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In this follow-up to the design classic 50/60/70 Iconic Australian Houses, Karen McCartney, founding editor of interiors magazine Inside Out, has compiled a selection of significant examples of Australian houses of the 1970s, 80s and 90s, each brilliantly photographed and with a depth of coverage rarely seen before. Featured architects include Richard Leplastrier, Glenn Murcutt and Wood Marsh. A detailed introduction places the period in social, historical and architectural context, before each of the selected houses is individually reviewed in an informed and engaging style. In each example the relationship between the architect and owner is discussed, as is the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration and a discussion of designers and manufacturers of iconic furniture, fittings and fabrics. 70/80/90 Iconic Australian Houses features stunning photography by Michael Wee, both panoramic and detailed, throughout. The homes from these three decades form a significant part of Australian architectural history.
From the 1950s to the 1970s, the work of Lloyd Wright, Gropius and van der Rohe strongly influenced a generation of young Australian architects, who adopted modernist principles in their work. Karen McCartney has compiled 15 significant examples, each by a different architect, of homes that combine outstanding architectural principles and an authentic interior decor. A comprehensive introduction places the movement in social, historical and architectural context, before each of the selected homes is discussed in detail in an informed, engaging essay style. The relationship of architect/owner is discussed; as are the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration, and a discussion of designers and manufacturers of iconic furniture, fabrics etc.
Karen McCartney's Iconic Australian Houses books are re-imagined so cleverly in this freshly redesigned, encyclopaedic book, which brings together in one volume the best of 50 years of Australian residential architecture.' Lucy Feagins - The Design Files Iconic: Modern Australian Houses 1950--2000 showcases, in a fresh, new and collectible edition, the best residential projects from the previously published works 50/60/70 and 70/80/90 and which formed successful exhibitions shown at the Museum of Sydney. Completely redesigned in a new format, with revised introduction, this classic will find audiences both new to and familiar with the gems of Australian modernist architecture. Featuring houses from: Harry Seidler, Peter Muller, Roy Grounds, Peter McIntyre, Russell Jack, Robin Boyd, McGlashan Everist, Enrico Taglietti, Neville Gruzman, Bruce Rickard, Hugh Buhrich, Ian McKay, Iwan Iwanoff, Ian Collins, Richard Leplastrier, Glenn Murcott, Barrie Marshall, Ken Woolley, Lovell Chen, Wood Marsh, Andresen O'Gorman, Durbach Block, Sean Godsell, Stutchbury and Harper, Donovan Hill.
From the 1950s to the 1970s, the work of Lloyd Wright, Gropius and van der Rohe strongly influenced a generation of young Australian architects, who adopted modernist principles in their work. Karen McCartney has compiled 15 significant examples, each by a different architect, of homes that combine outstanding architectural principles and an authentic interior decor. A comprehensive introduction places the movement in social, historical and architectural context, before each of the selected homes is discussed in detail in an informed, engaging essay style. The relationship of architect/owner is discussed; as are the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration, and a discussion of designers and manufacturers of iconic furniture, fabrics etc.
If you have read The House that Pinterest Built, Smart Spaces, The Alchemy of Things, or Elements of Style you're going to love Perfect Imperfect. Wabi-sabi and new creative interior design expressions: Perfect Imperfect is a stunning collection of homes and studios of creatives from all over the world, with thought-provoking text by Karen McCartney and stunning visuals by Sharyn Cairns and Glen Proebstel. Perfect Imperfect takes as its founding principle the Japanese concept of wabi-sabi. Wabi-Sabi advocates the beauty to be found in imperfection, impermanence and the authentic. Importantly this is done without losing sight of the benefits of living in the 21st century; where designers are merging digital technology with the handmade, rethinking how to use space and accommodating the natural world. Creating a new interior design vocabulary: As the collaborative process for creating Perfect Imperfect involved working across continents, the authors created a list of words and phrases that define how to curate the work they include in their stunning book. Their new interior design and interior decorating vocabulary includes terms such as mutability, irregularity, unfinished and incomplete, void, the effects of accident, unpretentious, simplicity, contrasts, and Leonard Koren's idea that 'beauty can be coaxed out of ugliness'. The new words and phrases introduced by the authors define the book's visual sections: - Spirit of Nature - Strange Beauty - Mark of Hand - Deep Shadow - Weathering & Decay - And, Incomplete and Irregular A beautiful, inspirational decorative book: Perfect Imperfect is a celebration of accident, curation, collection, hesitation, collaboration, reuse, reimagining and true originality. It explores an established aesthetic in a new way and embraces current design objects alongside well-worn ones; featuring interior settings that mix comfort, design and an off-beat beauty.
A unique pictorial overview of the work of Stephenson and Turner, the architectural firm that came to be regarded as 'the colossus of Australian architectural practices', with offices located across Australia and New Zealand. Authors from University of Melbourne, Victoria.
Architect-designed houses of the period 1950-65 proposed an innovative response to the social, economic, and climatic conditions of post-war Australia. At the same time they embraced the aesthetic, technological, and egalitarian aspirations of modern architecture. An Unfinished Experiment in Living traces the emergence of this architectural phenomenon in Australia, documenting the full range of its expression: from the postwar optimism of the early 1950s through to the affluence of the 1960s. It is a catalogue of the most significant houses of the period. It includes comprehensive plans and period photographs of 150 houses from around Australia, dating from a time when the great Australian dream was the single family house. This book puts forward new research founded on the premise that the most significant houses of the 1950s and 60s represent an unfinished and undervalued experiment in modern living. Issues such as the open plan, the changing nature of the family, the embrace of advances in technology, the use of the courtyard, and the orientation of the house to capture sun and privacy, were valuable and critical lessons. This is a compelling reminder of their continuing relevance. [Subject: Architecture, Design, Australian History, Sociology]
Covers the architecture, furniture and History of the baby-boom era. Colour illustrations throughout.
No other architect in Australia's history has been as internationally influential or famous as Harry Seidler. This work provides an insight into and an analysis of the designs selected by Seidler to be his most important.