Download Free A Book For Free Spirits 1 Book in PDF and EPUB Free Download. You can read online A Book For Free Spirits 1 and write the review.

It is often enough, and always with great surprise, intimated to me that there is something both ordinary and unusual in all my writings, from the "Birth of Tragedy" to the recently published "Prelude to a Philosophy of the Future": they all contain, I have been told, snares and nets for short sighted birds, and something that is almost a constant, subtle, incitement to an overturning of habitual opinions and of approved customs. What!? Everything is merely—human—all too human? With this exclamation my writings are gone through, not without a certain dread and mistrust of ethic itself and not without a disposition to ask the exponent of evil things if those things be not simply misrepresented. My writings have been termed a school of distrust, still more of disdain: also, and more happily, of courage, audacity even. And in fact, I myself do not believe that anybody ever looked into the world with a distrust as deep as mine, seeming, as I do, not simply the timely advocate of the devil, but, to employ theological terms, an enemy and challenger of God; and whosoever has experienced any of the consequences of such deep distrust, anything of the chills and the agonies of isolation to which such an unqualified difference of standpoint condemns him endowed with it, will also understand how often I must have sought relief and self-forgetfulness from any source—through any object of veneration or enmity, of scientific seriousness or wanton lightness; also why I, when I could not find what I was in need of, had to fashion it for myself, counterfeiting it or imagining it (and what poet or writer has ever done anything else, and what other purpose can all the art in the world possibly have?) That which I always stood most in need of in order to effect my cure and self-recovery was faith, faith enough not to be thus isolated, not to look at life from so singular a point of view—a magic apprehension (in eye and mind) of relationship and equality, a calm confidence in friendship, a blindness, free from suspicion and questioning, to two sidedness; a pleasure in externals, superficialities, the near, the accessible, in all things possessed of color, skin and seeming. Perhaps I could be fairly reproached with much "art" in this regard, many fine counterfeitings; for example, that, wisely or wilfully, I had shut my eyes to Schopenhauer's blind will towards ethic, at a time when I was already clear sighted enough on the subject of ethic; likewise that I had deceived myself concerning Richard Wagner's incurable romanticism, as if it were a beginning and not an end; likewise concerning the Greeks, likewise concerning the Germans and their future—and there may be, perhaps, a long list of such likewises. Granted, however, that all this were true, and with justice urged against me, what does it signify, what can it signify in regard to how much of the self-sustaining capacity, how much of reason and higher protection are embraced in such self-deception?—and how much more falsity is still necessary to me that I may therewith always reassure myself regarding the luxury of my truth. Enough, I still live; and life is not considered now apart from ethic; it will [have] deception; it thrives (lebt) on deception ... but am I not beginning to do all over again what I have always done, I, the old immoralist, and bird snarer—talk unmorally, ultramorally, "beyond good and evil"?
“An exhilarating account of a remarkable historical moment, in which characters known to many of us as immutable icons are rendered as vital, passionate, fallible beings . . . Lively, precise, and accessible.” —Claire Messud, Harper’s Around the turn of the nineteenth century, a steady stream of young German poets and thinkers coursed to the town of Jena to make history. The French Revolution and the Napoleonic Wars had dealt a one-two punch to the dynastic system. Confidence in traditional social, political, and religious norms had been replaced by a profound uncertainty that was as terrifying for some as it was exhilarating for others. Nowhere was the excitement more palpable than among the extraordinary group of poets, philosophers, translators, and socialites who gathered in this Thuringian village of just four thousand residents. Jena became the place for the young and intellectually curious, the site of a new departure, of philosophical disruption. Influenced by Johann Wolfgang von Goethe, then an elder statesman and artistic eminence, the leading figures among the disruptors—the translator August Wilhelm Schlegel; the philosophers Friedrich "Fritz" Schlegel and Friedrich Schelling; the dazzling, controversial intellectual Caroline Schlegel, married to August; Dorothea Schlegel, a poet and translator, married to Fritz; and the poets Ludwig Tieck and Novalis—resolved to rethink the world, to establish a republic of free spirits. They didn’t just question inherited societal traditions; with their provocative views of the individual and of nature, they revolutionized our understanding of freedom and reality. With wit and elegance, Peter Neumann brings this remarkable circle of friends and rivals to life in Jena 1800, a work of intellectual history that is colorful and passionate, informative and intimate—as fresh and full of surprises as its subjects.
The thrilling world of DreamWorks Animation's Spirit Riding Free is brought to life in award-winning author Suzanne Selfors's original novel! Twelve-year-old Lucky Prescott craves adventure, but as a young lady of society she's only been allowed to experience adventure through books. That is, until one fateful day when Lucky, her father, and her aunt leave their neat-and-tidy city life and travel to their new home out west-the Wild West. At first Lucky is excited, but during the long train ride to her new hometown of Miradero, she begins to worry. What if she doesn't make any new friends? Everyone in the West rides horses, but she's never been allowed to even sit on one. How can she possibly fit in? Anxious about the future, Lucky looks out the train window and sees a majestic wild stallion. When their eyes meet, she senses a connection. But when the stallion is caught by wranglers, Lucky's heart breaks. And when she next sees the stallion, he's tied to a post, refusing to be "broken in." Spirit Riding Free: The Adventure Begins is the story of a girl and a wild horse, equally out of place in a strange, new world, but equally fierce and brave. With each other to lean on, will these two free spirits be able to find a home together?
No Marketing Blurb
This is Friedrich Nietzsche's seminal work; "Human, All Too Human: A Book for Free Spirits" - first published in 1878. It constitutes the first work in his signature aphoristic style, discussing many different concepts in brief paragraphs and sentences. The 638 aphorisms are divided into nine sections by subject, with a short poem as an epilogue. This fantastic book is highly recommended for students of philosophy, and is not to be missed by fans of Nietzsche's work. Friedrich Wilhelm Nietzsche (1844 - 1900) was a German philosopher, poet, composer, and scholar. He wrote numerous critical essays on morality, culture, philosophy, science, and religion - radically questioning the value and objectivity of truth. Many antiquarian texts such as this, particularly those dating back to the 1900s and before, are increasingly hard to come by and expensive. It is with this in mind that we are republishing this book now in an affordable, modern, high quality edition. It comes complete with a specially commissioned new biography of the author.
While much attention has been lavished on Friedrich Nietzsche’s earlier and later works, those of his so-called middle period have been generally neglected, perhaps because of their aphoristic style or perhaps because they are perceived to be inconsistent with the rest of his thought. With Nietzsche’s Enlightenment, Paul Franco gives this crucial section of Nietzsche’s oeuvre its due, offering a thoughtful analysis of the three works that make up the philosopher’s middle period: Human, All too Human; Daybreak; and The Gay Science. It is Nietzsche himself who suggests that these works are connected, saying that their “common goal is to erect a new image and ideal of the free spirit.” Franco argues that in their more favorable attitude toward reason, science, and the Enlightenment, these works mark a sharp departure from Nietzsche’s earlier, more romantic writings and differ in important ways from his later, more prophetic writings, beginning with Thus Spoke Zarathustra. The Nietzsche these works reveal is radically different from the popular image of him and even from the Nietzsche depicted in much of the secondary literature; they reveal a rational Nietzsche, one who preaches moderation instead of passionate excess and Dionysian frenzy. Franco concludes with a wide-ranging examination of Nietzsche’s later works, tracking not only how his outlook changes from the middle period to the later but also how his commitment to reason and intellectual honesty in his middle works continues to inform his final writings.
Chemistry of the Notions and the Feelings.-Philosophical problems, in almost all their aspects, present themselves in the same interrogative formula now that they did two thousand years ago: how can a thing develop out of its antithesis? for example, the reasonable from the nonreasonable, the animate from the inanimate, the logical from the illogical, altruism from egoism, disinterestedness from greed, truth from error? The metaphysical philosophy formerly steered itself clear of this difficulty to such extent as to repudiate the evolution of one thing from another and to assign a miraculous origin to what it deemed highest and best, due to the very nature and being of the "thing-in-itself." The historical philosophy, on the other hand, which can no longer be viewed apart from physical science, the youngest of all philosophical methods, discovered experimentally (and its results will probably always be the same) that there is no antithesis whatever, except in the usual exaggerations of popular or metaphysical comprehension, and that an error of the reason is at the bottom of such contradiction. According to its explanation, there is, strictly speaking, neither unselfish conduct, nor a wholly disinterested point of view. Both are simply sublimations in which the basic element seems almost evaporated and betrays its presence only to the keenest observation. All that we need and that could possibly be given us in the present state of development of the sciences, is a chemistry of the moral, religious, aesthetic conceptions and feeling, as well as of those emotions which we experience in the affairs, great and small, of society and civilization, and which we are sensible of even in solitude. But what if this chemistry established the fact that, even in its domain, the most magnificent results were attained with the basest and most despised ingredients? Would many feel disposed to continue such investigations? Mankind loves to put by the questions of its origin and beginning: must one not be almost inhuman in order to follow the opposite course?
This wide-ranging and inspiring volume of essays explores Nietzsche's philosophy of the free spirit. Nietzsche begins to articulate his philosophy of the free spirit in 1878 and it results in his most congenial books, including Human, all too Human, Dawn (or Daybreak), and The Gay Science. It is one of the most neglected aspects of Nietzsche's corpus, yet crucially important to an understanding of his work. Written by leading Nietzsche scholars from Europe and North America, the essays in this book explore topics such as: the kind of freedom practiced by the free spirit; the free spirit's relation to truth; the play between laughter and seriousness in the free spirit period texts; integrity and the free spirit; health and the free spirit; the free spirit and cosmopolitanism; and the figure of the free spirit in Nietzsche's later writings. This book fills a significant gap in the available literature and will set the agenda for future research in Nietzsche Studies.
Introducing the world’s first interactive adult coloring book, infused with the whimsy and bohemian-chic artistry of celebrity jewelry designer Jes MaHarry. As the number-one selling jewelry designer for the Sundance catalog from Robert Redford, Jes MaHarry’s whimsical designs have been featured on Ellen, Good Morning America, and the Today show, and have been worn by celebrity trendsetters like Lena Dunham, Jennifer Aniston, and Julia Louis-Dreyfus. Her eclectic style appeals to those who favor the hand-crafted over the mass-produced, and her carefully sculpted charms are infused with spirit, insight, and a rare depth of emotion. On the cutting edge of her industry, MaHarry was the first jewelry designer to popularize positive affirmations written on jewelry. Her positive messages, which are carved into her award-winning jewelry, have garnered her countless fans across the globe, including Pope Benedict who commissioned her to design commemorative coins for the Catholic Church. MaHarry now sets a trend in motion with her Free Spirit adult coloring book, which, like no other coloring book, also features positive affirmations, spiritual inquiries, and room for users to answer questions and add their own artful elements. Each page of beautiful, hand-drawn illustrations leads readers into spiritual inquiry through journaling prompts, mindful magic through coloring, and offers encouragement for freeing the spirit so it can soar.