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In accord with the fascination that surrounds Hollywood celebrities and the increasing popularity of celebrity grave-hunting, this book serves as a guide to the final resting places of the many celebrities who are buried in Los Angeles County, California. It is arranged by cemetery, and provides the following information for each person: age at time of death; date and place of birth; date and place of death; cause of death; obituary headline of the deceased; inscription on grave marker; location of grave; and a film that the celebrity appeared in. Includes appendices, web site information, bibliography, and index.
What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Rendering literary history responsive to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways in which Dickens’s serial fiction shaped not only the popular practice of reading for pleasure and instruction but also the school subject we now know as “English.” Winter shows how Dickens’s serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning founded on the cumulative functioning of memory, Dickens’s serial novels consistently led readers to reflect on their reading as a form of shared experience. Dickens’s celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth century educational reforms consolidated British and American readers into “mass” populations served by state school systems, Dickens’s beloved novels came to embody the socially inclusive and humanizing goals of democratic education.
Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region's inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South. As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity. Contributors: Bruce E. Baker Catherine W. Bishir David W. Blight Holly Beachley Brear W. Fitzhugh Brundage Kathleen Clark Michele Gillespie John Howard Gregg D. Kimball Laurie F. Maffly-Kipp C. Brenden Martin Anne Sarah Rubin Stephanie E. Yuhl
Now in paperback, the first illustrated history of Canada's involvement in the Boer War. Control of rich resources, and strategic advantage were at stake when Great Britain waged war against two republics in Africa that declared independence. Canada was divided. Boer War expert Carman Miller book explores Canada's involvement in the conflict
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances. Each of the scholars represented has chosen a different "site of memory"--from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory. The renowned group of contributors, including Hazel Carby, Werner Sollors, Vèvè Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Geneviève Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences--and as a result, this book--represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.
A bestselling historian and political commentator reconsiders McKinley's overshadowed legacy By any serious measurement, bestselling historian Kevin Phillips argues, William McKinley was a major American president. It was during his administration that the United States made its diplomatic and military debut as a world power. McKinley was one of eight presidents who, either in the White House or on the battlefield, stood as principals in successful wars, and he was among the six or seven to take office in what became recognized as a major realignment of the U.S. party system. Phillips, author of Wealth and Democracy and The Cousins' War, has long been fascinated with McKinley in the context of how the GOP began each of its cycles of power. He argues that McKinley's lackluster ratings have been sustained not by unjust biographers but by years of criticism about his personality, indirect methodologies, middle-class demeanor, and tactical inability to inspire the American public. In this powerful and persuasive biography, Phillips musters convincing evidence that McKinley's desire to heal, renew prosperity, and reunite the country qualify him for promotion into the ranks of the best chief executives.
Published in 1992. This is a revised, enlarged edition of a book which on its original appearance in 1984 was hailed as a landmark in the study of Victorian musical life. It presents the figure of Sir Arthur Sullivan (1842-1990) not only as the celebrated co-creator of light operas with W.S Gilbert, but as a composer of all kinds of music from symphony and concerto to ballads such as ‘The Lost Chord’ and hymns such as ‘Onward, Christian Soldiers’. A prominent public life, with a knighthood in 1883, is contrasted with an unconventional private life involving a liaison of almost thirty years with an American living in London, Mary Frances Ronalds. The author’s access to Sullivan’s diary held by Yale University and to letters and other documents at the Pierpont Morgan library in New York gives this book both a unique authority and a deep human understanding. A new chapter updates research to the 150th anniversary of the composer’s birth, 1992, and incorporates music examples.