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In the second book of this hilarious, highly illustrated chapter book series, lovable Underwear Fairy Oona has to call on all of her sideways magic when she accidentally leads a human boy up to Blackberry Bog. Oona loves being the Underwear Fairy, which means she gets to distribute magical safety undies to keep human children from falling down and hurting themselves. But when she gets trapped in the human world by Marco, a boy who wants to take a photo of her to prove fairies are real, she’s horrified—don’t let humans see you is one of fairydom’s most important rules! Luckily, her cousin Horace and best friend Lucy (also known as the Tooth Fairy) help her get free. But then things get even more disastrous—Marco follows them back up to Blackberry Bog! Can Oona and her friends get Marco safely back to the human world before he does too much damage—and before the Fairy Council finds out? Packed with Fun Fairy Facts, humor, and lots of heart, this magical series celebrates finding friendship and your place in the world, even if you fit in a little sideways.
ENTER THE WORLD OF the Never Fairies where everyone lives in a lavishly-decorated tree, pixie dust is delivered daily, notes are written in Leaf Alphabet, and games of pea croquet are enjoyed by one and all. This charming reusable sticker book invites fans of the Disney Fairies to learn all about Tinker Bell and her friends, decorate beautiful scenes, and even decode a secret message from the Fairy Queen! With more than 40 reusable stickers, this book offers endless hours of entertainment.
Carl King is an average boy, a gentle, kind teen who attracts an odd assortment of friends. He sometimes confers with trees... and happens to have antlers on his head. Evangeline Chase is an average girl from a close-knit family. She likes to run and enjoys a long walk in the woods... with her bow and arrow. It's a match made in deep, dark magic.
The thirty-four stories included within this volume do not illustrate the bloody, revengeful or licentious elements, with which Japanese popular, and juvenile literature is saturated. These have been carefully avoided. It is also rather with a view to the artistic, than to the literary, products of the imagination of Japan, that the selection has been made. From my first acquaintance, twelve years ago, with Japanese youth, I became an eager listener to their folk lore and fireside stories. When later, during a residence of nearly four years among the people, my eyes were opened to behold the wondrous fertility of invention, the wealth of literary, historic and classic allusion, of pun, myth and riddle, of heroic, wonder, and legendary lore in Japanese art, I at once set myself to find the source of the ideas expressed in bronze and porcelain, on lacquered cabinets, fans, and even crape paper napkins and tidies.
Born half-grown in a world that is being destroyed, Fisher has instinctive knowledge of many things, including that he must avoid the robot that knows his name.
Describes the typical adventures of a mid-nineteenth-century boy from his third to eleventh years.
An irresistible collision of worlds as ordinary schoolgirl becomes fairy princess. From the author of The Frog Princess series