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Excerpt from A Bibliography of Musical Instruments and Archaeology: Intended as a Guide to the Study of the History of Musical Instruments His work, obviously characterised by numerous depar tures from conventional methods, is intended as a simple practical handbook for students and others who wish to be able to identify the instruments in the orchestra, when seeing and hearing them, without studying instrumentation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is the first volume of a series of commented reprints, featuring re-discovered music-archaeological works from the 1860s to the 1920s, which are difficult available, but highly relevant for the history of science and contemporary research in the study field. Each volume features the reprinted work and comments by distinguished scholars, highlighting and discussing the scholarly achievements in the light of today.
'A Compendium of Musical Instruments and Instrumental Terminology in the Bible' draws on extensive historical research, comparative linguistic analysis and musical study to offer the first compilation of its kind. The volume examines the entire range of musical instruments in the Bible - stringed, wind and percussion - drawing on ancient and modern translations of the Bible and the works of rabbinic teachers, Church Fathers and medieval, renaissance and contemporary scholars. The book offers a historical survey of Hebrew instrumental music - its origins and links with neighbouring cultures, the role of instruments in the religious, social, public and private life of ancient Israel, and the system of musical education - and explores the understanding of Hebrew musical instruments in post-biblical times. This comprehensive volume will be invaluable to musicologists, archaeologists, theologians, historians, philologists and Bible translators, as well as general readers in the subject.