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This is a collection of over 200 melodies and songs from a period of over 750 years to be played and enjoyed by trumpet players of all levels.These are not only wonderful examples of music but the chronological juxtaposition of serious and vernacular music sheds an interesting light on social history. Some are well known, maybe even banal, others may be quite obscure; however all this music deserves to be played, cherished and preserved.Each one is self-sufficient, able to be played solo. However, my own compositions at the end do have an optional piano accompaniment which is available from the Recreational Musician website.
Monografie over de geschiedenis van de trompet.
This new edition of the definitive work on the history of the baroque trumpet in the 17th and early 18th centuries includes the latest material in the field plus hitherto unpublished sources of trumpet iconography. Smithers surveys the related types of trumpets used from the period of Monteverdi through the era of Bach and Handel. He examines the repertory of trumpet music available before the appearance of Bach s Second Brandenburg Concerto in F Major and provides a detailed analysis of the working conditions of trumpet players in various European countries during this period. The choice of 1721 in this first study of the music, history, and manufacture of the trumpet as it existed before the Industrial Revolution was neither accidental nor arbitrary. The earliest and only dated source of J. S. Bach s singular Second Brandenburg Concerto in F Major is both a musical and a chronological boundary between two quite different periods in the trumpet s long history. Richly annotated, this work features supplementary appendixes describing surviving sources of music composed originally for the nonmechanical baroque trumpet as well as current scholarship of note. This edition has twice as many photographs as the original printing, many reproduced for the first time."
The author is an expert trumpet player and an authority on the trumpet family of instruments, which is also treated fully in this volume. It is illustrated with music examples, diagrams and halftones.
In the last forty years, many elite performers in the arts have gleaned valuable lessons and techniques from research and advances in sport science, psychomotor research, learning theory, and psychology. Numerous "peak performance" books have made these tools and insights available to athletes. Now, professor and performer Frank Gabriel Campos has translated this concept for trumpet players and other brass and wind instrumentalists, creating an accessible and comprehensive guide to performance skill. Trumpet Technique combines the newest research on skill acquisition and peak performance with the time-honored and proven techniques of master teachers and performers. All aspects of brass technique are discussed in detail, including the breath, embouchure, oral cavity, tongue, jaw, and proper body use, as well as information on performance psychology, practice techniques, musicians' occupational injuries, and much more. Comprehensive and detailed, Trumpet Technique is an invaluable resource for performers, teachers, and students at all levels seeking to move to the highest level of skill with their instrument.
"This first complete English translation of Bendinelli's trumpet method is published as a supplement to the facsimile edition by Bärenreiter-Verlag ..."--Publisher's note.
A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available. Pauline Shaw Bayne has cleanly organized the material in three succinct parts, allowing for three independent tracks of study. Part I treats essentials of the research process. It explains starting point resources like library catalogs, dictionaries, and bibliographies; addresses scholarly documentation, the use of style manuals, and basics of copyright; and provides samples of common written research products. Part 2 develops skills and strategies for library and Internet-based research, describing database structures and library catalogs, subject searching in catalogs and journal indexes, keyword searching techniques, related-record searching and citation databases, and the use of experts, the Internet, and thematic catalogs. In Part 3, Bayne describes music uniform titles and select resources that follow the organization of a music library, such as score collections, books and journals in music literature, and music teaching publications. Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.
Volume 2 of the series, "Trumpets and Other High Brass," presents instruments in which the single harmonic series is expanded in some way, by crooks, slides, tone holes, or keys. It traces the slide trumpet from its beginnings to its use in vaudeville and jazz; the cornetto and its relation to the serpent; the invention of the stopped trumpet; and regional schools of the keyed trumpet and keyed bugle.