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Tanjore painting or Tanjavur painting is a form of art developed in the southern part of India at a place called Tanjavur and dates back to the ninth century AD. Painting of gods and humans on the walls of temples as murals turned over a period of time to painting on boards using precious stones, gold foil, and rich natural colours. This form of painting is painstaking and difficult, practised by very few artisans. There are no written guidelines for learning. The skill was passed on from artisan to artisan over generations. The author, an engineer by profession, learnt this fine art from a trained teacher. The author felt that written instructions with sketches will help many more to understand and learn. He has ventured to put into words his knowledge on the subject through this book. As no formal book of learning on this art exists, the author feels that the book with the paintings will help many more to appreciate and learn this fine age-old art. The paintings in the book were created by the author over a period of time for his own library and will last several generations if properly maintained.
Turn your love for creativity into a business with 'Artist to Artistpreneur - Your Simple Guide to a Successful Artistic Journey in 7 Steps.' This book is for those who dream of making their passion for art not just a hobby, but a way to earn a living. Find out the keys to success, from finding what you're best at to selling your art online and creating a small business at home. Learn how to think the right way, develop useful skills, and use the tools you need to make your art a success. Find out how to connect with the people who love your art, make money from your creations, and build a supportive community. This book doesn't just talk about dreams; it shows you how to turn your love for art into a real business. 'Artist to Artistpreneur' is the book you need to turn your love for art into a job that pays. CHANGE YOUR ART INTO A JOB YOU LOVE: Not sure what you love doing? Dream of reaching the top of your artistic journey? Caught between your career and creative aspirations? Good at art but don't know how to make money from it? Think you're meant to create something meaningful for the world? If you said 'Yes' to any of these, it's time to take action! We know books can change lives, but not everyone can afford them. That's where 'Artist to Artistpreneur' helps.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
2022-23 CTET/TET Environmental Studies Solved Papers
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Create art that's more attractive, interesting and eye-catching! Even if your perspective is accurate, your subject realistic and colors vibrant, a weak composition - predictable, repetitious or monotonous - means a weak painting. The Simple Secret to Better Painting ensures that your compositions work every time. It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same. You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point. Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more. You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.
Elizabeth Gwillim (1763–1807) and her sister Mary Symonds (1772–1854) produced over two hundred watercolours depicting birds, fish, flowers, people, and landscapes around Madras (now Chennai). The sisters’ detailed letters fill four large volumes in the British Library; their artwork is in the Blacker Wood Natural History Collection of McGill University Library in Canada and in the South Asia Collection in Britain. The first book about their work and lives, Women, Environment, and Networks of Empire asks what these materials reveal about nature, society, and environment in early nineteenth-century South India. Gwillim and Symonds left for India in 1801, following the appointment of Elizabeth’s husband, Henry Gwillim, to the Supreme Court of Madras. Their paintings document, on one hand, the rapidly expanding colonial city of Madras and its population and, on the other, the natural environment and wildlife of the city. Gwillim’s paintings of birds are remarkable for their detail, naturalism, and accuracy. In their studies of natural history, Gwillim and Symonds relied on the expertise of Indian bird-catchers, fishermen, physicians, artists, and translators, contributing to a unique intersection of European and Asian natural knowledge. The sisters’ extensive correspondence demonstrates how women shaped networks of trade and scholarship through exchanges of plants, books, textiles, and foods. In Women, Environment, and Networks of Empire an interdisciplinary group of scholars use the paintings and writings of Elizabeth Gwillim and Mary Symonds to explore natural history, the changing environment, colonialism, and women’s lives at the turn of the nineteenth century.