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This collection of essays introduces students of African literature to the heritage of the African prose narrative, starting from its oral base and covering its linguistic and cultural diversity. The book brings together essays on both the classics and the relatively new works in all subgenres of the African prose narrative, including the traditional epic, the novel, the short story and the autobiography. The chapters are arranged according to the respective thematic paradigms under which the discussed works fall.
This handbook concisely introduces narrative form to advanced students of fiction. Beginning with a survey of major theorists and approaches, and using clearly defined terms, Narrative Form explains critical vocabulary and offers a variety of strategies for analyzing the formal qualities of fiction. Keen suggests that interpretations of form can be effectively integrated with contemporary approaches to literature, including feminist, postcolonial, and cultural studies methodologies. Narrative Form shows how to use the language of formal analysis accurately and innovatively.
Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.
The essays in this volume are concerned with early printed narrative texts in Western Europe. The aim of this book is to consider to what extent the shift from hand-written to printed books left its mark on narrative literature in a number of vernacular languages. Did the advent of printing bring about changes in the corpus of narrative texts when compared with the corpus extant in manuscript copies? Did narrative texts that already existed in manuscript form undergo significant modifications when they began to be printed? How did this crucial media development affect the nature of these narratives? Which strategies did early printers develop to make their texts commercially attractive? Which social classes were the target audiences for their editions? Around half of the articles focus on developments in the history of early printed narrative texts, others discuss publication strategies. This book provides an impetus for cross-linguistic research. It invites scholars from various disciplines to get involved in an international conversation about fifteenth- and sixteenth-century narrative literature.
The book of Ruth is probably best known as a romantic love story that, through the expression of loving devotion, overcomes tragedy and ends with the founding of the most famous family in all of biblical Israel. But the book wasn't always this way. In fact, it wasn't a book at all but rather a story told with a very different purpose in mind. Before Ruth, there was the Story of Naomi, a subversive story designed to challenge a male-dominated status quo. Through comedy, sarcastic irony, and unparalleled rhetorical skill the Naomi storyteller holds up for inspection social gender roles and the power of sexuality in a manner that resonates yet today. The Story of Naomi--The Book of Ruth goes behind the literary rendition of the story and recaptures the original oral tale, with script and performance directions that brings to life the humor, tragedy, and transparent honesty shared between the Naomi storyteller and her audience.
The Posen Library's groundbreaking anthology series—called "a feast of Jewish culture, in ten volumes" by The Chronicle of Higher Education—offers with Volume 1 an exploration of the culture of ancient Israel, including its literature, legal documents, and visual arts "Readers seeking primary texts, documents, images, and artifacts constituting Jewish culture and civilization will not be disappointed. More important, they might even be inspired. . . . This set will serve to improve teaching and research in Jewish studies at institutions of higher learning and, at the same time, promote, maintain, and improve understanding of the Jewish population and Judaism in general."—Booklist, Starred Review The Posen Library of Jewish Culture and Civilization, Volume 1, covers the earliest period of Jewish civilization, from the second millennium BCE through 332 BCE. Organized by genre, this book presents a collection of some of the earliest products of Jewish culture, including extensive selections from the Tanakh and the Hebrew Bible; extrabiblical inscriptions and documents by and about Israelites and Jews, found by archaeologists in the lands of Israel, Egypt, and Mesopotamia; and images representing the visual culture of ancient Israel. Combining genres that have never been presented together in a single publication, Volume 1 illustrates ancient Israel’s cultural innovations and commonalities with neighboring societies.
At the outset of the period covered by this book, Rome was the greatest power in the world. By its end, it had fallen conclusively from this dominant position. David Potter's comprehensive survey of two critical and eventful centuries traces the course of imperial decline.
The Roman Empire at Bay is the only one volume history of the critical years 180-395 AD, which saw the transformation of the Roman Empire from a unitary state centred on Rome, into a new polity with two capitals and a new religion—Christianity. The book integrates social and intellectual history into the narrative, looking to explore the relationship between contingent events and deeper structure. It also covers an amazingly dramatic narrative from the civil wars after the death of Commodus through the conversion of Constantine to the arrival of the Goths in the Roman Empire, setting in motion the final collapse of the western empire. The new edition takes account of important new scholarship in questions of Roman identity, on economy and society as well as work on the age of Constantine, which has advanced significantly in the last decade, while recent archaeological and art historical work is more fully drawn into the narrative. At its core, the central question that drives The Roman Empire at Bay remains, what did it mean to be a Roman and how did that meaning change as the empire changed? Updated for a new generation of students, this book remains a crucial tool in the study of this period.