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A collection of poetry, full of magical fantasy and dreamlike inventions.
This carefully edited collection of complete works of Edgar Allan Poe is formatted for your eReader with a functional and detailed table of contents: Novels The Narrative of Arthur Gordon Pym of Nantucket The Journal of Julius Rodman Short Stories The Murders in the Rue Morgue The Mystery of Marie Rogêt The Purloined Letter The Gold-Bug The Thousand-and-Second Tale of Scheherazade The Man of the Crowd The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado The Black Cat The Masque of the Red Death The Pit and the Pendulum Ligeia The Oval Portrait A Tale of the Ragged Mountains Eleonora A Dream Metzengerstein The Assignation Berenice Morella William Wilson The Imp of the Perverse Hop-Frog The Light-House Ms. Found in a Bottle A Descent into the Maelstrom The Facts in the Case of M. Valdemar The Balloon-Hoax Mesmeric Revelation Some Words with a Mummy Mystification The Premature Burial The Oblong Box The Spectacles The System of Dr. Tarr and Prof. Fether The Sphinx The Island of the Fay The Landscape Garden Morning on the Wissahiccon The Domain of Arnheim Landor's Cottage The Duc de l'Omelette A Tale of Jerusalem Loss of Breath Bon-Bon Lionizing King Pest Four Beasts in One – The Homo-Cameleopard How to Write a Blackwood Article A Predicament The Devil in the Belfry The Man That Was Used Up The Business Man Why the Little Frenchman Wears His Hand in a Sling Never Bet the Devil Your Head Three Sundays in a Week Diddling The Angel of the Odd The Literary Life of Thingum Bob, Esq. Mellonta Tauta Von Kempelen and His Discovery X-ing a Paragrab The Power of Words The Conversation of Eiros and Charmion The Colloquy of Monos and Una Shadow Silence... The Complete Poetical Works Plays Essays & Miscellanea The Life and Letters of Edgar Allan Poe Memorandum (Autobiographical Essay) The Dreamer – Life and Work of Edgar Allan Poe Edgar Allan Poe (1809-1849) was an American writer, editor, and literary critic, best known for his poetry and short stories.
This carefully edited collection of complete works of Edgar Allan Poe is formatted for your eReader with a functional and detailed table of contents: Novels The Narrative of Arthur Gordon Pym of Nantucket The Journal of Julius Rodman Short Stories The Murders in the Rue Morgue The Mystery of Marie Rogêt The Purloined Letter The Gold-Bug The Thousand-and-Second Tale of Scheherazade The Man of the Crowd The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado The Black Cat The Masque of the Red Death The Pit and the Pendulum Ligeia The Oval Portrait A Tale of the Ragged Mountains Eleonora A Dream Metzengerstein The Assignation Berenice Morella William Wilson The Imp of the Perverse Hop-Frog The Light-House Ms. Found in a Bottle A Descent into the Maelstrom The Facts in the Case of M. Valdemar The Balloon-Hoax Mesmeric Revelation Some Words with a Mummy Mystification The Premature Burial The Oblong Box The Spectacles The System of Dr. Tarr and Prof. Fether The Sphinx The Island of the Fay The Landscape Garden Morning on the Wissahiccon The Domain of Arnheim Landor's Cottage The Duc de l'Omelette A Tale of Jerusalem Loss of Breath Bon-Bon Lionizing King Pest Four Beasts in One – The Homo-Cameleopard How to Write a Blackwood Article A Predicament The Devil in the Belfry The Man That Was Used Up The Business Man Why the Little Frenchman Wears His Hand in a Sling Never Bet the Devil Your Head Three Sundays in a Week Diddling The Angel of the Odd The Literary Life of Thingum Bob, Esq. Mellonta Tauta Von Kempelen and His Discovery X-ing a Paragrab The Power of Words The Conversation of Eiros and Charmion The Colloquy of Monos and Una Shadow Silence… The Complete Poetical Works Plays Essays & Miscellanea The Life and Letters of Edgar Allan Poe Memorandum (Autobiographical Essay) The Dreamer – Life and Work of Edgar Allan Poe Edgar Allan Poe (1809-1849) was an American writer, editor, and literary critic, best known for his poetry and short stories.
A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.
Diversifications is a collection of shorter poems by the poet whose Collected Poems won the National Book Award. The poems are on a diversity of subjects, but through them all runs the strong unity of vision that has led critic Geoffrey Hartman to acclaim Ammons as "a major American poet" (New York Times Book Review). "If his importance was suspected before," wrote the poet John Ashbery in The New York Review of Books, "it is now confirmed." Ammons came late to poetry, and has come even more lately into national recognition. That recognition is solid, however, and can only be increased by this, his latest volume.
This is a retrospective of my Life & the Stuff it has produced. A ScrapBook, done in the style of a graphic novel, sort of, since I am, a Grafix Artist, only one of my many hats. It is a chance 4 me 2 share with everyone, some of the stuff I've done on my sojourn, Poems, Pix & Songs. My hope is that every pilgrim who picks it up will find it entertaining & perhaps find a part of themselves in it. Thanx 4 a Great Life, Corkey/Doc
A bilingual edition of one of the most important German poets of the twentieth century This is the most comprehensive English translation of the work of Günter Eich, one of the greatest postwar German poets. The author of the POW poem "Inventory," among one of the most famous lyrics in the German language, Eich was rivaled only by Paul Celan as the leading poet in the generation after Gottfried Benn and Bertolt Brecht. Expertly translated and introduced by Michael Hofmann, this collection gathers eighty poems, many drawn from Eich's later work and most of them translated here for the first time. The volume also includes the original German texts on facing pages. As an early member of "Gruppe 47" (from which Günter Grass and Heinrich Böll later shot to prominence), Eich (1907-72) was at the vanguard of an effort to restore German as a language for poetry after the vitriol, propaganda, and lies of the Third Reich. Short and clear, these are timeless poems in which the ominousness of fairy tales meets the delicacy and suggestiveness of Far Eastern poetry. In his late poems, he writes frequently, movingly, and often wryly of infirmity and illness. "To my mind," Hofmann writes, "there's something in Eich of Paul Klee's pictures: both are homemade, modest in scale, immediately delightful, inventive, cogent." Unjustly neglected in English, Eich finds his ideal translator here.
Reveals how ancient philosophers approached questions about the nature of poetry, its ethical and social impact and access to truth.
“One of the great American poets . . . he sounds like nobody else.”—Helen Vendler “So I said I am Ezra / and the wind whipped my throat / gaming for the sounds of my voice. . . .” So begins one of the most remarkable oeuvres in the history of American poetry. The Complete Poems of A. R. Ammons, Volume I presents the first half of Archie Randolph Ammons’s long career, including the complete texts of his three book-length poems from that period: the verse diary Tape for the Turn of the Year, the Bollingen Prize–winning Sphere: The Form of a Motion, and the daring kaleidoscope of The Snow Poems, which late in life Ammons said of all his long poems was his favorite. Here are many of Ammons’s most widely celebrated lyrics and meditations, including “Corsons Inlet,” “Still,” “Gravelly Run,” and “The City Limits.” Others are more directly inspired by his roots in the rural south, among them “Nelly Myers,” “Silver,” and “Mule Song.” Here too are conversations with mountains (as in “Classic” and “Mountain Talk”) and exchanges with the wind (“The Wide Land” and “Mansion”), materialist explanations of reality (“Mechanism” and “Catalyst”) and prayers (such as the several poems titled “Hymn”). A poet drawn to theorizing about poetry, Ammons offers both sophisticated discussions of the art (as in “Poetics” and “Essay on Poetics”) and disarming assurance: “I believe in fun.” The text of each poem has been established after careful consideration of Ammons’s manuscripts and other prepublication materials. Endnotes detail the poems’ composition and publication histories, and also helpfully annotate references made within the poems. This volume confirms Richard Howard’s judgment: “Here was a great poet, surely one of the largest to speak among us.”
Well-known scholars and poets living in sixteenth-century France, including Erasmus, Ronsard, Calvin, and Rabelais, promoted elite satire that "corrected vices" but "spared the person"—yet this period, torn apart by religious differences, also saw the rise of a much cruder, personal satire that aimed at converting readers to its ideological, religious, and, increasingly, political ideas. By focusing on popular pamphlets along with more canonical works, Less Rightly Said shows that the satirists did not simply renounce the moral ideal of elite, humanist scholarship but rather transmitted and manipulated that scholarship according to their ideological needs. Szabari identifies the emergence of a political genre that provides us with a more thorough understanding of the culture of printing and reading, of the political function of invectives, and of the general role of dissensus in early modern French society.