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This important collection presents Gertrude Stein for the first time in her brilliant modernity. Ulla E. Dydo's textual scholarship demonstrates Stein's constant questioning of convention, and A Stein Reader changes the balance of work in print, concentrating on Stein's experimental work and including many key works that are virtually unknown or unavailable. A Stein Reader includes unpublished work, such as the portrait "Article"; shows the astonishing stylistic change in the neglected "A Long Gay Book"; draws attention to the many unknown plays such as "Reread Another;" and offers fascinating portraits of Matisse, Picasso, and Sitwell. Illuminating headnotes bring out connections between pieces and provide invaluable keys to Stein's motifs and thought patterns.
The definitive book on Gertrude Stein
Psychologist, philosopher, teacher, writer-William James stood closer than any other thinker to the center of the confluence of intellectual and artistic forces that defined the culture of modernism. The outstanding feature of this volume lies in its intent to investigate James's influence on both American and International Modernism. It provides, on the one hand, a multifaceted introduction to students of history, philosophy, and culture, and on the other, a compendium of some of the most up-to-date thinking on this central figure. James's first book, Principles of Psychology (1890) immediately established James as the leading psychologist of his time, at a moment in history when psychology seemed to offer the promise of finding some definitive answers to eternal philosophical conundra. James's innovations would register a clear effect on much modernist art, most evidently in the stylistic prose experiments of James Joyce, Virginia Woolf, and their imitators. James's tentative skepticism concerning the concept of consciousness as such, and the post-Cartesian ego that was its foundation, also anticipates the questioning of the subject that would be the theme of much modern, and indeed postmodern thought. The contributors to this volume explore James's most essential texts as well as his influence on contemporary writers, artists, and thinkers. The final section is a glossary of James's key terms, with entries written by leading experts.
This volume shows that the notions of embodied or situated cognition, which have transformed the scientific study of intelligence have the potential to reorient cultural studies as well. The essays adapt and amplify embodied cognition in such different fields as art history, literature, history of science, religious studies, philosophy, biology, and cognitive science. The topics include the biological genesis of teleology, the dependence of meaning in signs upon biological embodiment, the notion of image schema and the concept of force in cognitive semantics, pictorial self-portraiture as a means to study self-perception, the difference between reading aloud and silent reading as a way to make sense of literary texts, intermodal (kinesthetic) understanding of art, psychosomatic medicine, laughter as a medical and ethical phenomenon, the valuation of laughter and the body in religion, and how embodied cognition revives and extends earlier attempts to develop a philosophical anthropology. (Series A)
Exposing how modernist and late-modernist writers tell the stories of their intimate relationships though life writing, this book engages with the process by which these authors become subjects to a significant other, a change that subsequently becomes narrative within their works. Looking specifically at partners in a couple, Janine Utell focuses on such literary pairings as Virginia and Leonard Woolf, Gertrude Stein and Alice B. Toklas, Sylvia Townsend Warner and Valentine Ackland, Christopher Isherwood and Don Bachardy, and Sylvia Plath and Ted Hughes. Utell draws on the latest work in narrative theory and the study of intimacy and affects to shed light on the ethics of reading relationships in the modern period. Focusing on a range of genres and media, from memoir through documentary film to comics, this book demonstrates that stories are essential for our thinking of love, desire and sexuality.
A gorgeous new collection featuring 26 of Gertrude Stein's most enrapturing and essential short writings--a carefully curated, accessible entry point into her best and most joyful works Between the French-flapped covers of this elegant paperback collection, readers will rediscover Gertrude Stein as the bearer of a joyfully radical literary vision. A bold experimenter, her writing sparks with vitality, relishing in rhythm, repetition, sound and colour in its central vision: to prise apart language and association and find thrilling new ways to express the true essence of her subject with charming joie de vivre. Stein considered her shorter writings to be the truest expressions of her enrapturing style. Her fascination with people and personalities can be located in expressive portraits of close friends Pablo Picasso, Henri Matisse, Cezanne, Jean Cocteau, and Juan Gris, whilst her decades-long relationship with Alice B. Toklas is immortalised with shimmering eroticism. There are also playful meditations on her unique writing process, conveying her serious delight in meddling with conventions of grammar and composition. Confirmed Table of Contents: Ada Portrait of Mabel Dodge Matisse Picasso Miss Fur and Miss Skeene Flirting at the Bon Marche Susie Asado Preciosilla Sacred Emily One Ladies Voices Accents in Alsace Idem the Same Cezanne A Book Concluding with As A Wife Has a Cow Van or Twenty Years Later If I Told Him Juan Gris Identify a Poem What Does She See When She Shuts Her Eyes Advertisments What Happened Jean Cocteau A Movie A Waterfall and Piano Saint in Seven
This book offers a bold critical method for reading Gertrude Stein’s work on its own terms by forgoing conventional explanation and adopting Stein’s radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein’s most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein’s innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.