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This singular collection displays pairs of letters, transforming ornamental initials into Art Nouveau masterpieces. Undulating lines, sensuous curves, writhing vines, and tendrils of leafy flora decorate every two-character combination, from A to Z. Featuring 990 imaginative illustrations, this treasury is perfect for tracing and copying. The marvelous monograms will also be enjoyed for their fine aesthetic beauty, and are sure to provide a wealth of inspiration for art projects of any kind.
This influential turn-of-the-century typographic sourcebook includes 25 complete copyright-free alphabets and over 2,000 monograms plus symbols, shields and coats of arms for many societies and trades, more. Index.
Gathers hundreds of art nouveau-style alphabets and discusses the development of these typefaces
Including an international directory of museum permanent collection catalogs.
"First Nations, Métis and Inuit beadwork are beautiful art forms that are unique to North America. The patterns and techniques created and passed down through generations of our grandmothers are still being used today. Beadwork is not simple decoration of material goods. It is an expression of identity. It is an art form that connects us to the skills, the sacrifices and the creativity of our ancestors. Beadwork carries images that are ancient and reflect spiritual beliefs. And even more than that, beadwork is a healing art. Beadwork explores: the history of beads and the use of beads today ; the cultural and spiritual significance of beadwork ; show materials and various techniques used in beadwork regional styles in Canada ; diagrams and step-by-step instructions for different techniques."--pub. website.
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.