fear, cruel punishment meted out to the innocent, and allegations of witchcraft. But something even darker is at the heart of Walter's story, and he will be the only man left to tell it . . .
A futuristic satire on the trade in live organs from the Third World to the West. Om, a young man is driven by unemployment to sell his body parts for cash. Guards arrive to make his home into a germ-free zone. When his brother Jeetu returns unexpectedly, he is taken away as the donor. Om can’t accept this. Java, his wife, is left alone. Will she too be seduced into selling her body for use by the rich westerners? Harvest won first prize in the first Onassis Cultural Competition for Theatre and was premiered in Greek at the Teatro Texnis, Athens. It has also been performed by a youth theatre in the UK, broadcast by the BBC World Service and made into a feature film, directed by Govind Nihalani, titled Body, which was screened at the Regus London Film Festival. The play is also studied by many colleges and universities to explain how globalisation works. Manjula Padmanbhan Born in Delhi to a diplomat family in 1953, she went to boarding school in her teenage years. After college, her determination to make her own way in life led to works in publishing and media-related fields. She won the Greek Onassis Award for her play Harvest. An award-winning film Deham was made by Govind Nihalani based on the play. She has written one more powerful play, Lights Out! (1984), Hidden Fires is a series of monologues. The Artist's Model (1995) and Sextet are her other works.(1996). She has also authored a collection of short stories, called Kleptomania. Her most recent book, published in 2008, is Escape. Apart from writing newspaper columns she created comic strips. She created Suki, an Indian comic character, which was serialized as a strip in the Sunday Observer.Before 1997 (the year her play Harvest was staged) she was better known as a cartoonist and had a daily cartoon strip in The Pioneer newspaper. As playwright 1984 - "Lights Out" 2003. Harvest. London: Aurora Metro Press. As Author and Illustrator 2013. Three Virgins and Other Stories New Delhi, India: Zubaan Books. 2015. Island of Lost Girls. Hachette. 2011. I am different! Can you find me? Watertown, Mass: Charlesbridge Pub. 2008. Escape. Hachette. 2005. Unprincess! New Delhi: Puffin Books. 1986. A Visit to the City Market New Delhi: National Book Trust 2003. Mouse Attack As Illustrator Baig, Tara Ali, and Manjula Padmanabhan. 1979. Indrani and the enchanted jungle. New Delhi: Thomson Press (India) Ltd. Maithily Jagannathan and Manjula Padmanabhan. 1984. Droopy dragon. New Delhi: Thomson Press. Comic Strips 2005. Double talk. New Delhi: Penguin Books.
On May 8, 1945 the shooting ended in Europe. But, shockingly, the war against Germany went on. Roosevelt, Stalin and Churchill had decreed that the German people must suffer-and suffer they did. Driven from their homes, looted of their property, decimated by famine and disease, raped, robbed, and enslaved, millions of Germans-most of them women and children-bore the brunt of what Time magazine called "history's most terrifying peace". Gruesome Harvest was one of the first books in America to sound the alarm against the victor's postwar war against the Germans. Bristling with contemporary documentation, burning with humanitarian and patriotic outrage, this informed, riveting classic dares to tell the shameful story of how American and Allied policy makers undertook the political, economic, and social destruction of the German people even as they presumed to instruct them in "justice" and "democracy." Today, as the propaganda war against the Germans wears on in the media and academic life, Gruesome Harvest, written in 1947 by a courageous American, when the decimation of the German race was still official U.S.-Allied policy, tells a vital story, one that must not be suppressed or forgotten. "If war should come, whichever side may claim ultimate victory, nothing is more certain that victor and vanquished alike would glean a gruesome harvest of human misery and suffering."-Prime Minister Neville Chamberlain, July 31, 1939, to the House of Commons.
The steadfast and sturdy Continental Op has been summoned to the town of Personville—known as Poisonville—a dusty mining community splintered by competing factions of gangsters and petty criminals. The Op has been hired by Donald Willsson, publisher of the local newspaper, who gave little indication about the reason for the visit. No sooner does the Op arrive, than the body count begins to climb . . . starting with his client. With this last honest citizen of Poisonville murdered, the Op decides to stay on and force a reckoning—even if that means taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
This suspenseful true story of a drug cartel hitman who got away with murder after murder in California's Central Valley over three decades reveals how the criminal justice system fails our most vulnerable immigrant communities. On the surface, fifty-eight-year-old Jose Martinez didn't seem evil or even that remarkable—just a regular neighbor, good with cars and devoted to his family. But in between taking his children to Disneyland and visiting his mom, Martinez was also one of the most skilled professional killers police had ever seen. He tracked one victim to one of the wealthiest corners of America, a horse ranch in Santa Barbara, and shot him dead in the morning sunlight, setting off a decades-long manhunt. He shot another man, a farmworker, right in front of his young wife as they drove to work in the fields. The widow would wait decades for justice. Those were murders for hire. Others he killed for vengeance. How did Martinez manage to evade law enforcement for so long with little more than a slap on the wrist? Because he understood a dark truth about the criminal justice system: if you kill the "right people"—people who are poor, who aren't white, and who don't have anyone to speak up for them—you can get away with it. Melding the pacing and suspense of a true crime thriller with the rigor of top-notch investigative journalism, The Devil's Harvest follows award-winning reporter Jessica Garrison's relentless search for the truth as she traces the life of this assassin, the cops who were always a few steps behind him, and the families of his many victims. Drawing upon decades of case files, interrogation transcripts, on-the-ground reporting, and Martinez's chilling handwritten journals, The Devil's Harvest uses a gripping and often shocking narrative to dig into one of the most important moral questions haunting our politically divided nation today: Why do some deaths—and some lives—matter more than others? "Meticulously researched and tightly woven, The Devil's Harvest is an important story because it tells us that if [this] can happen in one place, then it can happen in any place. And that's damn scary." —Michael Connelly, New York Times bestselling author of The Closers, The Lincoln Lawyer, and The Night Fire
"A deeply moving and intellectually profound novel built on the iconic myth of the American West." —KIRKUS REVIEWS Working a dying trade in a dead town, dairy farmer Jack Selvedge finds his life and existence stagnant. When Rebekah Rainsford moves back to town on the run from her father, her dark history consumes him. It soon becomes clear why girls like her don’t stay in towns like these, as elements of humanity in ruin culminate in tragedy. A deeply written and deeply felt story of love, depravity, and shattered ideals, Pale Harvest examines the loss of beauty, purity, and simplicity within the mindset of the rural American West.
In the epic tradition of Stephen King, Dean Koontz, and Jonathan Maberry, the terrifying second novel in the Haunted Hollow Chronicles. GRIM HARVEST Still reeling from last year’s Pumpkin Parade disaster, the people of Ember Hollow are unprepared for the horrors yet to come, as Halloween returns to their shaken farm community. A brutal biker gang, armed with a spell that turns people into werewolves, is roaring into town with plans to resurrect a sadistic mass murderess in the body of an unsuspecting local. Teens Deshaun and Stuart, best friends and death metal fans, must protect their friend Candace from her own psychotic brother—dubbed The Trick or Treat Terror by the press and who Candace is certain will rise from the dead just in time for Halloween. And Minister Abe McGlazer is acting like a man possessed after a secret passage is discovered beneath his ancient church . . . With the aid of a pair of punk rockers, Deputy Hudson Lott will have to work overtime to help his friends and family confront a host of horrors before this year’s pumpkin crop unleashes a wave of evil too hideous to imagine . . .
“If I find a Ukrainian who is worthy of sitting at the same table with me, I must have him shot,” declared Nazi commissar Erich Koch. To the Nazi leaders, the Ukrainians were Untermenschen—subhumans. But the rich land was deemed prime territory for Lebensraum expansion. Once the Germans rid the country of Jews, Roma, and Bolsheviks, the Ukrainians would be used to harvest the land for the master race. Karel Berkhoff provides a searing portrait of life in the Third Reich’s largest colony. Under the Nazis, a blend of German nationalism, anti-Semitism, and racist notions about the Slavs produced a reign of terror and genocide. But it is impossible to understand fully Ukraine’s response to this assault without addressing the impact of decades of repressive Soviet rule. Berkhoff shows how a pervasive Soviet mentality worked against solidarity, which helps explain why the vast majority of the population did not resist the Germans. He also challenges standard views of wartime eastern Europe by treating in a more nuanced way issues of collaboration and local anti-Semitism. Berkhoff offers a multifaceted discussion that includes the brutal nature of the Nazi administration; the genocide of the Jews and Roma; the deliberate starving of Kiev; mass deportations within and beyond Ukraine; the role of ethnic Germans; religion and national culture; partisans and the German response; and the desperate struggle to stay alive. Harvest of Despair is a gripping depiction of ordinary people trying to survive extraordinary events.
The global drug trade and its associated violence, corruption, and human suffering create global problems that include political and military conflicts, ethnic minority human rights violations, and stresses on economic development. Drug production and eradication affects the stability of many states, shaping and sometimes distorting their foreign policies. External demand for drugs has transformed many indigenous cultures from using local agricultural activity to being enmeshed in complex global problems. Dangerous Harvest presents a global overview of indigenous peoples' relations with drugs. It presents case studies from various cultural landscapes that are involved in drug plant production, trade, and use, and examines historical uses of illicit plant substances. It continues with coverage of eradication efforts, and the environmental impact of drug plant production. In its final chapter, it synthesizes the major points made and forecasts future directions of crop substitution programs, international eradication efforts, and changes in indigenous landscapes. The book helps unveil the farmer, not to glamorize those who grow drug plants but to show the deep historical, cultural, and economic ties between farmer and crop.