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Includes biographies of some former members of the squadron.
From beloved author of Rook comes a brilliant and genre-bending exploration of truth and memory, love and loss in this remarkable story of a civilization that undergoes a collective forgetting. What isn't written, isn't remembered. Even your crimes. Nadia lives in the city of Canaan, where life is safe and structured, hemmed in by white stone walls and no memory of what came before. But every twelve years the city descends into the bloody chaos of the Forgetting, a day of no remorse, when each person's memories -- of parents, children, love, life, and self -- are lost. Unless they have been written.In Canaan, your book is your truth and your identity, and Nadia knows exactly who hasn't written the truth. Because Nadia is the only person in Canaan who has never forgotten.But when Nadia begins to use her memories to solve the mysteries of Canaan, she discovers truths about herself and Gray, the handsome glassblower, that will change her world forever. As the anarchy of the Forgetting approaches, Nadia and Gray must stop an unseen enemy that threatens both their city and their own existence -- before the people can forget the truth. And before Gray can forget her.
Odette du Puigaudeau is best known for her major ethnographic work, Arts et Coutumes des Maures, a detailed study, in words and drawings, of the cultural world of the nomads of Mauretania. The present work explains how she came to write it. Barefoot Through Mauretania is an account of her first journey across the country by camel in 1933-4, with her life-long companion, Marion Senones. The book records the adventures of the two women during that year, often with a touch of humour. Above all, however, it presents a picture of a way of life that has, as they feared, almost vanished, and their determination that it should be recorded. Odette du Puigaudeau wrote a number of other books on different aspects of nomad life, such as the salt caravans and date markets, as well as articles on prehistoric rock-drawings, and a charming tribute to her pet leopard, Rachid."
In 1903 Tsar Nicholas II issued a decree allowing the confiscation of Armenian Church property, marking the low point in relations between imperial Russia and its Armenian subjects. Yet just over a decade later, Russian Armenians were fully supportive of the Russian war effort. Drawing on previously untouched archival material and a range of secondary sources published in English, French, Russian and Turkish, this is the first English-language study of this drastic change in relations in the Caucasus. Onur Onol explains how and why the shift took place by looking in detail at the imperial Russian authorities and their relationship with the three pillars of the Russian Armenian community: the Armenian Church, the Armenian bourgeoisie and the Armenian Revolutionary Federation (Dashnaktsutiun). Onol places the evolution within a context of wider political questions, such as the Russian revolutionary movement, Russia's nationalities question, Tsarist fears of pan-Islamism, the path to World War I and the influence of key characters in Russian policy making, from Pyotr Stolypin to Illarion Vorontsov-Dashkov.This book fills a conspicuous void in the extant historiography, and will be of interest to scholars working on Russian, Armenian and Ottoman history.