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Thomas Mallon and Library of America invite readers to rediscover the Pulitzer Prize-winning novels of a classic American writer on the 150th anniversary of his birth Much in need of rediscovery today, Booth Tarkington was among the most beloved and widely read writers of his era. In such classic novels as The Magnificent Ambersons and Alice Adams, both winners of the Pulitzer Prize, Tarkington displayed a mastery of realism and an astute, strikingly modern feel for psychology, capturing crucial transformations in our national life as they were manifested in changing social customs and in the very landscape itself, altered irrevocably by industrialization and environmental degradation. Out of Tarkington's prolific writings novelist and critic Thomas Mallon has selected three works that show Tarkington at his best. The Magnificent Ambersons, inspiration for Orsen Welles's classic film, is a tour de force study in egoism, depicting the fall from grace of George Minafer, wayward scion of the once-unassailable Amberson family. The titular protagonist of Alice Adams, portrayed unforgettably by Katharine Hepburn in what many consider her finest performance, is one of the great heroines of American literature: like Henry James's Isabel Archer and the young women of Edith Wharton's novels, she is a spirited, complicated young woman contronting the limits of her time and place with her own headlong desires. These novels are joined here by the story collection In the Arena: Tales from Political Life, first published in 1905 and then in an expanded edition in 1920. These stories--which exerted influence on Theodore Roosevelt, inspiring perhaps his most famous speech--draw from Tarkington's political career as a state legislator in Indiana, which lasted briefly but had a profound impact on him. Published to commemorate the 150th anniversary of Tarkington's birth, Novels and Stories contains the most enduring works of a Hoosier luminary and an estimable chronicler of the American Midwest.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.
Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.
"A work of this magnitude and high quality will obviously be indispensable to anyone studying the history of Indianapolis and its region." -- The Journal of American History "... absorbing and accurate... Although it is a monument to Indianapolis, do not be fooled into thinking this tome is impersonal or boring. It's not. It's about people: interesting people. The Encyclopedia of Indianapolis is as engaging as a biography." -- Arts Indiana "... comprehensive and detailed... might well become the model for other such efforts." -- Library Journal With more than 1,600 separate entries and 300 illustrations, The Encyclopedia of Indianapolis is a model of what a modern city encyclopedia should be. From the city's inception through its remarkable transformation into a leading urban center, the history and people of Indianapolis are detailed in factual and intepretive articles on major topics including business, education, religion, social services, politics, ethnicity, sports, and culture.
Twice he won the Pulitzer Prize in fiction: in 1919 for The Magnificent Ambersons and in 1922 for Alice Adams. His play Clarence launched Alfred Lunt on his distinguished career and provided Helen Hayes with an early successful role. His Penrod books continued the American boy-story tradition which started with the works of Mark Twain. Early in this century, through his novel The Turmoil, he warned of sacrificing the environment to industrial growth. Yet, since his death in 1946, Booth Tarkington -- this writer from the Midwest who accomplished so much -- has faded from the memory of the reading public, and many of his works are out of print. But his memory is fresh and vivid in the mind of his grandniece Susanah Mayberry, and her recollections of him leap from the pages of her book. She recalls that as a small child, before she was aware of her uncle’s fame as a writer, he emerged as the one figure whose outline was clear among the blur of forms that made up her large family. “No one who met Booth Tarkington ever forgot him,” says his great-niece. So, she introduces the reader to this multifaceted individual: the young man-about-town, the prankster, the writer of humorous letters (who drew caricatures in the margins), the bereaved father, the inspiration of the affection of three women (simultaneously), and the lover and collector of art objects and portraits. The author of this volume draws primarily upon her own personal experiences, family lore, and letters (some never published before) to portray her amiable uncle. She tells of the pleasure it gave him to entertain his young nephews and nieces at his Tudor-style winter home in Indianapolis – where they played a spirited form of charades. She recalls vacations which she, as a college student, spent at his light-filled summer home in Kennebunkport, Maine – where she met his famous neighbors. During all of those times, Uncle Booth was a keen observer of yout who created Penrod and friends from his observations, and the teacher of youth, who transmitted his own love of art to his young relations. While recapturing memories of the unforgettable Tarkington, Mayberry recreates an era of elegant and leisurely living, when on the dining table “in the fingerbowls . . . were nosegays of sweet peas and lemon verbena or geranium leaves.” Susanah Mayberry shares with the reader a treasure of family photographs including Tarkington at various ages; interiors and exteriors of his homes; her father and uncles as children (the models of Penrod); the writer’s indomitable sister who championed his early work; and his devoted second wife, a “gentle dragon,” who kept his day-to-day life running smoothly. Indiana residents will feel “at home” with the frequent references to the state and its people. Indianapolis of the late nineteenth through the mid-twentieth centuries influenced Tarkington and his work. The city was his birthplace and his death place. He spent a year at Purdue University where he met such “brilliancies” as George Ade and John McCutcheon. Other famous and not-so-famous Hoosiers became a part of Tarkington’s life, and they—along with international literary, theatrical, and political luminaries—reappear in Susanah Mayberry’s recollections of her amiable uncle.
A 1997 bibliography of American fiction from 1901-1925.