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Four best friends, a pact with dark powers, and the ultimate revenge. From author Kristen S. Walker comes a young adult paranormal thriller for fans of My Best Friend’s Exorcism by Grady Hendrix and The Babysitters Coven by Kate M. Williams. Something dark lurks in the woods. She started using witchcraft with her friends as a game, a way to vent her frustrations. But dark magic answered their call. Terrible things happen to the people Katie hates, and she’s not sure if she is responsible. Katie is thirteen years old and in the seventh grade. She just wants to focus on schoolwork and band practice. But after she broke up with her boyfriend, he spread nasty rumors about her, and now she’s being targeted by bullies. Does witchcraft really work? Could it give Katie the answer to her problems? Time to take power and get revenge. Set in the late 90s, this paranormal thriller follows a group of teen girls in the Santa Cruz mountains of California. If you love rebel girls, witchcraft, 90s nostalgia, revenge on ex-boyfriends, and female friends, put on your favorite music from the 90s and read the 90s Girl Cult series!
The cult is growing. From author Kristen S. Walker comes a young adult paranormal thriller for fans of My Best Friend’s Exorcism by Grady Hendrix and The Babysitters Coven by Kate M. Williams. Katie is in more trouble than ever. She swore off using witchcraft after one of her curses went too far, but now magic might be the only thing that can save her. After her eighth grade formal dance ends in disaster, Katie is accused of stealing another girl’s boyfriend, and her rival is out to get her own revenge. She recruits new members of the coven to boost her power—including the first boy. But the other girls have doubts if a boy could understand their problems or become a witch. Katie must walk a fine line to keep the harmony in her secret group. Now that they’re going online, the coven can coordinate their efforts more than ever before. But will it be enough to save Katie from the hatred of her worst enemy? Fight fire with fire and see who ends up burned. Set in the late 90s, this paranormal thriller follows a group of teen girls in the Santa Cruz mountains of California. If you love rebel girls, witchcraft, 90s nostalgia, revenge on ex-boyfriends, and female friends, put on your favorite music from the 90s and read the 90s Girl Cult series!
Fae and vampires are mortal enemies. From author Kristen S. Walker comes a young adult paranormal romance for fans of Crave by Tracy Wolff and Wicked Lovely by Melissa Marr. Heather is a human girl raised by vampire parents so they can turn her on her eighteenth birthday. But while she is mortal, they keep her under strict rules. She longs to learn more about the world, especially the magical community she will join someday. Her first taste of freedom comes with tragic consequences. To keep her safe from the vicious Unseelie, Heather’s parents move her across the country to a little town deep in the woods of northern California. In Madrone, Heather feels more isolated than ever—until she attends Crowther Private Academy for Magical Students and meets the boy of her dreams. Despite the warnings, Heather falls in love with a faerie prince named Glen. Their romance is doomed from the start: he’s already betrothed to a faerie princess, and she is scheduled to die in less than a year. But with Glen, she feels like a normal human girl for the first time in her life. Neither of them can deny the strong pull for the other. How will she choose between her heart and the immortality that awaits her? Vampires of Calaveras is a young adult paranormal romance trilogy in the Witches of California world, which also includes Small Town Witch and the Santa Cruz Witch Academy series. There are familiar characters and settings from other books, but it can be read on its own. If you love forbidden romance, vampires, small towns, and Fae, then try Vampires’ Daughter!
For fans of vintage YA, a humorous and in-depth history of beloved teen literature from the 1980s and 1990s, full of trivia and pop culture fun. Those pink covers. That flimsy paper. The nonstop series installments that hooked readers throughout their entire adolescence. These were not the serious-issue novels of the 1970s, nor the blockbuster YA trilogies that arrived in the 2000s. Nestled in between were the girl-centric teen books of the ’80s and ’90s—short, cheap, and utterly adored. In Paperback Crush, author Gabrielle Moss explores the history of this genre with affection and humor, highlighting the best-known series along with their many diverse knockoffs. From friendship clubs and school newspapers to pesky siblings and glamorous beauty queens, these stories feature girl protagonists in all their glory. Journey back to your younger days, a time of girl power nourished by sustained silent reading. Let Paperback Crush lead you on a visual tour of nostalgia-inducing book covers from the library stacks of the past.
The CW's hit adaptation of Supergirl is a new take on the classic DC character for a new audience. With diverse female characters, it explores different versions of the female experience. No single character embodies a feminist ideal but together they represent attributes of the contemporary feminist conversation. This collection of new essays uses a similar approach, inviting a diverse group of scholars to address the many questions about gender roles and female agency in the series. Essays analyze how the series engages with feminism, Supergirl's impact on queer audiences, and how families craft the show's feminist narratives. In the ever-growing superhero television genre, Supergirl remains unique as viewers watch a female hero with almost godlike powers face the same struggles as ordinary women in the series.
A PopSugar Best New Books of 2021 Selection Weed inspires her. Acid shows her another dimension. Ecstasy releases her. Nitrous fills her with bliss. Cocaine makes her fabulous. Mushrooms make everything magical. Special K numbs her. Crystal meth makes her mean. Sixteen-year-old Samantha, raver extraordinaire, puts the “high” in high school. A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s. Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.
Collects Howard the Duck (1976) #1-14; Marvel Treasury Edition (1974) #12; material from Fear (1970) #19; Man-Thing (1974) #1; Giant-Size Man-Thing (1974) #4-5; FOOM (1973) #15. Trapped in a Masterworks he never made! There were several worthy candidates for the milestone 300th Marvel Masterworks, but only one waddled away with victory: Howard the Duck! Steve Gerber and artistic cohorts Val Mayerik, Frank Brunner and Gene Colan crafted one of comics’ most iconoclastic and hilarious characters. Now Howard’s inaugural Masterworks kicks things off with his quirky first appearance as a “fowl out of water,” teaming with the macabre Man-Thing to protect Cleveland from the Man-Frog and Hellcow! The satirical stories continue with Howard and gal-pal Beverly Switzler taking on dire threats like the Space Turnip, the Beaver and — public transportation?! And just wait until Howard runs for president! All restored in Masterworks glory!
The love between a daughter and her mother—and the dark secrets they keep from each other—are at the heart of this wildly imaginative novel that combines elements of The Handmaid’s Tale, Stranger Things, and Twin Peaks. “I love Heartbreaker’s outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red Clocks It’s 1985. Pony Darlene Fontaine has lived all her fifteen years in “the territory,” a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony’s family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been. Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from. One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too? Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake. Praise for Heartbreaker “A fierce exploration of memory and zeitgeist . . . Heartbreaker is a darkly comedic weirdo of a book that pulls the string of nostalgia from one side while unraveling it from the other.”—The Paris Review “This is a book like no other. It’s eerie, it's cult-y, it's so very exciting, and I never wanted it to end.”—Buzzfeed, Best Books of Fall 2018 “Claudia Dey renders 1985 in perfectly crimped, shoulder-padded detail. . . . Come for the Shyamalanian premise. Stay for the hard-rock soundtrack.”—Chicago Tribune
A survey of 100 films describes their plots and examines their artistic quality, stars, and the reasons for their special popularity