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When Kameron moves to his grandma’s sheep camp on the Navajo Reservation, he leaves behind his cell phone reception and his friends. The young boy’s world becomes even stranger when Kameron takes the sheep out to the local windmill and meets an old storyteller. As the seasons turn, the old man weaves eight tales that teach the deeper story of the Diné country and the Diné people.
He zigs when the flock zags. He blahs when the flock bleats. He howls at the moon when the flock sleeps. The flock things Blah Blah isn't a proper sheep at all. It's not until a sneaky coyote arrives that the flock learns just how much they need this brave little sheep. Join Blah Blah Black Sheep and his friend Blaze the Bull Snake as they risk it all to defend the farm.
Fed up with her parents and all their ridiculous rules, fifteen-year-old Kendra Bishop writes to The Black Sheep, a reality TV show that offers the chance to swap families with another teen. But when the camera crew, led by brash TV producer Judy Greenberg, shows up at her Manhattan apartment, Kendra starts to have second thoughts. Too late. Kendra is whisked away to Monterey, California, to live with the Mulligan family in a household that couldn't be more different from her own - complete with hippie parents, five kids and a pet ferret. Given the chance, Kendra might just be able to juggle first love, her new stardom, and a pushy producer who will stop at nothing for higher ratings .
Here, in his own words, is the true story of America's wildest flying hero, of his extraordinary heroism, and of his greatest battle of all—the fight to survive. The World War II air war in the Pacific needed tough men like Colonel Pappy Boyington and his Black Sheep Squadron. The legendary Marine Corps officer and his bunch of misfits, outcasts, and daredevils gave new definition to “hell-raising”—on the ground and in the skies. Pappy himself was a living legend—he personally shot down twenty-eight Japanese planes, and won the Congressional Medal of Honor and the Navy Cross. He broke every rule in the book doing so, but when he fell into the hands of the vengeful Japanese his real ordeal began.
Winner of the 2017 PEN Center USA Award for Fiction Meet Boo, a wild-hearted boy from the bayou land of Louisiana. Misfit, outcast, loner. Call him anything but a victim. Sissy, fairy, Jenny Woman. Son of a mixed-race Holy Ghost mother and a Cajun French phantom father. In a series of tough and tender stories, he encounters gender outlaws, drag queen renegades, and a rogues gallery of sex-starved priests, perverted teachers, and murderous bar owners. To escape his haunted history, Boo must shed his old skin and make a new self. As he does, his story rises from dark and murk, from moss and mud, to reach a new light and a new brand of fairy tale. Cajun legends, queer fantasies, and universal myths converge into a powerful work of counter-realism.Black Sheep Boy is a song of passion and a novel of defiance.
When someone says, at a holiday dinner table, “Oh, those Lawrence cousins lose control all the time,” or the Davises always had more talent than luck,” you can be sure there's a lesson being passed along, from one generation to another. Who tells stories to whom and about what is never a random matter. Our family stories have a secret power: they play a unique role in shaping our identity and our sense of our place in the world. They give us values, inspirations, warnings, and incentives. We need them. We use them. We keep them. They reverberate throughout our lives, affecting our choices in love, work, friendship, and lifestyle. Elizabeth Stone, whose grandparents came from Italy to Brooklyn, artfully weaves her own family stories among the stories of more than a hundred people of all backgrounds, ages, and regions—clarifying for us predictable types of family legends, providing ways to interpret our own stories and their roles in our lives. She examines stories of birth, death, work, money, and romantic adventure—all in the context of the family storytelling ritual. And she shows how stories about our most ancient ancestors may provide answers at milestone moments in our lives, as well as how stories about our newest family members carve out places for them so that they will fit into their families, comfortably or otherwise. Upon its initial publication in 1988, Studs Terkel said that the book is “A wholly original approach to an ancient theme: family storytelling and its lasting mark on the individual.” Judy Collins noted that “Elizabeth Stone's marvelous book on family myths and fables is irresistible. It lets us in on our own secrets in a provocative and exciting way.” And Maggie Scarf wrote, “What a clever topic, and how beautifully Elizabeth Stone has written about it! I recommend Black Sheep and Kissing Cousins for everyone who has ever been raised in a family.”
They're back--the boys you go out looking for precisely because your mother warned you not to--the bad boys every good girl needs at least once, if not twice. . . Raphael "Rafe" Santiago may have left the streets years ago, but the street has never left him. A rough childhood in the Bronx taught him never to let his guard down, to keep everything in order, and always to trust that little voice in his gut that tells him when someone's got something to hide. horse trainer Elena Caulfield, is definitely hiding something, and Rafe intends to find out what it is and take care of it--his way. But his way wasn't supposed to include feeling an intense attraction to the tomboyish Elena. With her mud-caked boots, quiet strength, and gentle manner, she's nothing like the flashy, seductive, overtly feminine women Rafe usually beds. The closer he gets to her, the harder it is to control that fiery passion he's worked hard to keep cooled, the kind that can catch a man off guard and leave him open to danger--because whatever secret Elena's protecting, it's big. . .and worth killing for. Because when you're from the Bronx, you take care of what you love--or die trying. . .
Baa baa black sheep please step out of the car. Yes sir yes sir please know I'm unarmed. Do you know why I stopped you today? Because of the fur color, I display? You match the description of a suspect I seek. Funny it's the 4th time to happen this week. I profiled you because you are black. And you drive a Mercedes which seems kinda whack. Either this car is stolen or you make too much money. A drug dealer or car thief and neither is funny. I need to justify this routine stop. So everyone thinks that I'm a good cop. For my safety Put your hands behind your back. Since I can't find anything I planted some crack.